Free 8K model of four wine and champagne bottles with realistic glass, varied labels, foil/wax tops and subtle wear, evoking a rustic vineyard farmhouse character.

Wine Bottles 01

T-65B Incom Corp. "X" Wing Starfighter Interceptor. Modeled back in 2008 for an independent Star Wars fan film.
The cockpit and wings are fully detailed, I was going to try some animations of the s-foil deployment and canopy opening/closing but I just don't have the time.
If you make something cool with it, I'd love to see what you come up with!

High Poly X-Wing Fighter

he Lambda-class T-4a shuttle, also known as the Imperial Lambda, Imperial Transport or the Imperial Shuttle, was a multi-purpose transport with a trihedral foil design used by the Galactic Empire during the Galactic Civil War, and was considered an elegant departure from the standards of brutish Imperial engineering. The shuttles were often used by high-ranking Imperial officers and such dignitaries as Darth Vader and Emperor Sheev Palpatine, but were more commonly found ferrying stormtroopers or cargo.

I mad this over a year ago , for a star wars pardoy game i was desiging back then , which has not been finished yet.
The Textures might not be prefect , i might recreat them

Lambda T-A Shuttle

🥐 Stylized Korean Bakery House 🥐

-5x Diffuse Textures
-1x Emission Texture

26,030 Tris in foilage

케이크     > Cake 🍰
입체 빵집 > Three Dimensional Bakery

Instagram @bs00___

Korean Bakery

Quest version: https://sketchfab.com/3d-models/avali-13-optimized-for-vrchat-on-quest-4ae54e81445448a38173bb002bb55ffe

VRCMods link: https://vrcmods.com/item/6550

This is a modified version of the Avali 1.3 model available on the Avali Army Discord server. Credit for the base model goes to FlowerBunny, Snerfoil, Kristaph, Dashi, and possibly more people.

The model has been changed in these ways:

* All materials have been merged into one, including textures and UVs. This improves performance significantly compared to the original 1.3 model which had 17 materials

* The material type has been changed to be a Quest-compatible material, but it still looks good on PC. As such, all shader files available in the Avali Army 1.3 model has been removed.

Blender files here: https://drive.google.com/drive/folders/1gE5_e9jQWRbRYt13oXLYxA-1XG3Ifjy2?usp=sharing

Avali Army Discord server: https://discord.gg/XnjmSer

Avali 1.3 optimized for VRChat on PC

The Lotus 49 was a Formula One racing car designed by Colin Chapman and Maurice Philippe for the 1967 F1 season. It was designed around the Cosworth DFV engine that would power most of the Formula One grid through the 1970s. It was one of the first F1 cars to use a stressed member engine combined with a monocoque to reduce weight, with other teams adopting the concept after its success. It also pioneered the use of aerofoils to generate downforce.

You can support me by subscribing to my [Instagram](https://instagram.com/dark_igorek)🙂

![](https://cdnb.artstation.com/p/assets/images/images/078/642/997/large/igor-oskolskiy-lotus49c-5.jpg?1722673395)
![](https://cdnb.artstation.com/p/assets/images/images/078/642/993/large/igor-oskolskiy-lotus49c-4.jpg?1722673389)
![](https://cdna.artstation.com/p/assets/images/images/078/642/988/large/igor-oskolskiy-lotus49c-3.jpg?1722673379)

Formula 1 || Lotus 49c

The shape of the foot of the monstrance is similar to an oval with concave-convex  profiling. The ornately decorated slope of the foot is divided into four fields with symbols of the Eucharist (grain ears and bunches of grapes), two heads of angels and the coat of arms of the abbey. Two Austrian (re-marking) hallmarks are present on the flange of the foot. The stem is shaped like a candelabrum, made of smooth rings and decorated with foliate motifs. The pear-shaped nodus is decorated with angel heads. It features a sunburst aureole consisting of bundles of conjoined rays of different lengths. Reservaculum has a trefoil shape and is enclosed in a frame with floral and cornice board decorations. The frame is studded with blue-turquoise stones (artificial gemstones made of coloured glass).

1st half of the 18th century, early 17th century

Museum of the Benedictine Abbey in Tyniec

Inventory number: MP/6/2012

Monstrance

This Camunian Rose with a dancing figure below very famous image in Valcamonica rock art.  I have two excellent Valcamonica rock art guide books and both of their covers display photos of this pairing.  There are many other engravings round about them, but these two stand out due to their quality, clarity and execution.

The Camunian Rose is a very good example of the quatrefoil type.  The dancing figure below holds a sword in his right hand and a small shield in his left.  He wears a decorated helmet or headdress.  He's impeccably carved, and is of the Naturalistic style of Iron Age figure - 500-300 BC.

Valcamonica, Foppe di Nadro - Rock 24 (3)

This small rock was engraved during the second half of the first millennium BC.  The Chronology can be determined through the typology of the weapons clasped by the duelists.  The central section of the rock is decorated with several pairs of battling warriors.  They brandish axes with expanded blades, also represented separately near the warriors, and in some cases they hold decorated shields.

At the far right there are two quatrefoil rosa camuni symbols, adopted as the present day emblem of the Lombardy region.

Valcamonica, Paspardo (Dos Sotolaiolo) - Rock 1

A limestone fragment identified by John Bradly as part of a sarcophagus (compare the [nearly intact one at the Black Abbey](https://skfb.ly/pHoWt) with trefoil arches) with two arched niches missing their head and a half quatrefoil on the left. The HEV describes one with ogee headed arches and a quatrefoil on the right, but maybe they mean this one, which is why I'm giving its SMR number below.

Compare also to a [similar fragment at Jerpoint Abbey](https://skfb.ly/pvIpv), and there are similar ones at Gowran Collegiate Church (not yet scanned).

SMR no.: KK019-026326-

Made in KiriEngine from 47 images.

St Mary's: sarcophagus fragment

Strade Dominican Friary is a National Monument in state ownership (No. 172). The abbey dates to the mid-13th century, when it first started as a Franciscan Friary, established by the Lord of Athlethan (Ballylahan), Jordan de Exeter. The Dominican friars moved into Strade in 1253. The priory was dedicated to the Holy Cross & was a daughter house of Sligo Dominican priory (SL014-068008-). One of a group of 5 graveslabs on display against the south wall of the chancel of the Dominican friary church. This tapered slab served as the lid of a stone coffin. It bears a floriated cross in low relief, the terminals of the cross appear to form trefoils/bud & leaf or flower & leaf motif, a fleur-de-lis/flower of the lily. Fleury Cross/Lily Cross, terminals representing the flowering head of the lily plant. Diagonal arms represent the Crucifixion. Carving is best viewed in matcap render.  Archaeological Survey of Ireland description at: https://tinyurl.com/yc44ez49

Strade Abbey Graveslab MA070-067007-

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.95](https://www.online.landessammlungen-noe.at/objects/1117166)

**Material:** Gold pleated silver

**Dimensions:** 61 x 21 mm

**Dating:** 1200 - 1350 CE

The hook fastener is composed of a silver base plate in hexafoil shape, topped with a gold-plated background plate and a rising, five-fold profiled hexafoil frame. The male figurine is semi-plastic and is set within a frame of foliage. The object is has a cylindrical decorative element affixed to a hook. This element exhibits a quatrefoil design and a plastic decoration that is partially broken and illegible. The decoration is situated on the front of a golden base plate, which features diagonal hatched spandrel areas. The front of the object is gold-plated, and three strip-shaped rivets are present on the back of the decorative plate. 

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Hook fastener

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.108](https://www.online.landessammlungen-noe.at/objects/1117181)

**Material:** Silver

**Dimensions:** 38 mm

**Dating:** 1200 - 1350 CE

The disc-shaped part is characterised by a solid, round form surrounded by a high rim. The front of the disc is decorated with a quatrefoil, with roundels at the tips, while a trefoil is attached to each of the arches. The decorative design is complemented by a rim with a pearl frieze. The rim is serrated at the back and has a compact, triple-profiled rim at the transition to the front. The computer tomography analysis reveals the presence of a figurine on the quatrefoil, depicted as a left-facing, hairy animal with a bushy tail. 

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Disc shaped part of a metal vessel

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.96](https://www.online.landessammlungen-noe.at/objects/1117168)

**Material:** Gold pleated silver

**Dimensions:** 29 x 24 mm

**Dating:** 1200 - 1350 CE

The hook fastener features a quatrefoil plate with a profiled, gilded edge. Each of the spandrels has a roundel and a hole. The hook has an oval cross-section and is attached to the underside of the plate. A computer tomography analysis of the quatrefoil field reveals the figure of a rising bird with its head raised, two legs and outstretched wings. The hook is also adorned with a raised, twelve-petalled flower.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.63](https://www.online.landessammlungen-noe.at/objects/1117127)

**Material:** Gold pleated silver

**Dimensions:** 57 mm

**Dating:** 1250 - 1300 CE

Brooch with star-shaped frame with eight points. The frame, which is star-shaped, consists of two intertwined squares with lily-shaped tips. There are diamond crosses on the frame. The frame is completely gilded. There is also a recess on the inner edge of the frame and a hole for the pin axis.
Brooches are a significant aspect of high and late medieval fashion. The larger and more stable clasps are usually attached to the shoulder or chest of the coat

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Octofoil brooch with fleur-de-lis

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.68](https://www.online.landessammlungen-noe.at/objects/1117132)

**Material:**  Gold pleated silver

**Dimensions:** 76mm

**Dating:** 	1200-1350 CE

Brooch with star-shaped frame with eight points. The points of the star are shaped like lilies and arranged above a bar, with partially unfinished drill holes visible in the points. The frame also features a beaded decoration. The artefact is completely gold-plated. It has a spike that tapers towards the tip. This has a flat trapezoidal cross-section. On the inside of the frame there is a recess and a hole for the spike axis. Brooches are a significant aspect of high and late medieval fashion. The larger and more stable brooches as such piece are usually attached to the shoulder or chest of the coat.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Technically, this object is a one-stroke knot path materialized as a closed tubular mesh through the PAPP-OSG pipeline: discrete path construction, topologically verified, tube extrusion, and over/under weaving.
Generated, not hand-modeled: the Triquetra starts as a gate-constrained one-stroke path on a 28-grid trefoil domain, then becomes a Catmull–Rom ribbon and a 10-sided tube via parallel-transport framing and z-lift weaving. 
Result: 430+ controlled crossings in one watertight band.
It uses a trefoil / three-lobe Celtic domain arranged around 120° rotational balance, so the whole form reads as one continuous interlaced band rather than a flat emblem. 
In 3D, the classic triquetra becomes a compact woven sculpture with repeated crossings, rounded tubular volume, and a strong circular silhouette that preserves the symbolic threefold structure while giving it depth, weight, and architectural presence.

Generated by PAPP Framework.

Triquetra OSG |  PAPP

15th-century quatrefoil window in the east wall of the sacristy to the north of the chancel in Portumna Dominican Friary (GA127-019----), Co. Galway. The term quatrefoile refers to an ornamental design of four lobes or leaves as used in architectural tracery, resembling a flower or clover leaf. Quatrefoil originates from the Old French word quatrefoil, meaning "four-leaf," which combines quatre ("four") and foil ("leaf"), derived from the Latin quattuor and folium.  The friary, National Monument No. 461, was built in the 13th-century as a Cistercian chapel dedicated to Saints Peter and Paul. In 1414 the O’Madden family granted the church to the Dominican Order when the church was converted into a friary with the addition of a crossing tower and cloister with claustral buildings to the north of the church. Archaeological Survey of Ireland description of Friary at: https://tinyurl.com/42u7wrep

Portumna Abbey (GA127-019----) Quatrefoil Window

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.101](https://www.online.landessammlungen-noe.at/objects/1117173)

**Material:** Gold pleated silver

**Dimensions:** 13 x 22 mm

**Dating:** 1200 - 1350 CE

The button is hemispherical in shape, with a flat front. A fragment of an eyelet is also visible on the spherical segment. The motif is a male bust depicted from the front, with detailed facial features. The hairstyle is also depicted in detail, with curled strands at the forehead and long waves at the sides. This hairstyle was frequently depicted on male individuals in the 13th and 14th centuries. The portrait is framed by a quatrefoil with a profiled frame and pearl border. The edge is serrated and the front is gold pleated.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Button

Strade Dominican Friary is a National Monument in state ownership (No. 172). The abbey dates to the mid-13th century, when it first started as a Franciscan Friary, established by the Lord of Athlethan (Ballylahan), Jordan de Exeter. The Dominican friars moved into Strade in 1253. The priory was dedicated to the Holy Cross & was a daughter house of Sligo Dominican priory (SL014-068008-). A papal indulgence granted in 1434 may have resulted in a rebuilding phase of the church. One of a group of 5 graveslabs on display against the south wall of the chancel of the Dominican friary church. This tapered graveslab served as the lid of a stone coffin.  It bears a floriated cross in low relief, the terminals of the cross appear to form trefoils/bud & leaf or flower & leaf motif, a fleur-de-lis/flower of the lily.  Fleury Cross/Lily Cross, terminals representing the flowering head of the lily plant. Diagonal arms represent the Crucifixion.  Archaeological Survey of Ireland description at: https://tinyurl.com/yneefntn

Strade Abbey Graveslab MA070-067010-

Located in Strade Dominican friary (MA070-067001-), one of a group of five (see also MA070-067007- to MA070-067010-) no upright where they are mounted up against the south wall of the chancel of the friary church. Tapered graveslab (L 1.9m) of 13th/14th-century date with chamfered sides, served as the lid of a stone coffin. Grave-cover decorated with a cross-fleury or floriated cross with stylised leaf-like terminals or bud-and-leaf terminals.  Possible foliage/leaf/fruit/disc motifs springing from the shaft of the cross symbolising the tree of life.  A cross fleury is a cross adorned at the ends with flowers in heraldry. It generally contains the fleur-de-lis, trefoils, etc.  The Tree of Life represents God's gift of eternal life appearing first in Genesis 2:9 as a source of immortality in Eden & in Revelation 22.2 as a part of the new garden of paradise. The Eucharist, the Body & Blood of Christ, is the Fruit of the Tree of Life Archaeological Survey of Ireland, description at: https://tinyurl.com/y258xyy4

Strade Abbey Graveslab MA070-067004-

Septfoil Knot Flux transforms the classic (7,3) torus knot into a high-density braided flow object. 

Its sevenfold looping logic produces a form that feels ceremonial, rhythmic, and deeply rotational, while the flux-tube construction gives it added thickness, turbulence, and visual energy. 

The object sits between knot theory and musical polyrhythm: a structured entanglement where repetition, crossing, and return generate a strong sense of movement. 

Rather than a static knot, it behaves like a living harmonic circuit — a spatial vortex of periodicity, resonance, and controlled complexity.

Generated by PAPP Framework.

Septfoil Knot Flux | PAPP

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.59](https://www.online.landessammlungen-noe.at/objects/1117123)

**Material:** Gold plated silver

**Dimensions:** 56mm

**Dating:** 1250-1400  CE

The frame consists of two intertwined quadrangles accentuated by fleur-de-lis-shaped elements. The frame is also decorated with a bead molding. There is a recess on the inner edge of the frame for the pin axle. 
Brooches were an essential part of high and late medieval fashion and fulfilled two significant functions. The smaller versions were used to close the neckline of the undergarment or dress, while the larger, more sturdy clasps were used to fasten the cloak either on the shoulder or at the front of the chest.


This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

13th-century piscina/sacrarium located at the eastern end of the south wall of the chancel in Strade Dominican Friary (MA070-067001-), Co. Mayo. Piscina comes from the Latin piscine meaning fish-pond, and is used to a describe a stone bowl with a drain-hole, located in the south wall near the altar of a church for the disposing of water used in the Mass. Other words used to describe this feature included lavacrum, lavatorium or sacrarium, the latter often referring to the drainage hole. The piscina is framed within a chamfered trefoil-headed niche known as the Fenesetlla derived from the Latin word meaning small window or opening. The double bowls, each have a central drainage hole within a six-lobed basin. ‘I will wash my hands clean, and take my place among them at thy altar’ (Psalm 26).  See Archaeological of Ireland Description at: https://tinyurl.com/2u942udw

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