Free 8K modular industrial pipe set, aged blue-gray metal with rusted flanges, elbows, tees, crosses, straight runs and a red-handled valve with gauge.

Modular Industrial Pipes 01

Model made in Zbrush and textured in Substance 3d Painter.  The download for this model (original format) will give you the model with textures as displayed here.  Most of the surface detail has been painted on in Substance Painter so will not appear in a 3d print.   I have also included an additional STL file  (click additional file at download) which I have used for 3d printing - see image below (sorry additional file temporarily missing - am looking for it).  This version has surface detail such as the crosses but does not have all of the engraved detail seen in the model displayed here.

You are free to use this model in any way including commercially.

I have also published a symmetrical version of this model rigged for animation - click this link https://skfb.ly/otT6U

![](https://i.imgur.com/3EGHM2j.jpg)

Knight - includes file for 3d printing

High Sweden Bridge is a 17th-century packhorse bridge.

It crosses Scandale Beck, just outside Ambleside (Cumbria, UK). 

The model was created from 448 photographs.

High Sweden Bridge

Recumbent 15th-century chamfered cross-slab grave-cover measuring 1.9m long by 0.09m thick, the base of the slab measures 0.64m wide which narrows to 0.54m, in the south-east corner of the chancel of Portumna Dominican Friary church (GA127-019----), Co. Galway. Chamfered slab the top of which has a sunburst-motif with human face representing Christ flanked by a serpent/monster with open jaws, dotted body and curving tail which runs across onto the the sunurst motif.  A triangular-shaped motif above the open jaws may represent the tongue of the serpent with fish beneath. Above this there is an eight pointed encircled rosette and an eight armed encircled cross between which there are two human heads above which there is a base for the shaft of the central cross.  Two four cornered knots either side of the shaft of the central cross which forms the centre of six rows of three encircled crosses with vine leaf terminals representing the blood of Christ.  For more details visit: https://tinyurl.com/56hwrtac

Portumna Graveslab (GA127-019001-)

The runic inscription Ög 197 is a Viking Age runestone that now stands in the churchyard by the old church ruin of Sörby in Mjölby parish and Mjölby Municipality, Östergötland. The stone previously lay embedded in the eastern churchyard wall before it was removed and raised at its current location.

The material is reddish granite, and it is carved with normal runes that run in a closed loop, meaning the inscription goes all the way around without a clear beginning or end. The runic text is read from right to left, and the runes themselves are mirrored compared to how they usually appear in Viking Age runic inscriptions. Diagonal crosses were used as separators between words. On the western side, the stone is supported with iron braces.

The runes can be translated as: Vigot raised these stones in memory of Torgot, his brother.

Original height: 2,64 m 

Width: 1,10 m.

Runestone Ög 197, Mjölby, Sweden

Located in Strade Dominican friary (MA070-067001-), one of a group of five floriated graveslabs standing upright attached to the internal face of the south wall of the friary chancel. Tapered graveslab with floriated cross measuring 1.19m long by 0.39m wide that served as the lid of a medieval stone coffin/sarcophagus.  The surface of the slab is worn, but the outline of a long cross fleury carved in low relief extending almost the full length of the slab is visible.   Greek crosses rise from the terminals of the diagonal arms which represent the Crucifix and may represent a version of the Lily Crucifix.  Wavy diagional line near cross base has flowering terminals topped with a Greek cross.  Carving is best viewed in Matcap render. Flowering cross based on the Tree of Life.  In Christian theology, the crucifixion of Jesus transforms the cross from a "tree of death" into a new "Tree of Life," reversing the fall of humanity in Eden.  Archaeological Survey of Ireland description at; https://tinyurl.com/yyy65tpx

Strade Abbey Graveslab MA070-067009-

Nurse Sabine is one of the corrupted staff members haunting the deranged halls of the Heilwald Klinikum, a place warped by eldritch time loops and grotesque medical aberrations. Unlike the more overtly violent figures, Sabine’s horror is clinical and uncanny: she lingers in the dental wing with an unnerving, perpetual grin and unnaturally long limbs that betray her humanity. When the protagonist crosses her path, Sabine confronts them with a cruel dental apparatus, methodically securing it around their jaw and unsettlingly increasing pressure as if her idea of “treatment” is torture. Every encounter with her feels less like care and more like a ritualized violation of bodily autonomy, a reflection of how the Klinik has perverted even the most mundane medical roles into something monstrous.

The Heilwald Loophole: Nurse Sabine

A smaller surface in relation to the many very large carved rocks at Foppe di Nadro.  The rock has been extensively smoothed by glacial action.

The engravings here represent two phases of carving.  The first phast presents engravings from the Neolithic Age (4th millennium BC), with 28 praying figures, of which several can be seen here on the 3D model.  They have both schematic and curved arms.  These are contemporary with the circle motifs with a dot in the centre and two figures recognisable as halberds.

The second phase starts from the Middle IronAge and the panel is densely engraved with figures of warriors wielding swords, shields & spears.

The rock also displays some historic phase motifs, with filiforms of lines, half-circles and grids and some Medieval crosses.

Valcamonica, Foppe di Nadro - Rock 35

The 'Rock of the Sun' is to the right of the Rock of the Five Daggers.  The sun symbol is shown, very indistinctly on the 3D model, to the left of centre at the bottom of the panel.  Other Copper Age symbols - human figures & a zoomorphic figure, can also be faintly seen.  The preservation of the white pigment delineating some of the upper figures is very rare and due to the protective nature of the overhang above them.

There are also Christian-age crosses.  The sacredness of the site is attested to by the presence of the Christian shrine (chapel) consecrated to the Virgin Mary.

Valcamonica, Capitello Due Pini - Plas (2)

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.63](https://www.online.landessammlungen-noe.at/objects/1117127)

**Material:** Gold pleated silver

**Dimensions:** 57 mm

**Dating:** 1250 - 1300 CE

Brooch with star-shaped frame with eight points. The frame, which is star-shaped, consists of two intertwined squares with lily-shaped tips. There are diamond crosses on the frame. The frame is completely gilded. There is also a recess on the inner edge of the frame and a hole for the pin axis.
Brooches are a significant aspect of high and late medieval fashion. The larger and more stable clasps are usually attached to the shoulder or chest of the coat

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Octofoil brooch with fleur-de-lis

Cruceiro dos Santos, en Cheis. Atópase no camiño real que vai de Bamiro para Tines, onde se cruza coa ruta en dirección a Pazos, a aldea de procedencia do doante, probablemente no século XVII. Dun lado está o Cristo, que olla para o leste, e na cara oeste hai unha Trinidade: Pai, Fillo e Espírito Santo. Na parte inferior agrúpanse un conxunto de figuras arredor da cruz.
Fotogrametría antes da súa limpeza.

Cruceiro dos Santos in Cheis, Vimianzo (A Coruña). It is in the way from Bamiro to Tines, in the place that crosses the route to Pazos, the benefactor village, probably in XVIIth century. On one side ther is a Christ, looking East, and on the west side there is a Trinity: Father, Son and Holy Ghost. On the lower part there is a group of figures arround the cross.
Photogrammetry before cleaning.

Cruceiro dos Santos en Cheis, Vimianzo

MERRELL ROVER
I just wanted a quiet run out in the trees,
With my trail shoes on and a soft little breeze,
But then I saw a monster, kinda weird, kinda free,
A Merrell 4x4 said: “Hey buddy, jump in with me!”
It’s the 4x4 that makes coffee 
Climbs up mountains like it’s nothing, you see,
With tires that grip in the pouring rain,
And airbags that hug your brain!
Oh oh, hear that turbo roar,
650 horses… who needs more?
GORE-TEX lining for the engine block,
Air Cushion seats that gently rock,
Bellows tongue hood, keeps dirt away,
You can drive through mud and still look okay!
It’s the 4x4 that makes coffee 
Crosses deserts like a cup of tea,
32 valves sing out loud,
V8 engine feeling proud!
Oh oh, fuel goes kinda fast,
But you’ll reach the top… with cream at last!

Merrell- Rover-2026

This bronze bust represents King Ferdinand I of Romania, portrayed with the solemn dignity characteristic of official royal portraiture from the early 20th century. Sculpted by Vasile Ionescu‑Varo (1887-1966), a Romanian artist known for his monumental works dedicated to national heroes and historical figures, the piece reflects both academic training and the commemorative spirit of the interwar period.
The king is shown wearing a military ceremonial uniform, complete with richly detailed decorations, medals, and a sash that crosses the chest. His facial features—firm jawline, neatly groomed mustache, and steady, forward‑looking gaze—convey authority, resolve, and the calm determination associated with his reign during World War I and the Great Union of 1918.
Today, the bust is preserved and displayed at Palatul Suțu, part of the Bucharest Municipality Museum.

King Ferdinand I of Romania by V. Ionescu-Varo

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/EgMhET](https://www.meshy.ai/s/EgMhET)

Three Crosses in the Park

This Graveyard Terrain Pack is a collection of stylized cemetery-themed miniatures designed for 3D printing, ideal for enhancing tabletop game environments with atmospheric and narrative-rich scenery.  The set includes a variety of tombstones, crosses, and ruined grave elements, carefully designed to create visually interesting compositions on the table. Each piece was sculpted with a focus on strong silhouettes, readability at small scale, and durability, making them perfect for both painting and gameplay use.

Graveyard Terrain Pack – 3D Printable STL Miniatures for Tabletop Games

A holy well along the stations around the site of St Gobnait in Ballyvourney. It is very close to the building called "St Gobnait's Kitchen", and as one can tell by the crosses and devotionalia, it is considered holy. It is however NOT St Gobnait's Well.

SMR no.: CO058-034011-

Made in KiriEngine from 89 images.

Ballyvourney: Holy well at Gobnait's kitchen

Cruzeiro ( way side cross)

The wayside cross near the Consulate General of Portugal in Goa in Panaji dates back to the Portuguese colonial period in Goa (16th–19th century).
A monumental in terms of memory 


Such crosses, known locally as Cruzeiros, were erected at road junctions and prominent sites as symbols of Christian faith and protection for travelers.

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