The corset is made of French broached silk with Rococo floral patterns. It is lined with homespun canvas. It is made of three pieces: one at the back and two at the front. Six large inserts were sewn at the bottom, and metal rings along the cut, through which the ribbon used for tying was threaded. The corset was purchased in Dzianisz between 1887 and 1893 by Maria and Bronisław Dembowski, collectors of Podhale folk art, and in 1922 it was donated to the collection of the Tatra Museum under the provisions of Maria’s will.
It is one of the oldest well-preserved corsets from the Podhale region and the proof of direct or indirect cultural contacts stretching outside the region. It is patterned after the 18th-century bourgeois clothes.

ID no.: E/1851/MT

Time and place of creation: 19th century, Dzianisz, Podhale region, Poland

Museum: The Dr. Tytus Chałubiński Tatra Museum in Zakopane

https://muzea.malopolska.pl/en/objects-list/1794

Digitalisation: RDW MIC, Virtual Małopolska project

Corset

Queen Anne's Revenge was an early-18th-century ship, most famously used as a flagship by Edward Teach, better known by his nickname Blackbeard

Queen Anne’s Revenge

卡米洛·魯斯科尼創作的《聖安德烈》雕像（約1703–1711年）位於羅馬拉特朗聖若望大殿。這尊高約4.5米的大理石雕像是教宗克勉十一世委託製作的十二宗徒巨型雕像系列之一，旨在填充弗朗切斯科·博羅米尼設計的壁龕。魯斯科尼是該項目最重要的雕塑家之一。雕像莊嚴肅穆，展現了聖安德烈作為宗徒的虔敬形象，其標誌性特徵是手持象徵其殉道方式的X形十字架。作品融合了巴洛克的戲劇性與古典的克制，體現了18世紀初羅馬雕塑的藝術水準。

The Statue of St Andrew by Camillo Rusconi (c. 1703–1711) is housed in the Archbasilica of St. John Lateran in Rome. This approximately 4.5-meter marble statue was part of Pope Clement XI's commission for twelve colossal apostle figures to fill the niches designed by Francesco Borromini. Rusconi was among the leading sculptors involved in this project. The statue presents a solemn and pious depiction of the apostle, characterized by his attribute of the X-shaped cross, symbolizing his martyrdom. The work blends Baroque drama with classical restraint, reflecting the artistic standards of early 18th-century Roman sculpture.

聖安德烈像  St Andrew Statue in Laterano, Rome

卡米洛·魯斯科尼創作的《聖約翰》雕像（約1709–1712年）位於羅馬拉特朗聖若望大殿。這尊高約4.5米的大理石雕像是教宗克勉十一世於1703年發起競賽、委託製作的十二宗徒巨型雕像系列之一，旨在填充弗朗切斯科·博羅米尼設計的壁龕。魯斯科尼是該項目最重要的雕塑家之一，負責了四尊雕像。聖約翰作為最年輕的宗徒，常被描繪為無鬚的青年形象。雕像莊嚴肅穆，展現了這位福音書作者的特徵，其風格融合了巴洛克的戲劇性與古典的克制，體現了18世紀初羅馬雕塑的藝術水準。

The Statue of St Johnby Camillo Rusconi (c. 1709–1712) is housed in the Archbasilica of St. John Lateran in Rome. This approximately 4.5-meter marble statue was part of Pope Clement XI's commission for twelve colossal apostle figures to fill the niches designed by Francesco Borromini. Rusconi was among the leading sculptors involved, creating four of the statues. Depicting John as the youngest apostle, typically shown beardless, the work presents a solemn and pious figure. It blends Baroque drama with classical restraint, reflecting the artistic standards of early 18th-century Roman sculpture.

聖約翰像St. John Statue in Laterano, Rome

安傑洛·德·羅西創作的《聖小雅各伯》雕像（約1705–1711年）位於羅馬拉特朗聖若望大殿。這尊高約4.5米的大理石雕像是教宗克勉十一世委託製作的十二宗徒巨型雕像系列之一，旨在填充弗朗切斯科·博羅米尼設計的壁龛。德·羅西是參與該項目的重要雕塑家之一，其風格融合了熱那亞學派的影響與羅馬巴洛克傳統
。雕像莊嚴肅穆，展現了聖雅各伯作為宗徒的虔敬形象，衣褶處理細膩，整體構圖穩重，體現了18世紀初羅馬雕塑的藝術水準。

The Statue of St James the Less by Angelo de' Rossi (c. 1705–1711) is housed in the Archbasilica of St. John Lateran in Rome. This approximately 4.5-meter marble statue was part of Pope Clement XI's commission for twelve colossal apostle figures to fill the niches designed by Francesco Borromini. De' Rossi was among the leading sculptors involved in this project, blending Genoese influences with Roman Baroque traditions. The statue presents a solemn and pious depiction of the apostle, with carefully rendered drapery and a stable composition, reflecting the artistic standards of early 18th-century Roman sculpture.

聖小雅各伯像 St James The Lesser in Laterano, Rome

This artifact was found during studies of the attic of Salubria Manor, which was damaged in 2011 because of an earthquake. It was with a NextEngine Desktop 3-D scanner.

Salubria Manor is owned and operated by the Germanna Foundation, which writes “Historic Salubria is an 18th-century (ca. 1757) Georgian-style manor house built for the Reverend John Thompson, rector of the Little Fork Church from 1740 to 1772, who married the widow of Lt. Gov. Alexander Spotswood. The house received the name Salubria, Latin for healthful, from a later owner, James Hansbrough, in the early 1800s and has been known by that name since that time (https://germanna.org/salubria/).”

Iron Alloy Flask (VCU_3D_8654)

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/NsmGEi](https://www.meshy.ai/s/NsmGEi)

Portrait of an 18th-Century

This model was generated using Meshy, an AI-powered 3D creation toolkit. Meshy helps creators turn ideas into high-quality 3D models with ease. View the original model and claim a free month of Pro on Meshy: [https://www.meshy.ai/s/vyDM22](https://www.meshy.ai/s/vyDM22)

Two 18th-Century Soldiers in Tricorn Hats

This handmade brick with a paw print was found at Salubria Manor, a ca. 1757 brick structure located in Orange County, Virginia. The brick was recovered from the west chimney which was damaged in 2011 because of an earthquake. It was 3-D scanned 22 January 2026 with a NextEngine Desktop 3-D scanner.

Salubria Manor is owned and operated by the Germanna Foundation, which writes “Historic Salubria is an 18th-century (ca. 1757) Georgian-style manor house built for the Reverend John Thompson, rector of the Little Fork Church from 1740 to 1772, who married the widow of Lt. Gov. Alexander Spotswood. The house received the name Salubria, Latin for healthful, from a later owner, James Hansbrough, in the early 1800s and has been known by that name since that time (https://germanna.org/salubria/).”

Handmade Brick with Paw Print (VCU_3D_8652)

The Shell Fountain in the garden of Belvedere Palace in Vienna is an important work of early 18th-century Baroque garden art. The complex was built between 1700 and 1725 on behalf of Prince Eugene of Savoy. While Johann Lukas von Hildebrandt planned the palace buildings, French garden architect Dominique Girard designed the strictly symmetrical gardens based on the French model.

The fountain is located in the lower garden area and forms an important focal point of the Baroque axis. In the center are triton figures supporting a shell-shaped basin, which give the fountain its name. The mythological sea creatures symbolize the element of water, which in the Baroque period stood for vitality, movement, and princely representation. After extensive restoration between 2005 and 2010, the Shell Fountain is once again an impressive testament to courtly garden art.

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