Hi, this is the first model from a series of 5 free car models.
In 4 models of their series there will be hidden references pointing in one way or another to the next car. In this work, of course, they are)
Model info: 153к tris with wheels, 95к tris without wheels
You can download model from this link https://disk.yandex.ru/d/yle9A7wvWehbjQ
Yes, you can use it commercialy.
Yes, you can modify it however you like - even more, I encourage you to do so!
Just don't forget to credit the author

Modeling in a blender 3.1.2, texturing with Substance Paintert and Photoshop

FREE Lancia Delta HF Integrale evo 2

A set of model houses in the centre of Vauxhall Park, London.

The houses are by Edgar Wilson and made in the 1940s where they originally sat in Brockwell Park. In the 1950s half were moved to Vauxhall Park where they can still be seen today.

http://www.vauxhallpark.org.uk/history/

414 photos taken in May 2021 with a Sony a6000 and processed in Reality Capture.
Thank you to local resident Susan Bewley for talking to me about the village and pointing me towards its history.

Vauxhall Park Model Village

"Figure (Gaṇeśa). Made of sandstone. 750 (circa). Uttar Pradesh, India"
~ http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=246697&partId=1&images=true

(thanks to Dan Pett for pointing me to the above record!)

Description from FLickr user [plnghl](https://www.flickr.com/photos/plnghl/):

"Ganesha is one of the most popular Hindu gods and is the son of Parvati. He is the lord of beginnings as well as the placer and remover of obstacles. He usually carries one of his own tusks in one hand and a bowl of sweets; here he also carries a rosaryand and an axe. 

In myth, Ganesha received his elephant's head when, in a temper, Shiva cut off his human head. Later, he swore to replace it with the head of the first creature he encountered, which was an elephant." 

~ https://www.flickr.com/photos/134648998@N04/23437641744

Dancing Ganesha, Brit. Mus. / North India

Maddoxtown Church ruin not far from Kilkenny along the old road to Bennettsbridge. It's not exactly in a great state. It is a small single-cell church building (no differentiation between chancel and nave), which seems to have been built using earth mortar construction with a lime mortar pointing and rendering. The earth mortar is exposed at the breach in the west gable. Only one window survives in the south wall. The south wall also has a buttress at its west end, the buttress on the north wall seems to have been collapsed, judging from the heap of stones there. The church was already a ruin at the time of the Down Survey (1650s).

There is also a beautifully carved baptismal font of the Ossory type still surviving in the graveyard (repaired). Worth a visit.

SMR no.: KK020-045001-

305 drone shots, processed in KiriEngine.

Maddoxtown Church

Every scene on this rock has its own interest.  This area of Rock 5 seems to specialise in Canid images.  Dogs can be recognised in Valcamonica rock art by their curled, upright tails & their extended bodies with short legs.  Wolves are depicted with a very similar canine appearance but have downward-pointing tails (see the Cemmo boulders, which have the two depictions close on the same panel).  Here on Rock 5, there are two separate packs of hounds.

My favourite figure on the rock is the very simply-drawn matchstick man warrior to the left of centre. His arms, legs and body are fundamentally just a star shape, but the addition of a basic head and a rudimentary sword & shield, plus the subtle shaping of his limbs embue him with a strong, evocative warrior stance.  Simple but very effective and artistic (to my eye anyway!).  I couldn't guess at the period, as I have not seen anything else like him elsewhere, but I would instinctively place him perhaps in the Late Bronze Age.

Valcamonica, Bedolina Rock 5 (5)

小皮埃爾·勒格羅創作的《聖多馬》雕像（約1703–1711年）位於羅馬拉特朗聖若望大殿。該雕像是教皇克萊門特十一世為填補博羅米尼設計的十二使徒壁龕而委託製作的大型系列之一，由葡萄牙國王彼得二世贊助。勒格羅是唯一未完全遵循官方設計指南的雕塑家，其最初的巴羅克風格陶土模型情感強烈，但未被採納。最終的大理石像風格更為古典克制：聖多馬手持木工角尺，衣褶規整，其著名的手指從壁龕伸出指向祭壇，象徵在信仰旅程中對懷疑的超越

The Statue of St Thomas by Pierre Le Gros the Younger (c. 1703–1711) resides in the Archbasilica of St. John Lateran in Rome. It was part of Pope Clement XI's project to fill Borromini's niches with twelve colossal apostle statues, sponsored by King Peter II of Portugal. Le Gros was the only sculptor who successfully refused to work from the prescribed drawings by Carlo Maratta. His initial, highly emotional Baroque terracotta model was rejected. The final marble statue is more restrained: St Thomas holds a carpenter's square, with ordered drapery. His distinctive finger protrudes from the niche, pointing toward the altar, symbolizing moving beyond doubt on the path of faith.

聖多馬像St Thomas Statue in Laterano, Rome

A realistic 3D model of a young blond boy wearing a cap, sitting or standing while pointing with a small stone. The model captures natural proportions, facial expressions, and casual clothing details. Perfect for everyday scenes, game environments, animations, or storytelling renders.

Blond Boy Pointing Stone

This rock was long known by local inhabitants as the 'Puppet Stone' in reference to the carvings upon it.  The main facing containing most of the engravings is badly damaged, especially the lower part, which remained underground for a long time.

To date over 150 engravings have been identified, including many animals, a dagger and a ploughing scene.  The animals include; stags with large antlers, fawns, chamois with short, hooked horns, ibex with backward-fgacing horns and swine (wild boars & pigs).  The canids, depicted in groups with downward-pointing tails, are interpreted as a pack of wolves.  The cattle, without horns or tails, may represent young oxen or cows grazing.

The presence of daggers which closely resemble finds from the graveyard of Remedello Sotto, dates most of the figures to 2900-2500 BC.  A few animals depicted in a dynamic style, similar to that of figures on the Cemmo 3 & 4 stelae, may be attributed to the Bell Beaker Culture (2500-2200 BC).

Valcamonica, Massi di Cemmo - Boulder 1

Zoomorphic effigy vessel (Plomizo ceramic)  in the shape of an armadillo (Dasypus novemcinctus) standing with its legs and arms flexed and pointing upward. The tail and lower limbs serve as supports for this tripod vessel with a narrow mouth. 
 IDAEH Cultural Property No. 16.2.5.0889
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 314

Vase with the image of an Armadillo

Bifacial anthropomorphic hacha featuring the head of a figure with prominent features, including a large downward-pointing nose, closed mouth with full lips, and almond-shaped eye with a volute beneath. A perforation is present on the top of the head.
 IDAEH Cultural Property No. 1.2.159.0061
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Anthropomorphic Hacha

For full functionality, we recommend downloading the original file.The Converted version is intended only for use in the web viewer. In the original file, the following are fully preserved:✔ original scene hierarchy✔ complete materials without reduction✔ accurate texture maps✔ original object namesIf you are going to integrate the model into a project, choose the source file.This worn out realistic street sign features a blue circular directional sign with a white arrow pointing downward to the right. The sign shows signs of age and exposure with scratches dirt and faded paint adding to its weathered look. Its base is cylindrical with blue and white paint covered in graffiti stickers and various imperfections that give it an urban well used appearance.

Street Sign Photoscanned

Polychrome bowl decorated with a black perimeter band followed by a sequence of 10 glyphs and four figures arranged alternately. The two jaguars have spotted skin with circles and dots, eyes with spiral irises, tails pointing upwards, and what appears to be a water lily flower or an enema bulb on their heads. The  two black figures have protruding lips, bodies painted with black stripes (probably imitating hair), and headdresses with three scrolls or feathers. They wear a red loincloth knotted at the back. All hold small bowls in their hands, and between them, alternately, are red jars from which red scrolls emerge. Below the main scene is a decorative band with a phytomorphic design consisting of two intertwined bands, possibly coiled stems. Small black and red bulbs or buds protrude, alternating.
IDAEH Cultural Property No. 1.2.179.0008
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

Bowl with jaguars and monkeys in enema ritual

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/AcUyvA](https://www.meshy.ai/s/AcUyvA)

Pointing Officer

I know, I know, it's a pretty bad model, but there is a good reason: There were four horses in the fields adjoining the graveyard, and horses are apparently terrified of the sound of drones, so I could not fly the drone and had to just walk around. Bearing that in mind, there are still some interesting things to see: The church received a grant last year, so they removed all the biological colonisation (ivy etc) and then continued repointing walls. The interior, especially the chancel area, is still a bit messy. Hopefully I will be able to return with the drone one day.

This church has two ogham stones built into it (see separate scans). The east gable has two antae, the piscina has been robbed out, and the east window has some nice diagonal striations (i.e. toolmarks). There are three corbels in the interior south wall indicating that there might have been a loft.

SMR no. (for church): KK020-017001-

Made in KiriEngine from 499 images.

Churchclara Church

British army military barracks, Summerhill, Nenagh, Co. Tipperary.  19th-century upgright boundary stone No. 21 with inscription on roadside face W ↑ D (War Department). The broad arrow pointing upwards carved between the W D of which the pheon is a variant, is a stylised representation of a metal arrowhead, comprising a tang & two barbs meeting at a point. It is a symbol used traditionally in heraldry, most notably in England, and later by the British government to mark government property.  The rest of the inscription reads 14 Feet Front in Line From No. 13 No. 14 has a line running through it.  Erected after 1855 when the Board of Ordnance was disbanded & all military land functions were transferred to the newly created War Department. The stone marked the boundary of land belonging to the military barracks. One of at least 21 stones marking the boundary of the military owned land enclosing the barracks. These stones are annotated B.S on 1901 ed. OS 25-inch map. One of four stones facing onto public road.

Nenagh Barracks Boundary Stone No. 21

British army military barracks,Summerhill, Nenagh, Co. Tipperary. 19th-century upright boundary stone No 5 now built into roadside wall on the north side of the entrance to the barracks. Stone marked the front boundary of the property belonging to the military barracks. B ↑ O which stands for Board of Ordnance. The broad arrow pointing upwards carved between the B O of which the pheon is a variant, is a stylised representation of a metal arrowhead, comprising a tang and two barbs meeting at a point. It is a symbol used traditionally in heraldry, most notably in England, and later by the British government to mark government property. Erected before 1855 when the Board of Ordnance was disbanded and replaced by the War Department. The stone had an earlier number 6 beneath the No. 5 which has had a line put through it, beneath this there are the letters 8 ft. Front. The Board of Ordnance were the custodian of the lands, depots and forts required for the defence of Britain & Ireland.

Nenagh Barracks Boundary Stone No. 5

Created in 1967 by Melvin Charles and Gleason T. Jackson during the Civil Rights era, the Black American Heritage Flag originalblackamericanheritageflag.com is a symbol of pride, history, and resilience for Black Americans. It features a diagonal black stripe between two red stripes, featuring a gold wreath of fig leaves surrounding a blunted, upward-pointing sword

Black American Heritage Flag

Cosmicflows-2 Wiener Filter reconstruction of the cosmic velocity web displayed in terms of its filaments (grey surfaces) and knots (red surfaces).
Galaxy positions from the V8k catalog of redshifts are marked by spheroids of different colors: 
1) red for a selection of clusters,
2) cyan, pink and khaki for the three components of the Centaurus-Puppis-Perseus-Pisces filament,
3) yellow for the Centaurus-Virgo-Perseus-Pisces filament,
4) blue for the Centaurus-Arch-Perseus-Pisces filament,
5) magenta for Perseus-Pisces galaxies,
6)  black otherwise.
The central signpost has 2000 km/s-long arrows pointing to the SGX (red), SGY (green), SGZ (blue) directions. The box is 64,000 km/s wide.

This visualization has been produced as part of the following publication: "The Cosmic V-Web"
by D. Pomarede, Y. Hoffman, H. Courtois and R. B. Tully, The Astrophysical Journal 845 (2017) 55 http://doi.org/10.3847/1538-4357/aa7f78

Open access preprint version https://arxiv.org/abs/1706.03413

More info: http://irfu.cea.fr/vweb

The Cosmic V-Web

Teotihuacan style incense burner from the Pacific Coast of Guatemala, dating to the Early Classic period (ca. 450- 650 AD). The truncated-conical lid is decorated at the top with a seated female figure in a bird costume. Her costume consists of a zoomorphic helmet with an open beak, feathers attached to her arms, and a skirt, leaving her bust exposed. Both the helmet and the bird she holds in her left hand have a flattened beak with the tip pointing downward, suggesting a waterfowl. However, the raised and swept-back feathers on the head suggest that it could be one of the kingfisher species (Chloroceryle aenea).
 IDAEH Cultural Property No.1.2.1.0320
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Woman with Bird Disguise

British army military barracks,Summerhill, Nenagh, Co. Tipperary. 19th-century upright boundary stone No 4 now built into doorway of a house on the north side of the entrance to the barracks. Stone marked the front boundary of the property belonging to the military barracks. B ↑ O which stands for Board of Ordnance. The broad arrow pointing upwards carved between the B O of which the pheon is a variant, is a stylised representation of a metal arrowhead, comprising a tang and two barbs meeting at a point. It is a symbol used traditionally in heraldry, most notably in England, and later by the British government to mark government property. Erected before 1855 when the Board of Ordnance was disbanded and replaced by the War Department. The stone had an earlier number beneath the No. 4 which has been removed and a line put through it, beneath this there are the letters 0 ft. Front. The Board of Ordnance were the custodian of the lands, depots and forts required for the defence of Britain and Ireland.

Nenagh Barracks Boundary Stone No. 4

The motifs depicted on this small surface form a compelling anticipation of what will come on the subsequent Red Route through this section of the Seradina park - in particular the huge Rock 12.

There is a ploughing scence with harnessed horses, preceded by a duel between two warriors with swords & round shields. These are surrounded by human and animal figures.

Among the animals, that are insome cases accompanied by their young, the most prestigious prey of aristocratic hunting in the Iron Age was the deer, which stand out on the carvings in this area.

Isolated human figures with large hands or arms pointing downwards evoke the presence of individuals of non-warrior rank (shamans?), certainly non-combatants.

Valcamonica, Seradina 2 - Rock 6

This interactive 4D visualization has been produced as part of the following research paper: “Cosmicflows-3: Cosmography of the Local Void” by R. Brent Tully, Daniel Pomarède, Romain Graziani, Hélène M. Courtois, Yehuda Hoffman, and Edward J. Shaya, The Astrophysical Journal 880 (2019) 24 https://doi.org/10.3847/1538-4357/ab2597
Preprint: https://arxiv.org/abs/1905.08329
IfA Press Release: http://www.ifa.hawaii.edu/info/press-releases/local_void/

This is the interactive version of the Figure 3 of the article, where orbits of galaxies, groups of galaxies, and clusters of galaxies, derived from the Numerical Action Method, are superimposed on the Local Void iso-density contours. The signpost anchored at the present Milky Way location has 5,000 km/s-long arrows pointing to the SGX (red), SGY (green), SGZ (blue) directions of the Supergalactic Coordinate System. 

A video visualization has also been produced as part of this publication and is available here: https://vimeo.com/326346346

Cosmography of the Local Void versus NAM orbits

British army military barracks,Summerhill, Nenagh, Co. Tipperary. 19th-century upgright boundary stone inscribed on two faces built into south wall of a house on the north side of the entrance to the barracks.  Stone marked the northwest corner of the property belonging to the military barracks.  W ↑ D which stands for War Department.  The broad arrow pointing upwards carved between the W D of which the pheon is a variant, is a stylised representation of a metal arrowhead, comprising a tang and two barbs meeting at a point. It is a symbol used traditionally in heraldry, most notably in England, and later by the British government to mark government property. Erected after 1855 when the Board of Ordnance was disbanded and all military land functions were transferred to the newly created War Department. The stone has been patined which makes the inscription on the roadside face difficult to read.  A broad arrow on top with .....Feet Front

Asset Library

About These Assets