Includes the model in T-Pose, I respond to commissions of figures / 3D sculptures write me to niconaiken3d@gmail.com, model designed for 3D printing.

dark magician

For 3D modeling and 3D figures commissions write to me niconaiken3d@gmail.com

Xayah League of legends fanart

Moai, or mo‘ai, are monolithic human figures carved by the Rapa Nui people on Easter Island in eastern Polynesia between the years 1250 and 1500. Musée du cinquantenaire (Brussels, Belgium). Made with CapturingReality.

Nearly half are still at Rano Raraku, the main moai quarry, but hundreds were transported from there and set on stone platforms called ahu around the island's perimeter.The tallest moai erected, called Paro, was almost 10 metres (33 ft) high and weighed 82 tonnes (90.4 tons).[8][9] The heaviest moai erected was a shorter but squatter moai at Ahu Tongariki, weighing 86 tonnes. One unfinished sculpture, if completed, would have been approximately 21 m (69 ft) tall, with a weight of about 270 tonnes. The moai were toppled in the late 18th and early 19th centuries, possibly as a result of European contact or internecine tribal wars.

For more updates, please consider to follow me on Twitter at @GeoffreyMarchal.

Moai (replica)

A small yet elegant Chinese building inspired by the architecture of the Forbidden City. This structure features a hip-and-gable roof (歇山顶), traditional roof figures, reflecting the grandeur of imperial design in a compact form. 






Thanks to TRNKL for the exquisite roof figures of this model.

Small Chinese imperial style building

ca. 1500, Kraków, Poland, Hungary

An exceptionally valuable monument of sacred goldsmiths from the treasury of the Miechów monastery (Poland), which has survived to our times, is the richly decorated late-gothic silver chalice with a six-leaf foot. It is assumed that it was created around 1500, perhaps in a workshop in Hungary or in the capital city of Krakow. There are precious stones on the base of the chalice: sapphire, amethyst, ruby and emerald. In the upper part of the foot, figures of the Virgin Mary and an unknown saint are visible.

**For more images and further information, visit:** 
https://muzea.malopolska.pl/en/objects-list/2979

Inventory number:  MZM/D/S/63

The Museum of Ziemia Miechowska in Miechów

**Regional Digitalisation Lab, MIK, Visiting Museums of Małopolska project** 

Project Visualization (3D model + textures): Wojciech Szczekan

Gothic chalice

Angel Crown : Generically, the golden or light behind the figures of heavenly beings (Trinity, Mary, angels, other saints) is called a halo , despite there being several distinct forms. The solid disc behind the head, sometimes punctuated with a red cross behind Christ, is called a nimbus. 
Angel Crown Designed By Wael Tsar

Angel Crown - Wael Tsar

Cast of female figurine in limestone from the Loess Station at Willendorf, Lower Austria. Dates to 23,000 BC or earlier.

These ‘Venus’ figures start to be carved by our modern ancestors over 30,000 years ago and may have been religious or fertility symbols.

Object in the Royal Pavilion & Museums' archaeological collections, digitised by the University of Brighton's Cultural Informatics team.

Accession number: R3411/56

Venus of Willendorf

Goblin from Hellpainter figures: http://hellpainter.com/shop-garally-20.htm
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<a rel="nofollow noopener noreferrer" target="_blank" href="https://www.buymeacoffee.com/keianhzo"><img
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Goblin

* **Я принимаю заказы! Если вы хотите заказать у меня 3Д модель, обращайтесь ко мне во Вконтакте в сообщения сообщества - https://vk.com/lexyc3d (Доступно только владельцам российских платёжных систем)**

* In 1995, Honda introduced the Integra Type R to the Japanese domestic market. The Japanese specification Type R came standard with a 147 kW (200 PS; 197 hp) factory-tuned variant of the B18C engine. Power figures varied slightly between markets, with USDM cars putting out 145 kW (198 PS; 195 hp) and UK-spec cars making 139 kW (190 PS; 187 hp). Equipped with a close-ratio 5-speed manual transmission and a helical-type limited-slip differential, the Integra Type R had significantly improved performance and handling relative to the GS-R/Si/SiR-G Integra. Made in Blender 3.1.2

* **Additional file formats:**

.blend - https://drive.google.com/file/d/1nuJet6sAqot54WTglH8DxxenWETWX1mq/view?usp=sharing

Honda Integra (DC2) Type-R 1995

Consists of a handle and the axe head. Axe is shaped as a crescent, is made from copper alloy. Handle is wooden, round, plugged with a steel plate with longitudinal canals. The blunt side is decorated with engraced figure of a bird. Both sides of the axe head are decorated with floral ornament with two stylized figures of animals.

Country: Iran, Caucasus (?)

Time of production: XVIII-XIX c.

Material: Steel, copper alloy, wood

Decoration technique: Engraving

Sizes, cm: 47,0x16,5

Weight, kg: 0,8

Decorative Battle Axe

This is a 3D model of “The Terme Boxer” attributed to Apollonius, and one of the few surviving bronze statues from the classical era. This muscular man is seated on a stone structure, wearing only boxing attire such as wraps for his hands and penis. The Terme Boxer represents a change in depicting heroic figures, from beautiful unburdened youth to a man beaten down by life yet still looking upwards, signaling changing virtues in the Mediterranean from purity to hardiness.

**Selected Bibliography:** [Hemingway 2013](https://bit.ly/2Uvc5Q1); [_Khan Academy_](https://bit.ly/2UgKD9X)

# Ancient World 3D
This model posting is part of [Ancient World 3D](https://exhibits.ulib.iupui.edu/aw3d/items/show/9), a project that provides curated 3D open access content for Classical Studies. The [original model was posted by Scan the World](http://mmf.io/o/34057). This entry was composed by Andre Rivera (Dr. Elizabeth Thill, advisor, Cheyenne Eversole, curator).

100.IG.11 Terme Boxer

Chiesa San Pietro - Backside Facade  (Tuscania - VT)
San Pietro is a Romanesque and Gothic-style, Roman Catholic church just outside Tuscania, province of Viterbo, region of Lazio, Italy.
Facade of the church
The façade has a large rose window, decked with mosaics, hedged at the corners by the symbols of the four evangelists, and flanked by reliefs with elaborate carvings of plants, menagerie of animals, and a complex iconography of saints and figures of the old testament.
Below is a loggietta and on the ground is a sculpted main portal with a large rounded arch. The nave is flanked by rounded Romanesque arches and leads to a presbytery with a Ciborium for main altar. The presbytery has a geometric mosaic floor. The crypt has gothic tracery.
wikipedia

coordinates: 42.412855, 11.878552

photogrammetry: 55 photos

Chiesa San Pietro - Backside  (Tuscania) RAWscan

Alexander the Great Sets Fire to Persepolis, Relief in marble. Executed in 1865 by Brynjulf Larsen Bergslien and Christian Constantin Olsen under the supervision af H.W. Bissen, after Thorvaldsen’s original model from 1832. (A 514). Thorvaldsen Museum (Copenhagen, Denmark). Made with Memento Beta (now ReMake) from AutoDesk.

In Thorvaldsen’s work, Alexander the Great is mainly associated with the  so-called Alexander Frieze from 1812. What is portrayed here is a rather different aspect of Alexander’s personality: In the Alexander Frieze, Alexander arrives at Babylon as a peace-loving hero - indeed, as a god. In this relief, Alexander is drunk, and is allowing himself to be tempted by his mistress to carry out a terrible deed, namely, to set fire to the Persians’ capital city, Persepolis. Among the other figures, we can see Alexander’s friend Parmenio, who is attempting to restrain him; while on the far left a Persian can be seen leaving in despair.

For more updates, please follow @GeoffreyMarchal on Twitter.

Alexander the Great Sets Fire to Persepolis

**CAT** Els Reials Col·legis, a Tortosa, constan de tres edificis, un dels quals és el de Sant Jaume i Sant Maties. Van ser construïts a partir del 1564 com a espai per la formació dels joves musulmans conversos de la ciutat. Destaca el gran pati de tres alçades amb decoració de figures religioses i reials.

**ES** Los Reales Colegios, en Tortosa, constan de tres edificios, uno de los cuales es el de Santiago y San Matías. Fueron construidos a partir de 1564 como espacio para la formación de los jóvenes musulmanes conversos de la ciudad. Destaca el gran patio de tres alturas con decoración de figuras religiosas y reales.

**ENG** The Royal Schools, in Tortosa, consist of three buildings, one of which is that of Sant Jaume and Sant Maties. They were built from 1564 as a space for the training of young Muslim converts. Highlights include the large three-storey courtyard decorated with religious and royal figures.

https://ca.wikipedia.org/wiki/Reials_Col%C2%B7legis

Escaneig làser: Lluís González Martín. SPA

Reials Col·legis de St Jaume i St Maties Tortosa

Petroglyph J6, Khatm Al Melaha, Kalba, Sharjah.  Anthropomorphic figures in several styles, domestic goats, ibexes, and other motifs. All are common throughout the region. 

Khatm Al Melaha is a spectacular archaeological site on the coast of the Oman Sea near Kalba in Sharjah, UAE. It is one of the largest rock art sites in the UAE. There are also stone houses, a shell midden, stone tombs and other features that date this site has having occupations from at least the early Holocene to the 19th century.

Over 175 stones with petroglyphs were documented and close to 400 motifs were identified. Every rock with a glyph was given an ID number and a GPS coordinate. In total 25455 terrestrial photographs, 5244 drone photographs, 44 drone videos, and 182 GPS points (+/- 1cm) were done in a single day.

Petroglyph J6, Khatm Al Melaha, Kalba, Sharjah

11th Century AD

"This stone base, carved with a series of dancing female figures, would have supported a temple column. It is of a type seen in the Jain temples at Mt Abu, and Ranakpur where deeply-cut tracery styles of sculpture are found.” - British Museum

*Uploading a second time to make downloadable as there was an error in previous upload.*

Column base, Gujurat, Western India

" h 24.0cm × w 15.0cm × d 11.8cm. More details

The protuberance or topknot on the head (ushnisha) and the raised spot on the forehead (urna) are standard features of the Buddha. The wavy hair combed back from the face is characteristic of Buddha figures from Gandhara. It was only during the early decades of the 1st century AD that the first Buddha images began to appear."
- https://www.rijksmuseum.nl/en/search/objecten?q=head+buddha&p=1&ps=12&ii=1#/AK-MAK-1231,1

Head of the Buddha, Anonymous, Rijksmuseum

You can copy, modify, and distribute this work, even for commercial purposes, all without asking permission. Learn more about The Cleveland Museum of Art’s Open Access initiative: http://www.clevelandart.org/open-access-faqs

*Pair of Guardian Figures (Zuishin)*, c. 1560–1625. Japan, Muromachi period (1392-1573) to Edo period (1615-1868). Japanese cypress (hinoki) with traces of color; crystal; 68.5 x 71.4 cm (26 15/16 x 28 1/8 in.); 70.2 x 70.5 cm (27 5/8 x 27 3/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 2020.215

Learn more on The Cleveland Museum of Art’s Collection Online: https://www.clevelandart.org/art/2020.215

2020.215 Pair of Guardian Figures (Zuishin)

Young Satyr drinking Wine – designed by a Danish sculptor Louis Hasselriis.
The figure was inspired by late classical figures of satyrs from Pompeii and Herculanum.

Scupture stands at the etrance of Ørstedsparken in Copenhagen.
![](http://rigsters.com/sketchfab_img/satyr-3d-scan-rigsters.jpg)

Young Satyr drinking Wine

The ages of love (A426), relief in marble, after the original model from 1824. Thorvaldsen Museum (Copenhagen, Denmark). Made with ReMake and ReCap from Autodesk.

In this relief we see a winged Psyche in the role of distributing small angelic figures known as cupids, symbolizing love. Psyches gives these cupids to women and men, young and old. There is the young woman kneeling in adorationof her cupid. There is the woman who embraces and kisses her cupid, and the woman who has lost interest in hers. There is the man who is too tired to take an interest in his cupid, and there is the old man who reaches out for his, but cannot catch it. The relief is based on a model from classical antiquity.

For more updates, please follow @GeoffreyMarchal on Twitter.

The ages of love

This 3D models are the models of both LEGO Jurassic world indominus rex figures ever made. The original models are made by the sketchfab user GHZ and I edited them with blender.

LEGO Indominus Rex Collection

3D scan of a figure holding a crown and wearing jewelry, that is part of the architecture in Hall 6 of NHM Vienna, representing the chemical element Gold (Au). Gold is not only very rare but also one of the softest and heaviest metals and resistant to attack by air, heat, moisture and most solvents. Thanks to these qualities and its warm shine, gold was deemed the most precious of metals. All figures in Hall 6 of the NHM Vienna were created by Edmund Hofmann.

**Object**:  Female figure wearing jewelry holding a crown made of gold

**Collection**: Natural History Museum Vienna (contact: Stefanie Jovanović-Kruspel)

Find out more about the NHMW [here](http://www.nhm-wien.ac.at/en).

Scanned and edited by V. Winkler & A. Haider (NHMW)

Scanner: Artec Leo. 

Contribution to the digitization project „Einsichten in die gesellschaftspolitische Dimension des NHMW über die Jahrhunderte von der Prägung des Wissenschafts-Verständnisses bis zum Nationalpark in der Lobau“ funded by the [BMWKMS](https://www.bmwkms.gv.at/)

Figure embodying the element "Gold"

3D scan of a figure holding a gold coin and wearing a golden rimmed purse, that is part of the architecture in Hall 6 of NHMW, representing the chemical element Gold (Au). Gold is not only very rare but also one of the softest and heaviest metals and resistant to attack by air, heat, moisture and most solvents. Thanks to these qualities and its warm shine, gold was deemed the most precious of metals. All figures in Hall 6 of the NHM Vienna were created by Edmund Hofmann.

**Object**:  Male figure with a purse holding a gold coin

**Collection**: Natural History Museum Vienna (contact: Stefanie Jovanović-Kruspel)

Find out more about the NHMW [here](http://www.nhm-wien.ac.at/en).

Scanned and edited by V. Winkler & A. Haider (NHMW)

Scanner: Artec Leo. 

Contribution to the digitization project „Einsichten in die gesellschaftspolitische Dimension des NHMW über die Jahrhunderte von der Prägung des Wissenschafts-Verständnisses bis zum Nationalpark in der Lobau“ funded by the [BMWKMS](https://www.bmwkms.gv.at/)

15th century wall tomb in the north wall of the chancel of Strade Dominican Friary (MA070-067001-), Co. Mayo.  Described by archaeologist, John Hunt as; 'a gabled tomb niche, with an elaborate flamboyant traceried canopy. Below this, forming a tomb-front, are two panels boldly carved with decorated ogival niches beneath elaborate foliated crocketing and pinnacle work. In the first three of these are represented the Three Kings of the East, Caspar, Melchior & Balthazar, crowned & bearing their gifts of gold, frankincense & myrrh. In the fourth niche is Christ, King and Judge. In the second panel, the ogee heads are treated as a single canopy, the pinnacles being supported on corbels carved as worshipping angels issuant from clouds with wings displayed. Under this arcading are disposed four figures. The dexter, presumably the donor or commemorated man.   The other three figures, represent an archbishop with cross-staff in the act of blessing, St Peter with two keys & a book, & St Paul with a sword & a book'.

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