The [shield](https://goo.gl/mur2Uz) is part of a [suit of armour](https://goo.gl/HiWXTM) that was delivered to the [King](https://goo.gl/9fGJux) in 1562. The whole set was problably made in [Arboga](https://goo.gl/SgXxA1) and then sent to [Antwerp](https://goo.gl/nQdMm8) where it was decorated by the goldsmith Eliseus Libaerts, following drawings by the French artist [Etienne Delaune](https://goo.gl/QqLbuv). To create the relief decor the steel has been [chased](https://goo.gl/FzoAbd), [embossed](https://goo.gl/i8gDzz), [etched](https://goo.gl/mKJri6) and [gilded](https://goo.gl/XSUdps). The motif is inspired by tales from antiquity and depicts [amazons](https://goo.gl/nqvY1j) fighting male warriors. It is probably a battle scene from the [Trojan war](https://goo.gl/LXsTkq). According to the myth the amazons supported [King Priam of Troy](https://goo.gl/QBjvTe) in the war but also lost their queen [Penthesileia](https://goo.gl/YvCSFg) when she was killed by [Achilles](https://goo.gl/TVPqit).

The Parade Shield of King Erik XIV of Sweden

Japanese armor type "Tosei dö gusoku" with helmet or "kabuto". It was part of the Romero Ortiz Collection, related in its 1888 Catalog to Daniel Datto and the context of the Philippine War. The warriors of ancient Japan or Samurai, belonged to a military elite at the service of a Daimyo or feudal lord. Their armor, the basis of their defensive clothing, consisted of different components that covered the entire body, pieces that evolved into forms of great showiness and a precious finish, especially in the Edo period. Edo period (1603-1868). In the collection of the Spanish National Army Museum (Toledo, Spain). Catalog number MUE-43243. 3D model made using the Artec Leo scanner. Processing completed in Artec Studio Professional with additional processing completed in Geomagic Wrap.

This work is part of the collaboration agreement signed in 2021 between the Ministry of Defence (Spain) and Global Digital Heritage for the digitization of the collections preserved by the Spanish National Army Museum.

Japanese armor, Edo period (1603-1868)

Kabuto (兜, 冑) is a type of helmet first used by ancient Japanese warriors

Kabuto

Warriors Statue from the Hristo Botev memorial complex in Kalofer, Bulgaria

Warriors Statue

The terra cotta warriors occupy an important position in ancient sculpture works, and they are one of the ancient tombs sculpture works. As early as the primitive society, people began to put the human body and animals squeezed by mud into the furnace and cook together with pottery. In the Warring States period, with the decline of the system of martyrdom, the pottery figurines replaced the funeral of martyrs. The more than 8000 Terra Cotta Warriors unearthed in the mausoleum of the first emperor of Qin Dynasty were magnificent and impressive.

Link：https://baike.baidu.com/item/%E9%99%B6%E4%BF%91

Painted female figurines of Tang pottery

The Saurus form one of the core species of the conglomerate Lizardmen race, created by the Old Ones to be the warriors and guardians of their society. When the temple-cities are on the warpath, it is the Saurus who make up the hardened core of the fighting forces. This is of no surprise, for the Saurus were created solely for the purpose of warfare and nothing else. They are large and ferocious predator-warriors, so single-minded in their duties that they have no concept of thought, individuality or personality.

**"Thus the Al Nehekharin were destroyed and they collapsed into heaps of skulls and bones strewn across the desert. Their numbers could not prevail against the might of the Stegadons and the rage of the Al Saurim. Although the wailing and sight of the evil hordes would've struck terror into the hearts of mortal men, the Al Saurim were not at all afraid, they just slew anything that came near."**

Saurus

The Kroxigor form one of the core species of the Lizardmen race, created by the Old Ones as strong and obedient construction workers, labourers and in times of war, powerful warriors. Under the guidance of Skink overseers, Kroxigors accomplish many great tasks that would require a great amount of strength to muster, such as hauling and placing the massive stone blocks instrumental in the composition of the ziggurat temples
Perhaps due to the tedium of their labours, the Kroxigor were never intended to be mentally agile. They are extremely simple-minded creatures that require and often desire direction and would instinctively obey all instructions from their smaller kin with an almost alien level of obedience.

Kroxigor ( with different textures )

Rock 6 at Foppe di Nadro has a glacier-smoothed surface and, with around one thousand figures, is one of the most densely engraved rocks in this area.  The figures mostly date from the middle to late Iron Age.

It is possible to see all the classical themes of the Camunian rock cycle: footprints (single, coupled and some with internal decoration), human figures (warriors predominating), buildings, weapons, animals and a number of geometric symbols (such as the five-pointed star).

The small section of this rock surface represented in the 3D model presnts one of the most well-known scenes of Valcamonica rock art: two pairs of fighters.  These are of the Naturalistic Period (around 500-300 BC). The fighters are realistically represented in a dynamic posture. One couple fighting with short swords, shields and crested helms, the other engaged in a boxing match.

The group of figures below are in a simpler, more geometric form.  They look cruder but are later, around 1st century BC.

Valcamonica - Foppe di Nadro, Rock 6

This model was generated using Meshy(https://www.meshy.ai)'s AI toolkit. It provides tools that effortlessly turn human imagination into stunning 3D models.

If you're interested in this model, visit the model page on Meshy to explore more about it: [https://www.meshy.ai/3d-models/Dawnbound-Warriors-v2-019d3da8-cd19-73de-9ef6-148030829276?utm_source=sketchfab](https://www.meshy.ai/3d-models/Dawnbound-Warriors-v2-019d3da8-cd19-73de-9ef6-148030829276?utm_source=sketchfab)

Dawnbound Warriors

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/KMvKpH](https://www.meshy.ai/s/KMvKpH)

Bikini Warriors - Crimson Fighter

A smaller surface in relation to the many very large carved rocks at Foppe di Nadro.  The rock has been extensively smoothed by glacial action.

The engravings here represent two phases of carving.  The first phast presents engravings from the Neolithic Age (4th millennium BC), with 28 praying figures, of which several can be seen here on the 3D model.  They have both schematic and curved arms.  These are contemporary with the circle motifs with a dot in the centre and two figures recognisable as halberds.

The second phase starts from the Middle IronAge and the panel is densely engraved with figures of warriors wielding swords, shields & spears.

The rock also displays some historic phase motifs, with filiforms of lines, half-circles and grids and some Medieval crosses.

Valcamonica, Foppe di Nadro - Rock 35

This small rock was engraved during the second half of the first millennium BC.  The Chronology can be determined through the typology of the weapons clasped by the duelists.  The central section of the rock is decorated with several pairs of battling warriors.  They brandish axes with expanded blades, also represented separately near the warriors, and in some cases they hold decorated shields.

At the far right there are two quatrefoil rosa camuni symbols, adopted as the present day emblem of the Lombardy region.

Valcamonica, Paspardo (Dos Sotolaiolo) - Rock 1

**The name of the model:** Basic drone

**Character info:**

They are large, humanoid alien warriors with heavy armor and advanced weaponry, used as Vilgax’s primary enforcers.

**3D Model credits**

Gothic luigi on models resource

FBX by Rockhard ENT

**Features:**

* Basic mixamo rig
* Upscaled texture included

Basic Drone FBX Rigged

Unfortunately, this model has not turned out well as the photos must have had to have been shot at distance,  from the walkway.

It shows the image of 'a great horse, horseman and squire.'  It is one of many middle to late Iron-Age engravings on the rock - fighting warriors, dogs, deer, footprints, five pointed stars and other symbols.  

The horse was an important status symbol during the Iron Age.  This small grouping may also underline the clear distinction of social roles between the horseman (perhaps a local 'prince') armed with a shield & spear, and the squire, who holds the rider's second spear and leads the horse on foot.

This is quite a well known little cameo from the rock art of Valcamonica.  I've got to admit that I find it a little comical as the animal seems to closely resemble a pantomome horse.  Hopefully, on my next visit to Valcamonica I will manage to obtain a better sequence of photographs on of it.

Valcamonica, Foppe di Nadro - Rock 27

A sword is a bladed melee weapon used throughout history for combat and defense. It typically consists of a sharp blade, a hilt for holding the weapon, a guard to protect the hand, and a pommel at the end for balance. Swords were widely used in many cultures and came in different types such as longswords, katanas, rapiers, scimitars, and broadswords. In medieval times they were commonly associated with knights and warriors in battle. Today, swords are also popular in fantasy stories, films, video games, and 3D game assets, where artists often create detailed sword models using software like Autodesk Maya and render or use them in real-time engines such as Unreal Engine for games and visual effects. ⚔️

Sword

Polychrome anthropomorphic whistle in the form of a standing dwarf figure, with the right hand resting on the hip and the left hand holding a fan raised beside the face. The fan is circular, with concentric decoration and what appear to be feathered elements. The figure wears a padded or fringed costume of the type later known in Mesoamerica as tlahuiztli, generally associated with warriors during the Postclassic period; over this garment, a hip cloth is worn. The headdress consists of a plain band encircling the hair, which is tied upward and backward, with incised details and blue paint suggesting feathers. Additional ornaments include elongated earspools, a necklace tied at the front with an oval pendant, and blue-painted sandals.

 IDAEH Cultural Property No. 1.2.179.0177
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Space Spider

Whistle figurine

Rock 12, the is the largest area of exposed bedrock at Seradina and, with its hundreds of carvings, constitutes an exceptional window on the world of the Iron Age Valcamonica tribes.

The wide surface is one of the most important and well-known in the whole of Valcamonica rock art and is marked by themes which make it unique in the context of the local Iron Age.

On this small section of Rock 12, a there is a row of relatively small armed warriors who, with their arms aloft, appear to be paying some sort of tribute to a much large, animated, human figure above, who is armed with a shield and long spear.

Valcamonica, Seradina 1 - Rock 12 (5)

Rock 12, the is the largest area of exposed bedrock at Seradina and, with its hundreds of carvings, constitutes an exceptional window on the world of the Iron Age Valcamonica tribes.

The wide surface is one of the most important and well-known in the whole of Valcamonica rock art and is marked by themes which make it unique in the context of the local Iron Age.

The bottom section of Rock 12 comprises warriors (including duels) and horsemen, but it is dominated by an unusual composition of several unarmed humans with their arms pointing downwards.  This is a gesture towards the Earth, unlike the 'praying men' who hold their arms up  as if addressing the sky.

a human figure  larger than the others is positioned in the centre of the composition, His power, which has nothing to do with weapons, is emphasosed by his large hands, large feet and clearly visible gender.  The exceptional elements indicate him as a possible deity, shaman or ancestor-spirit (early Iron Age).

Valcamonica, Seradina 1 - Rock 12 (2)

For full functionality, we recommend downloading the source format.The converted file is intended only for use in the web viewer. In the original file, the following are fully preserved:✔ native scene structure✔ complete materials without reduction✔ accurate texture maps✔ proper object namingIf you are going to integrate the model into a project, download the source file.A battle worn longsword with a rugged yet noble design perfect for adventurers and warriors in fantasy or historical settings. The blade features subtle scratches showcasing a history of use while the guard and pommel retain a regal shine. The leather wrapped handle ensures a firm grip and the gemstone accent adds a touch of mystique. This versatile weapon balances elegance and practicality making it ideal for real time applications mid range renders or as a hero asset in games

Battle Scarred Noble Longsword

Ceramic whistle depicting a dwarf figure in a dancing posture. In the right hand, the figure holds a round fan, oriented downward and backward, decorated with concentric motifs and what appear to be feathers. He wears a plain cap and a padded or fringed outfit, resembling the tlahuiztli costume known throughout Mesoamerica, traditionally associated with warriors of the Postclassic period. NAA analysis of the ceramic paste indicates the upper Chixoy River region as the place of manufacture.

IDAEH Cultural Property No. 1.2.144.0800

www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 341

Dancing dwarf holding a fan

For complete workflow compatibility, we recommend downloading the Original format.The converted file is intended only for use in the web viewer. In the Original format, the following are fully preserved:✔ native scene structure✔ complete materials without reduction✔ correct PBR texture maps✔ correct object namesIf you intend to use the asset in a production environment, select the original version.The battle hardened counterpart to the ceremonial blade this version shows scratches patina and weathering from countless fights. The worn steel and aged brass fittings tell a story of survival and experience giving the weapon strong battlefield character. Ideal for darker settings veteran warriors or game progression when weapons gain history and wear.

Curved Blade Worn

This relatively small rock is mostly decorated with carvings from the Copper & Bronze Ages.  Its surface is densely engraved with images of weapons, mainly daggers, in use in the Copper Age (3300-2200 BC) and the First Bronze Age (2200-1800 BC). 

Actual copper daggers, with a triangular blade & half-round pommel, like these have been discovered during archaeological excavations in the big Copper Age cemetery found in Remedello at the end of the nineteenth century.  

Other daggers show stretched and elongated blades, a type more common during the Bronze Age.  On the left, two fighting warriors have been date to within the late Bronze Age, about 1200-1000 BC.

Valcamonica, Foppe di Nadro - Rock 4 (1)

The sub-area of Seradina 3 is located over the rocky slope that connects Seradina to Bedolina.  It includes more than 60 rock art  panels whose figurative themes cover a time span of more than 5000 years.  The majority of rock art is found in dangerous spots, sometimes on overhanging spurs or in hidden corners of the territory.  this rock is on the short route of the rock in the lowest part of the area.

Rock 9 is in an accessible, lower area. It is crossed by a deep glacial groove and is richly carved with fighting warriors, animals and circles.

Valcamonica, Seradina 3 - Rock 9 (1)

Immerse yourself in the era of great Norse warriors with this detailed 3D Viking shield. At its center a stylized dragon design emerges in relief. Perfect for historical projects fantasy settings or role playing games.

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