The Primitive Orbital Station is a Kerbal parody of the historical Soviet Almaz and Salyut space station programs. Shown here is a "Cislunar" orbital complex acting as mothership for 2 mini landers and a micro shuttle supporting the Lunar (KSP: Munar) exploration program. 

The P.O.S. is constructed with parts from Level 1 Research Complex with modules launched using medium lift rockets under 140 tons (i.e., I am too cheap to upgrade the Research Facility with 902,000 funds in a KSP Career game). 

This station is built around a standard Habitation Module with two LK-0 mini-landers and one X-1A Micro Shuttle attached to facilitate orbital rescue or crew recovery during cislunar (KSP: cismunar) operations. Propulsion for the translunar (KSP: transmunar) injection phase of the mission is provided by the POS-2 Propulsion Module which is discarded on a collision course with the Moon (KSP: Mun). 

Note: The acronym for this space station is a pun on this being a very small and quite crappy orbital station!

KSP: Primitive Orbital Station Complex

A tribal mutant bipedal bug rig of scavanger and savage origin that I made for fun as a personal project fairly recently. Comes with a weapon and alertnate base color and the tribal gear is a seperate object so it can be discarded incase you only want the “base bug mesh rig” for whatever kind of project intended.

Feel free to donate sometime if you like this model >  https://ko-fi.com/dm913

Tribal Mutant Bug1 Rig

A tribal mutant bipedal bug rig of scavanger and savage origin that I made for fun as a personal project fairly recently but with an alternate base color and attire. Comes with a weapon and alertnate base color and the tribal gear is a seperate object so it can be discarded incase you only want the “base bug mesh rig” for whatever kind of project intended.

Feel free to donate sometime if you like this model >  https://ko-fi.com/dm913

Tribal Mutant Bug 2 Rig

*EN*

**Polychrome wood carving (14th-15th century).**

Originally from the Church of Santa María de Tábara and currently on display in the permanent collection of the Zamora Museum (Spain).
I created this model from an incomplete and low-quality photogrammetry image. I processed it with Reality Capture and had to discard the texture of the original model due to the poor lighting quality. I then used Blender to complete the parts of the sculpture that were not captured (mainly the back). Next, in ZBrush, I sculpted the reconstructed parts and integrated them with the original photogrammetry. Finally, I recreated the texture with Substance 3D Painter, reproducing the current state of the piece. The deterioration of the polychrome layer and the damaged stucco layer reveal the wood beneath in some areas.


*ES*

**Talla en madera policromada (S XIV-XV).**

Proveniente de la Iglesia de Santa María de Tábara y actualmente expuesta en la colección permanente del Museo de Zamora.

San Sebastián Polychrome Wood Carving

The Civil War tin cup was one of the most indispensable items in a soldier's mess kit, surviving even when other belongings were discarded to lighten the march. These versatile vessels served as drinking cups, cooking boilers for coffee or stews, and even makeshift tools for digging trenches.

Model created in RealityScan from 331 images. Additional processing in Geomagic.

Civil War Era Tin Cup

A motte-and-bailey remnant behind Newton-le-Willows. Accessible through muddy field and under motorway tunnel. Quite a camber on the site, it is still tranquil and impressive despite being next to a dual carriageway and strewn with cans of Monster Energy drink and discarded vape cannisters. Excuse low quality, am still trying to find a good capture app for iPhone 17 Pro, default camera AI mush and alternatives like FinalCutCam not better. I prefer using Metashape to on-device solutions but am open to suggestions.

Castle Hill

Trash Totem is a 3D sculpture that arises from accumulation and imbalance. Discarded everyday objects – wheels, industrial parts and urban remains – are organized in an unstable vertical structure, as if trying to reconstruct a ritual meaning from what no longer has a use.

The work proposes a clash between the symbolic and the residual: a totem pole built with garbage, where each element retains its functional identity but loses its original purpose. The red fire hydrant acts as a visual and conceptual anchor, supporting a fragile system that seems on the verge of collapse. Trash Totem functions as a metaphor for the contemporary urban landscape: layers of consumption, repetition and excess piled up without a clear order, but loaded with meaning. It is an improvised monument to forgotten matter and to the constant tension between balance and fall.

Trash Totem

# **Urban Electrical Box**
**Graffiti & Decay**

*A worn street electrical box covered in layered graffiti, stickers and urban grime.*

The surface shows years of exposure to weather and city life — rust streaks, dirt buildup and faded paint create a believable sense of age. 

**Various graffiti tags** and an **anarchy symbol** add to the raw street aesthetic, while scattered stickers and scratches give the object **character and storytelling** detail.

Small details like vent slots, bolts, subtle dents and accumulated dirt help sell the realism. The base shows heavier rust and grime where water and debris naturally collect. The asset also includes nearby discarded bottles to enhance the environmental storytelling.

Perfect for urban environments, street scenes, abandoned areas, **cyberpunk** settings or **post-apocalyptic worlds.**


# **Features**

• Realistic urban prop

• Detailed graffiti and sticker decals

• Rust, dirt and weathering

• Game-ready asset

• Suitable for real-time environments

Urban Electrical Box – Graffiti & Decay

A stoneware jug from the Edgefield Pottery Collection. This jug was made in the late 1800s.

The Edgefield Pottery Collection is a collection of historic vessels with a variety of shapes, sizes, forms, and uses. A jigger mold was used to quickly mass produce these Albany-Slipware style stackers and jugs. The vessels in the Edgefield Pottery Collection did not pass their quality inspection when they were made and were discarded into a ‘waster pile’.

Scanned and Produced by Gabriel Donofrio in RealityCapture by Capturing Reality.

Edgefield Pottery Collection 179

Edgefield Pottery Collection 182

For production-ready use, we recommend downloading the source format.The converted file is intended exclusively for browser preview. In the Original format, the following are fully preserved:✔ full scene structure✔ all materials without simplification✔ correct PBR texture maps✔ proper object namingIf you intend to use the asset in a production environment, choose the original version.This 3D scanned model captures two discarded weathered plastic containers lying on a patch of dirt. One container is a light colored bucket while the other is a dark slightly deformed jerrycan both showing realistic wear scratches and dirt accumulation. The ground surface includes small rocks and patches of grass adding to the scene s authenticity. Ideal for post apocalyptic industrial or urban decay scenes this model brings a sense of realism and rugged detail to any environment.

Plastic Container Bucket 3d Scan

This 3D model is a highly accurate recreation of the Madrid Public Transport Card (Tarjeta Transporte Público), designed for use as a realistic environmental prop in urban or architectural visualization projects. The asset captures the iconic red design of the Consorcio Regional de Transportes de Madrid, complete with the official logos, transport icons, and branding.

The texture work focuses on a "discarded" aesthetic, featuring PBR materials that simulate a worn plastic surface. Detailed imperfections such as micro-scratches, edge wear, and subtle dirt accumulation give the card a grounded, realistic look, making it perfect for scene-dressing on sidewalks, subway platforms, or inside bus station environments. Optimized for real-time performance, this prop adds a touch of authentic local detail to any digital recreation of a Spanish city or modern metropolitan area.

MADRID TRAVEL CARD

Edgefield Pottery Collection 196

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-23019.1](https://www.online.landessammlungen-noe.at/objects/1409514)

**Material:** Iron

**Dimensions:** 16 × 13,3 × 3,5 cm

**Dating:** 376-568 CE

The iron spearhead was deliberately bent prior to being discarded. Such ritualised destruction of weapons has been frequently documented among the finds from the Migration Period.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Spearhead

A stoneware jug from the Edgefield Pottery Collection. This jug was made in the late 1800s.

The Edgefield Pottery Collection is a collection of historic vessels with a variety of shapes, sizes, forms, and uses. A jigger mold was used to quickly mass produce these Albany-Slipware style stackers and jugs. The vessels in the Edgefield Pottery Collection did not pass their quality inspection when they were made and were discarded into a ‘waster pile’.

Scanned and Produced by Sarah Neill in RealityCapture by Capturing Reality.

Edgefield Pottery Collection 234

Edgefield Pottery Collection 331

Edgefield Pottery Collection 187

A stoneware jug from the Edgefield Pottery Collection. This is a chicken watering jug, which was filled by holding the handle at the top and dunking the entire jug into a water source. The jug would then be filled with water, and ready for chickens to drink from the resivoir at the bottom.

The Edgefield Pottery Collection is a collection of historic vessels with a variety of shapes, sizes, forms, and uses. A jigger mold was used to quickly mass produce these Albany-Slipware style stackers and jugs. The vessels in the Edgefield Pottery Collection did not pass their quality inspection when they were made and were discarded into a ‘waster pile’.

Scanned and Produced by Gabriel Donofrio in Agisoft Metashape Pro.

Edgefield Pottery Collection 300

A cream riser from the Edgefield Pottery Collection. A Cream Riser, also known as a Clabber Bowl, typically had a handle with gently sloping sides which formed an opening slightly larger than the base. The straight sides that slope up and out allowed the cream to separate from the milk. While the larger opening allowed the user to easily skim the cream off the top before transferring the cream to a churn to make butter.

The Edgefield Pottery Collection is a collection of historic vessels with a variety of shapes, sizes, forms, and uses. A jigger mold was used to quickly mass produce these Albany-Slipware style stackers and jugs. The vessels in the Edgefield Pottery Collection did not pass their quality inspection when they were made and were discarded into a ‘waster pile’.

This model was produced by Gabriel Donofrio with Agisoft Metashape Professional.

Edgefield Pottery Collection 572

Edgefield Pottery Collection 362

Edgefield Pottery Collection 183

For full functionality, we recommend downloading the Original format.The Converted version is intended only for use in the web viewer. In the original file, the following are fully preserved:✔ native scene structure✔ complete materials without reduction✔ accurate texture maps✔ original object namesIf you are going to integrate the model into a project, choose the original version.by pbrpx Texture 8K

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