Yunnan Province, China, ~518 million years old.

<i>Vetulicola</i> had a large **body** with triangular **pouches** on either side and a segmented **tail** for swimming. The pouches may be gill slits opening into an internal body chamber, as found in modern tunicates, such as sea squirts and salps. It is thought that <i>Vetulicola</i> fed by drawing water in through the wide frontal opening to internally filter microscopic food particles suspended in water, with waste water expelled through the side pouches.

Created for the First Animals exhibition at Oxford University Museum of Natural History: www.oum.ox.ac.uk/firstanimals

Model by Mighty Fossils: www.mightyfossils.com

Vetulicola cuneata

The Eclipse-class dreadnought, also known as the Eclipse-class Super Star Destroyer, was a class of Imperial Super Star Destroyer manufactured by Kuat Drive Yards and mainly used around six years after the Battle of Endor. Like the Sovereign-class, they were regarded as a new generation of Super Star Destroyer.

An Eclipse-class vessel carried 600 TIE/IN interceptors and 96 TIE Bombers, divided into 58 squadrons; for ground assault, they carried 150,000 Imperial soldiers, 100 AT-ATs, and five prefabricated bases. The hangars were located at the sides of the vessel, with the fore and aft launch bays closely spaced underneath this area, towards the middle of the ship.

Each ship of the class was crewed by over 700,000 personnel, and Eclipse II also carried a complement of Shadow Droid starfighters.Troop quarters were located on the lower frontal section of the vessel, in front of the hangar areas.

Eclipse Class Star Destroyer

Repositorio de modelos 3D de Ddiaz Design

![](https://assets.turnermotorsport.com/product_library_tms/1980817_x600.jpg)

ADRO ha dado un nuevo aspecto al BMW M4 Competition, con un frontal más estilizado, mucha fibra de carbono y un interesante alerón trasero. Todo ello conservando la disposición de cámaras y sensores originales de los vehículos.

Instagram del proyecto: https://www.instagram.com/ddiaz.design/

Paypal Donations: https://paypal.me/sergiodd

Based on a CSR2 3d model

Credits: ZD 3D Modelling and Design Discord Server (discord.gg/ZwWHzxk2zu)

2022 BMW G82 M4 ADRO CARBON FIBER WIDEBODY KIT

This bike is the Digital Twin of a physical mountain bike.

It's available under CC-BY-SA as glTF and USDZ sample model:  
[KhronosGroup/glTF-Sample-Models](https://github.com/KhronosGroup/glTF-Sample-Models/pull/357)  
[USD-Working-Group/assets](https://github.com/usd-wg/assets/pull/8)

🔎 Original project information can be found here:
[prefrontalcortex.de/en/projects/mixed-reality-bike/](https://prefrontalcortex.de/en/projects/mixed-reality-bike/)

🕶️ Interactive AR and VR version here:
[bike.needle.tools](https://bike.needle.tools)

🚲 Bike Model by Robert Schweier.
Realtime version and animation by Felix Herbst / prefrontal cortex with additional support from Needle.

📜 "Carbon Frame Bike" by [Robert Schweier](http://www.roberts-bikes.de/) and [prefrontal cortex](https://prefrontalcortex.de/) is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Carbon Frame Bike

Yunnan Province, China, ~518 million years old.

One of the largest of the Chengjiang animals, *Amplectobelua* was a top predator that used wide **body flaps** to swim above the sea floor, helped by a stabilising **tail fan**, with large stalked eyes used to spot prey. It had two spiny **frontal appendages** for grasping and holding prey, with three pairs of shorter tooth-like appendages used to shred food as it was passed towards the mouth opening.

Created for the First Animals exhibition at Oxford University Museum of Natural History: www.oum.ox.ac.uk/firstanimals

Model by Mighty Fossils: www.mightyfossils.com

Amplectobelua symbrachiata

Upper part of a colossal limestone statue of a bearded man, a worshipper or possibly a priest. The complete statue, at least 2m tall, depicted a standing figure in a frontal pose; he wears pleated tunic (chiton) and over the left shoulder a cloak (himation) with a zig-zag fold on the border.

Dating to 450 BC - 425 BC and made in Cyprus.

Height 1.04m 

Sanctuary of Apollo (Idalion), Sanctuary of Apollo Amyklos-Reshef Mikal

Made from 213 Photos taken with a Nikon D5100 and assembled by Daniel Pett.

COL: [GAA3386](https://www.britishmuseum.org/collection/object/G_1917-0701-233)

Statue of a priest

Repositorio de modelos 3D de Ddiaz Design

![](https://www.km77.com/images/medium/3/1/2/9/subaru-wrx-sti-frontal-lateral.333129.jpg)

Subaru of America, Inc. introduced the 2018 WRX STI that offers performance, comfort, design and safety enhancements for a more rewarding driving experience. The new Subaru WRX STI is available at Subaru retailers from spring 2017.

A restyled front fascia of the Subaru WRX STI shows a sportier attitude, highlighted by a more aggressive front end with a larger lower grille opening. Both STI trims feature redesigned LED Steering Responsive Headlights that help illuminate curves in nighttime driving. For greater versatility, both WRX STI models now feature new roof rack mounting brackets.

Instagram del proyecto: https://www.instagram.com/ddiaz.design/

Paypal Donations: https://paypal.me/sergiodd

Based on a CSR2 3d model

Credits: https://www.facebook.com/p/GM25-100042237200164/

2018 Subaru WRX STI

Repositorio de modelos 3D de Ddiaz Design

![](https://www.electrive.com/media/2024/04/hongqi-eh7-2024-01-min.jpg)

Hongqi EH7 es un sedán eléctrico puro mediano y grande de FAW Hongqi. Adopta el nuevo diseño de logotipo de Hongqi New Energy, y la apariencia general es baja, la cara frontal está compuesta por una parrilla cerrada y faros de matriz integrados de luz de largo y corto alcance, y la línea trasera de la carrocería es ligera. y ágil con el cuerpo deslizante hacia atrás, lo que crea una fuerte sensación de movimiento en la visión

Instagram del proyecto: https://www.instagram.com/ddiaz.design/

Paypal Donations: https://paypal.me/sergiodd

Based on a Need For Speed Mobile 3d model

Credits: https://www.facebook.com/p/GM25-100042237200164/

2024 Hongqi EH7

Realistic full-body 3D character model of a female fantasy assassin, frontal view, confident walking pose. She wears intricate dark silver plate armor over a dark tunic, tall leather boots with metal knee guards, and a heavy dark blue hooded cloak billowing slightly. Face partially hidden by the hood, blonde hair peeking out. Right hand grips a longsword pointed down. Clean geometry, deep surface details, solid white background, neutral studio lighting, no magical effects, no floating parts.

Aelin Galathynius

This is a precise 3D clay render of the T-64 main battle tank, a revolutionary Soviet-era design known for its advanced features like the autoloader and compact profile. The model is displayed in a neutral gray material to showcase the topology and geometric detail of the mesh. It features the characteristic small-diameter road wheels that distinguish it from the T-72, along with a detailed 125mm smoothbore gun and a rounded, low-profile turret. This type of high-fidelity model is frequently used in historical simulations or digital recreations of armored conflicts within the Arabian Gulf and the wider Arabian region. Furthermore, the digital artist has meticulously captured the complex suspension system and the rugged frontal glacis plate, which provided superior protection during its era. Every bolt and weld line has been accounted for to ensure maximum historical accuracy for enthusiasts. Such intricate modeling is essential for modern virtual environments.

T-64 Main Battle Tank 3D Digital Clay Render

Pokaźnych rozmiarów obraz Święta Trójca z kościoła farnego Świętej Trójcy w Krośnie opiera się na schemacie ikonograficznym określanym jako Tron Łaski (od łacińskiego terminu Sedes Gratiae, użytego przez św. Bernarda z Clairvaux). Siedzący frontalnie Bóg Ojciec prezentuje patrzącym ukrzyżowanego Chrystusa jako tego, który umarł za ich grzechy. Pomiędzy Bogiem Ojcem a Chrystusem unosi się Duch Święty w postaci gołębia, niejako ucieleśnienie miłości Ojca i posłuszeństwa Syna (w omawianej rzeźbie nie zachował się). W dobitny sposób unaoczniona jest tu chrześcijańska nauka o Odkupieniu, centralny dogmat wiary, ale zarazem i wskazówka praktyczna –  do Tronu Bożego dostać się można poprzez wstawiennictwo Chrystusa cierpiącego za ludzi. Ta łatwo czytelna gwarancja uczyniła z Tronu Łaski ulubiony temat obrazów epitafijnych i wotywnych. Rzeźba przynależy do dużego zespołu dzieł sztuki przekazanych w 1915 roku z fary krośnieńskiej do Muzeum Narodowego w Krakowie.

https://zbiory.mnk.pl/pl/katalog/263611

Święta Trójca, z fary w Krośnie MNK I-364

Ford Mustang Shelby Super Snake 2024 from CSR2 adapted to my RB V1 Style WideBody Kit

what did i do : 

- Removed frontal splitter wickers ( vertical parts )

- Modified side skirts and adapted the front part for my custom front fender
Modified and adapted base for my custom fenders

- Swapped tires for those stretcheds from bmw m3 e92 pandem rocket bunny ( from csr2 too )

- Modified wheels, added offset ( and the ones in the back are a little wider  ), if u want the original magnesium texture, just switch the material

Visualization with the body kit :
https://sketchfab.com/3d-models/fmsss24-with-dgv-s-rb-v1-style-widebody-kit-e369a31c8c1a4b15a542109c63667ef5

Original car source and credits :
https://sketchfab.com/3d-models/2024-ford-shelby-super-snake-s650-4c9671e4510444e7a75d600e42d26c7e

tires :
https://sketchfab.com/3d-models/2017-pandem-bmw-m3-e92-rocket-bunny-gt-wing-e52550ce88cd4f42924ccb9d8120e127

FMSSS24 adapted to DGV´s RB V1 Style Kit

The statue of Saint Veronica stands at the entrance to the Calvary Church in Kőszeg and dates back to the 18th century. It is part of the Baroque tradition of the Way of the Cross.

The saint is depicted as a standing figure with a slightly turned posture. She wears a long, softly flowing robe and a veil over her head. With both hands, she holds an outstretched sweat cloth in front of her body. The face of Christ with a crown of thorns is clearly visible on this cloth – depicted frontally, with long hair and a serious expression. The cloth is carefully modeled and forms the center of the composition.

According to tradition, Veronica handed Jesus a cloth on his way to Golgotha to wipe the sweat and blood from his face. In doing so, his face was miraculously imprinted on the fabric. This so-called Veronica's veil became an important motif in Christian art and is closely associated with depictions of the Way of the Cross.

Hl. Veronika

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-23104.76.3](https://www.online.landessammlungen-noe.at/objects/1519155)

**Material:** Bronze

**Dimensions:** 6,6 cm, 6,7 x 13,7 mm

**Dating:** 450 - 260 BCE

A bronze belt loop. The rectangular artefact is decorated on the frontal surface with circular eyes and pointed oval protrusions.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Belt Loop

Frontal bust (head axis slightly deviated to the left) of King Carol I of Romania. Face, clothing - realistically made - descriptive. Hair parted in the middle, combed back, cut loose towards the nape, balding on the crown. Free forehead, firmly arched nose, mustache, beard - neatly combed. The king wears military uniform: jacket closed to the neck, chest loaded with decorations, mantle on shoulders placed asymmetrically (falling slightly on the back and exposing the left shoulder). The bust forms a common body with the square base.

The patinated bronze bust was made in 1910 and is located at the Suțu Palace, Bucharest.

King Carol I of Romania by Ernest-Henri Dubois

Teotihuacan style incense burner featuring a central anthropomorphic face with red-painted skin, wide slanted eyes, oversized earspools and a banded necklace with pectoral. A key feature is the removable butterfly-shaped nose ornament. On each side, the figure holds pom-poms or ceremonial standards with floral crowns. The upper headdress is decorated with green feathers and stylized butterfly elements, followed by a band of five flower corollas and applied beads. The lower mantle shows horizontal red, white, and green bands. The biconical base bears a frontal bow (possibly a stylized butterfly) two flower-like discs, and side flaps with applied rings. 

 IDAEH Cultural Property No.1.2.1.0337
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Incense burner with removable nose ornament

Quiché funerary urn with slightly divergent walls, lateral flanges, and a pedestal base. It is decorated with the face of the GIII deity, wearing a diadem, necklace, and circular earspools. It features a triangular frontal tooth, as well as a decorative element beneath the eyes and a twisted motif over the nose.
 IDAEH Cultural Property No. 1.2.144.0462
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Quiché Funerary Urn with GIII Deity

Carving of the Pietà (pity/compassion) on east wall of chancel of Strade Dominican Friary (MA070-067001-), Co. Mayo.  Most famously carved by Michelangelo c. 1498-9, depicting the Virgin Mary cradling the dead body of Jesus Christ after the Crucifixion, symbolizing immense grief, divine mercy, & unconditional love.  It highlights Mary as an intercessor between humanity & God, showcasing her strength & deep sorrow ("Sixth Sorrow").  Described by archaeologist John Hunt as dating from the second half of the 15th century it is 'an unusual frontal, (or reredos from an altar?). In the centre is a Pietà with feathered angels above. The Virgin is clothed in a long gown over a kirtle, whose lower borders fall in symmetrical folds over her feet and with a veil over her head and shoulders. She is seated in a thronelike chair and the body of the dead Christ lies across her lap. The angels support a double arched and crocketed canopy above her head. A man and a woman kneel on left and right, presumably the donors'.

Strade Abbey MA070-067001- Pietà

Incense burner with “theater-type” lid, of Teotihuacan-inspired tradition. The lid features a standing figure wearing an ornate headdress embellished with floral appliqués, butterflies, circular elements, and pendant fringes in yellow and green pigments. Crowning the headdress is a supernatural butterfly visage with prominent fangs, an iconographic motif closely associated with warfare in Mesoamerica. The figure bears an oversized nose ornament and holds circular disks with attached fringes, while his garment rendered as a feathered costume, it includes a pectoral medallion across the chest. The pedestal base displays a frontal talud-tablero motif and vertical lateral flanges."

 IDAEH Cultural Property No.1.2.1.0335
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Incense burner with butterfly headdress

**Cranium:**
Frontal Bone: Supraorbital margin, Glabella
Parietal Bones
Temporal Bones: Mastoid process, Zygomatic process, Styloid process, external auditory meatus, Jugular Foramen, Carotid Canal, Mandibular Fossa
Occipital Bone: Foramen magnum, Occipital Condyles, External occipital protuberance
Sphenoid Bone: Sella Turcica (hypophyseal fossa), Greater and lesser wings, foramen rotundum, foramen ovale, foramen spinosum
Ethmoid Bone: perpendicular place, crista galli, cribriform plate

**Facial bones:**
Lacrimal
Palatine
Zygomatic
Nasal
Vomer
Hyoid
Maxillary: Alveolar processes/margins, palatine processes 
Mandible: Alveolar processes/margins, mandibular angle, mandibular body, mandibular ramus, mental foramen, mandibular foramen, mandibular condyle, coronoid process, mandibular notch

**Extra features/structures
Sutures**: 
Coronal, Squamous, Lambdoid, Sagittal 
Bones that make up the orbit
Paranasal sinuses
Hard palate
Nasal Septum
Temporomandibular joint

Skull Lab BIOL2213L

Matka Boska z Dzieciątkiem, z kościoła w Krużlowej Wyżnej

Najsławniejszym przykładem pięknego stylu w rzeźbie z początku XV wieku jest Matka Boska z Dzieciątkiem z kościoła parafialnego Narodzenia Marii Panny w Krużlowej Wyżnej. W tej drewnianej figurze przetworzono repertuar form wytworzony wcześniej w rzeźbie kamiennej (tzw. Piękne Madonny). Znajdujemy tu charakterystyczne kaskady fałdów po bokach, podczas gdy fałdy frontalne przebiegają na torsie Marii po półkolu, a niżej wyostrzają się w literę V by na cokole rozłożyć się jako optyczna podstawa figury. Cechę szczególną rzeźby stanowi wysunięcie Dzieciątka, nadanie Mu swoistej autonomii przestrzennej, przez co kompozycja uzyskuje harmonijne zrównoważenie. 

https://zbiory.mnk.pl/pl/katalog/96516

Matka Boska z Dzieciątkiem MNK I-119

L'iPhone 15 Pro Max est la version grand format des iPhone haut de gamme annoncés par Apple le 12 septembre 2023. Il présente un écran OLED de 6,7 pouces avec un poinçon dynamique pour le capteur FaceID et la caméra frontale ainsi qu'une fréquence de rafraîchissement dynamique de 120 Hz à 1 Hz pour le Always on Display. Il intègre un SoC Apple A17 Pro gravé en 3 nm et un triple capteur photo de 48+12+12 mégapixels (avec un téléobjectif X5) et ultra grand-angle. Enfin, il intègre un nouveau bouton action programmable en place de l'habituel interrupteur sonnerie/silencieux.

Apple iPhone 15 Pro Max Black

A polychrome tripod plate decorated with the image of a seated  nobleman or ruler,  in frontal view  but with his head  looking to his right. His body is painted in dark orange, and holds a Plumeria or Nikte flower with his outstretched arm. The character wears jewelry and a white cloth headdress with orange stripes. The rectangular bench or throne where he sits is painted white (representing the surface covered with stucco) with decorative stripes in red and orange. Behind him is a cushion or pillow made of white cloth with orange stripes, covered with jaguar skin. NAA of the paste indicates that the pottery workshop where it was made was in the vicinity of La Corona archaeological site, Petén.
 IDAEH Cultural Property No. 1.2.144.1274
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

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