Journey - character clothing concept. PBR, stylized photorealism.
Modeling clothes in Marvelous Designer.
Texturing in Substance Painter.

Journey is an indie adventure game

In Journey, the player controls a robed figure in a vast desert, traveling towards a mountain in the distance. Other players on the same journey can be discovered, and two players can meet and assist each other, but they cannot communicate via speech or text and cannot see each other's names until after the game's credits. The only form of communication between the two is a musical chime, which transforms dull pieces of cloth found throughout the levels into vibrant red, affecting the game world and allowing the player to progress through the levels. The developers sought to evoke in the player a sense of smallness and wonder and to forge an emotional connection between them and the anonymous players they meet along the way.

Journey - character clothing concept

Butrón (Basque: Butroeko gaztelua) is a castle located in Gatika, in the province of Biscay, in northern Spain. It dates originally from the Middle Ages, although it owes its present appearance to an almost complete rebuilding begun by Francisco de Cubas (also known as Marqués de Cubas) in 1878. The castle has a fairy-tale look about it inspired by Bavarian castle models. The present building was created as a hobby for its then owner and to create something which is visually spectacular rather than to produce something in which people could actually live. In fact it would be quite inconvenient as a home as the towers have little useful space and various parts of the castle have exterior connections which are not particularly apt for the wet Basque weather.  https://en.wikipedia.org/wiki/Butr%C3%B3n

Download: https://www.fab.com/listings/5f57d6c0-9730-4620-b180-32c97f806589


Experimental, reconstructed from various 4K drone footage only

Butron castle

Modular 3D road pack built for creating city environments.
Includes straight, curved, and intersection pieces with seamless connections. Included road barriers, bus stop and speed limit sing.
Optimized for performance in Unity, Unreal, and Blender.
Ideal for building custom city layouts in games, simulations, and visualizations.

 Thanks for Visiting. Make sure you like it.
 
 Support me on Patreon: https://patreon.com/Salah3D?utm_medium=unknown&utm_source=join_li

Modular City Road Pack – Game Ready

A capybara made for a client (ISA) for an AR experience conexión jaguar (Jaguar connection).

Capybara

The Ultimate expression of a real supercar, the new W1 has been created according to the McLaren ethos of class-leading performance, informed by the core principles that underpin every McLaren supercar: epic power applied through cutting-edge aerodynamics and lightweight chassis technologies; the highest levels of dynamic excellence and the purest driver connection; the perfect driver environment, for all driving situations; and awe-inspiring visual and aural drama.
(Source - Mclaren USA)

18.000 polygons. 

Free Download for Educational Purposes and not for-profit commercial use.  If used , Credit must be given.

Mclaren W1

**CA.** Pati quadrangular, principal eix de distribució cap als diversos sectors del Palau Episcopal des del segle XII. Al XVI es va engrandir en direcció sud, i va ser completament reformat a finals del XVIII.

**ES.** Patio cuadrangular, principal eje de distribución hacia los distintos sectores del Palacio Episcopal desde el siglo XII. En el XVI se amplió en dirección sur y a finales del XVIII se reformó por completo.

**EN.**   The quadrangular courtyard is the main point of connection linking the different areas of the Episcopal Palace since the twelfth century. In the sixteenth century it was enlarged southwards and was completely renovated in the late eighteenth century.

Fotografies: Aleix Barberà.  Làser: Lluís González (SPA). Processat: Laia Tubío / Laura Gómez. Postprocés: Isidre Ot. Text: Miquel Àngel Fumanal i Pagès.

El pati del Palau Episcopal. Museu d'Art Girona

**As the wind of progression blew over the Viking settlement of Novgorod, Christianty quickly filled the minds and hearts of the town folk. Pagan traditions were banished and pactitioners such as druids and seeresses faced endless ridicule, exile and often worse. As was the fate of the misfurtonate seeress Ganna, when she was roughly evicted out of the city, robbed of possessions, family, and dignity. Ganna swore of mankind and settled on top of a tall hill, far from - but always overlooking mankind that wronged her so. Desperation and loneliness quickly drove her cursed soul mad and she sought friendship and connection to the crows that never left her side. Still practicing dark magic she potters around the hill of Ganna daily, feeding the birds, catching fish and writing down everything she knows in scrolls and books in hopes that one day, someone will read them, will connect again, will accept again. But until that day, her birds will have to suffice.**

Created in 3dsmax and photoshop.

Home of an Exiled Seeress

The team from the Museum's boatbuilding school have recently completed two skiffs as a joint project with Garnock Connections and Rathbone Training. 

Here you can have a closer look at the process behind the making of these skiffs. Their hulls are based on a traditional vessel: a Fair Isle Skiff, the model of which can be found in the  Scottish Fisheries Museum. It was constructed as a demonstration project in 2009 and started a true revival of the coastal rowing in Scotland. 

The original design of the skiff was modernised enabling anyone without a boatbuilding experience to take on a similar project with a bit of guidance from the experienced boatbuilders. Today people from all over the world build similar skiffs and regularly attend championships. 

Listen to Martin, the School Manager explaining how these vessels are made. 

To discover more about the boatbuilding workshop see: https://skfb.ly/6MyMF

Traditional Boatbuilding: building skiffs

The German 35.5cm M1 Super Heavy Howitzer only 6 made in existance ( from what I researched ), with very little reference I managed to completly replicate the model using blender and rendered inside of Unreal Engine 5 on my artstation portfolio. This did not take long to make, and is completly optimised to be used in game engines, however I would prefer to use ORM packed maps for the textures but they are all individual for Sketchfab purposes. I have animated and rigged this model which ou can see a short preview.

I am completly open to asset comissions and job opportunities and would love for any, just message more or email through my artstation account. I know I don't have many props on my sketchfab but this is just becuase I barely upload on here to be honest. if you download and love this asset please follow me on artstation and linkedin, as I love more connections and giving feedback on any work :)

German 35.5cm M1 Super Heavy Howitzer

The remains of the abandoned entrance building of the old pier at North Woolwich, London.

The pier was for a ferry connection from the North Woolwich railway terminus to the Royal Arsenal on the other side of the River Thames.

Date: 19th Century.

1020 photos taken in May 2022 with a Sony a7R III and processed in Agisoft Metashape.
The roof on one side contains small holes which are processing errors and not really there.

North Woolwich Pier

**Small Triptych – Deesis **

Small folding altars made in modern and contemporary Russian studios were considered ideal for travelling. They are part of the old tradition of making metal castings, especially cultivated in modern Russia in the circle of the Old Believers (Old Ritualists). This type of metalwork is often treated as a kind of manifestation of the Old Believers’ dissimilarity in connection with the decrees of Tsar Peter I of 1722 and 1723. 

Usually, such triptychs showed the Deesis (traditional representation of Christ in Majesty), reproducing old iconographic patterns. 

**For more images and further information, visit:** 
https://muzea.malopolska.pl/en/objects-list/1895

Inventory number: MNK XVIII-246

Location of the physical object: National Museum in Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” Project**

Small Triptych – Deesis

Repositorio de modelos 3D de Ddiaz Design

![](https://cdn.mos.cms.futurecdn.net/vMA3aJndKWqsynwzQc2Kt8.jpg)

The new McLaren W1 is the ground-breaking successor to two of the greatest supercars ever - the McLaren F1 and McLaren P1TM - and elevates the McLaren '1' car lineage to new heights in every aspect of performance.

The Ultimate expression of a real supercar, the new W1 has been created according to the McLaren ethos of class-leading performance, informed by the core principles that underpin every McLaren supercar: epic power applied through cutting-edge aerodynamics and lightweight chassis technologies; the highest levels of dynamic excellence and the purest driver connection; the perfect driver environment, for all driving situations; and awe-inspiring visual and aural drama.

Instagram del proyecto: https://www.instagram.com/ddiaz.design/

Paypal Donations: https://paypal.me/sergiodd

Based on a CSR2 3d model

Credits: ZD 3D Modelling and Design Discord Server (discord.gg/ZwWHzxk2zu)

2025 McLaren W1

## Scanning
The motorcycle was scanned in IR-mode on the Rigil using 1.5mm resolution and feature tracking without connection to a PC. The picture of the bike misleads about the lighting conditions (modern smartphone witchery be thanked): the place was too dim for texture tracking and in these cases better results can be achieved by only using feature tracking. For scanning itself I didn't do any preparations like scan spray and focused on the both sides by using the saddle as the connection for switching sides.  
While scanning the Rigil held a constant 20 FPS (if texture tracking would be also enabled for hybrid tracking FPS will be lower). Scanning itself took roughly 5min.

## Post-Processing
Post processing was done on my workstation and included generation of the point cloud and subsequent meshing in recommended settings. Since it came out to 15M triangles I reduced it to 4M so the scan could be uploaded to Sketchfab.

Honda Motorcycle - Einscan Rigil IR Scan

Gibson Technology, or simply Gibson (formerly Zytek Engineering), is a British motorsport company founded in 1981 by Bill Gibson.
Lawrence Tomlinson, driver and owner of LNT Automotive, is a shareholder in Zytek/Gibson. This explains the connection with the car manufacturer Ginetta, which was itself acquired by LNT Automotive in 2005.
In 2014, Zytek Automotive was acquired by the German tire manufacturer Continental AG. Zytek Engineering, remaining independent, was renamed Gibson Technology.
In 2026, Gibson partnered with the same musical instrument brand to create its sports car: the Les Paul 2006 SP with Ted McCarty. I'm taking this opportunity to create my 600th drawing using SketchFAB.
Too bad, it's fake news, but it would be fantastic if it could inspire them!

Les Pauls MOTOR SP Mc Carty

## Scanning
The motorcycle was scanned in markerless alser mode on the Rigil using 1mm resolution and feature tracking without connection to a PC. For scanning itself I didn't do any preparations like scan spray and focused on the both sides with one scan per side whilst ensuring enough overlap for easy alignment in later steps.  
While scanning the Rigil held roughly 20 FPS. Scanning itself took roughly 5 to 10min per side, so a a bit longer than in IR mode (was using 1.5mm there though). 

## Post-Processing
Post processing was done on my workstation and included generation of the point clouds, automatic feature alignment and subsequent meshing in recommended settings. Quicksurface was used for alignment to the coordinate system and reduction of the point cloud size. Since it came out quite large I reduced it to 4M so the scan could be uploaded to Sketchfab.

BMW Motorcycle - Einscan Rigil Markerless Laser

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (~80FPS over WiFi).  
For the laser scan marker tracking was used. The scan bench was placed on a turntable with marker geometries placed around it to allow scanning from shallower angles (as seen in last picture). The resolution was set to 0.1mm and exposure was adjusted so the white print wasn't overexposed. For laser mode I used a combination of cross, parallel and single line mode, changing them can be done by double pressing the scan start button on the scanner.   

## Post-Processing
For both scans processing was done using the recommended settings within CrealityScan. This is basically only Fusion since it already generates a mesh at this step which can directly be exported.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other.

Scan Bench - Creality Sermoon P1 Laser

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (with latest update laser mode now reaches 120FPS over WiFi, not bad at all).  
For the laser scan marker tracking was used. The scan bench was placed on a turntable with marker geometries placed around it to allow scanning from shallower angles (as seen in last picture). The resolution was set to 0.1mm and exposure was adjusted so the white print wasn't overexposed. For laser mode I used a combination of parallel and cross line laser mode, changing them by using the scanners touch screen while scanning.   

## Post-Processing
For all three scans precessing was done using the recommended settings within ExScan Rigil. This includes point cloud generation and meshing.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other. The laser scans had to be reduced to allow upload to Sketchfab.

Scan Bench - Einscan Rigil Laser

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (with latest update laser mode now reaches 120FPS over WiFi, not bad at all).  
For IR mode I chose large mode at 0.5mm resolution and marker tracking as well as small mode at 0.2mm resolution with marker tracking. Normally I don't use small mode much since I mainly use markerless laser scanning for parts where I would use it normally. My sweet spot for IR mode is somewhere between 0.5mm and 3mm.

## Post-Processing
For all three scans precessing was done using the recommended settings within ExScan Rigil. This includes point cloud generation and meshing.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other. The laser scans had to be reduced to allow upload to Sketchfab (just under 4M triangles will result in a 100MB ply when exporting from Quicksurface).

Scan Bench - Einscan Rigil IR Large

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (with latest update laser mode now reaches 120FPS over WiFi, not bad at all).  
For IR mode I chose large mode at 0.5mm resolution and marker tracking as well as small mode at 0.2mm resolution with marker tracking. Normally I don't use small mode much since I mainly use markerless laser scanning for parts where I would use it normally. My sweet spot for IR mode is somewhere between 0.5mm and 3mm.

## Post-Processing
For all three scans precessing was done using the recommended settings within ExScan Rigil. This includes point cloud generation and meshing.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other.

Scan Bench - Einscan Rigil IR Small

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (~80FPS over WiFi).  
IR mode had to be done in feature tracking since marker tracking is not yet supported by the software. For this I used the normal size which provides better tracking and is the mode I use most often when using IR mode (same mode was selected with the Rigil in IR mode).

## Post-Processing
For both scans processing was done using the recommended settings within CrealityScan. This is basically only Fusion since it already generates a mesh at this step which can directly be exported.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other. The laser scans had to be reduced to allow upload to Sketchfab (just under 4M triangles will result in a 100MB ply when exporting from Quicksurface).

Scan Bench - Creality Sermoon P1 IR Normal

The neck connection method was changed, and the misalignment was corrected.
刚改了连接方式和之前的错位
Length 40cm
长40cm

剑龙stegosaurus2.0

A 3D couple character model capturing a moment of connection.

• High-detail sculpt / game-ready topology
• PBR textures (color, normal, roughness, metalness)
• Rendered in [zbrush/keyshot]

Feel free to rotate and zoom for details. Enjoy!

Eternal Love - Couple 3D Model

The statue of St. Francis of Assisi in the Lainzer Tiergarten is closely associated with the concept of animal welfare, as the saint is considered the patron saint of animals. It was created in 1934 by the sculptor Josef Josephu and was originally erected in the Bird Sanctuary near the Hermes Villa. Later, it was moved to the Vienna Animal Shelter, where it stood for many years before being restored and returned to its original location.

The statue depicts St. Francis of Assisi with outstretched arms, surrounded by animals, symbolizing his special connection to nature. He stands on a stone pedestal that also serves as a birdbath. Overall, the depiction appears serene and inviting and blends harmoniously into the natural surroundings of the Tiergarten.

Franz von Assisi

* -This is P.I.S.A.'s Cleanser Rifle Type II "Juno", the second generation cleanser "sniper".
* -It chambers the 20x195mm "special" MAMP cartridge, in either High Explosive (red tip) or A.S. (white tip), containing a 260g core of Endria for use against Shrike targets.
* -The scope has provisions for an optical connection to a cleanser's Enhanced Premonition Device, allowing operators to take these inputs into account. (Not modelled)
* -Developed and adopted only 14 months post-Rift, It is the standard arm of the designated riflemen cleansers, for use against any range of targets, up to and including Shrikes. 
* 	It was developed by P.I.S.A. and produced and hand-fitted by Richard Heavy Industries in city Juno. It replaced the civilian "Type I" developed by Bellmont, though using a hotter-loaded cartridge.
* -The rifle uses a long recoil action, firing from a closed bolt. It has a capacity of 4 from a single-stack box magazine. It weighs around 53.6kg in its standard configuration.

by ctrl.62 ; no AI used.

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