Dance Animation, motion capture provided by Mad Marker Studios

Dance Animation 1

I modeled this to more or less follow the topology from the CG Cookie tutorials with a couple minor exceptions. There's a little extra geometry at the ankles for detail, and an extra loop at the toenails to hold the shape better.

I removed it from a WIP model of mine that is 1.7m or 5'7" tall so it's to scale.

No textures, but it does have UVs. They're not great as I haven't learned proper UV unwrapping yet, but they should work well enough to paintover if you don't want to unwrap it yourself. Sketchfab doesn't offer a CC0 option, but I've listed as CC0 on Blendswap, and as far as I'm concerned, it's CC-0 here as well.

Update: found an issue with the topology markers, so I fixed it and cleaned up a couple other minor issues. Now if you turn of the wireframe with the model inspector, you can see the subdivided foot's shape more clearly.

Need a hand? I've got [one of those](https://skfb.ly/o6GtF) for download too.

Foot Topology - CGCookie style (CC0)

The radiator that understands your needs. Flat panel adhering very close to the wall. Available in over 250 colours and special finishes, including a fashionable concrete and mirror finishes. A full colour palette is available for the glass front version further enhanced with an option of printing a selection of graphics or custom graphics sent by the buyer. All radiators featuring a glass front panel can be used as dry-erase boards and are sold with erasable white markers. A functional hanger available at a bonus price of 1 PLN can match the radiator colour or become an eye catcher when ordered in a contrasting colour or chrome finish. A 50 mm thermostatic valve and stylish SLIM thermostatic head is included together with ALUPEX and copper pipe adapters. Available in water, water-electric and electric versions. Heat output: 422-762 W.

<p><a href="http://en.termaheat.com/grzejnik/case-slim">Learn more</a></p><br>

CASE SLIM radiator

**Asset pack for race track (part 1)**

10 models:

- Concrete barrier

- Tyre barrier

- Fance

- Safity rail

- Brake markers (50m, 100m, 150m, 200m)

- Speed limits markers (60kmh, 80 kmh, 100kmh)

- lights

- light post

- conus

- post

**Textures**

- 2k textures

- Base color (Albedo)

- Metallic

- Roughness

- NormalMap (DirectX)

Race Track Assets Pack

Free 8K lateral sea marker: realistic weathered red buoy with stacked column, top daymark, handrail ring and dock-ready wear for harbors, docks, and ships.

Lateral Sea Marker

2.5D / 3D hybrid drawn on Google Tilt Brush. The best way to get used to a new medium is to practice with them old masters (Georges Seurat)! There's a little Ferris Bueller touch in there as well (zoom out). Wondering if the marker texture can be loaded in from TB?

Process video is here: https://www.youtube.com/watch?v=z9fAjW0fOHk

A Sunday on La Grande Jatte diorama

Made in low poly and each with a single low res texture as buildable mapmarkers for a modding project for Hearts of Iron IV. I have placed the Eiffel Tower in the middle for a better size comparison and to show you, how gargantuan both buildings are.

The Palace of the Soviets was a project to construct a Administrative and convention center in Moscow. If built, the 416-metre (1,365 ft) tall palace would have become the world's tallest structure, with an internal volume surpassing the combined volumes of the six tallest American skyscrapers.

The Volkshalle ("People's Hall"), also called Große Halle ("Great Hall") or Ruhmeshalle ("Hall of Glory"), was a proposal for a monumental, domed building to be built in a reconstituted Berlin (renamed as Germania) in Nazi Germany. The project was conceived by Adolf Hitler and designed by his architect Albert Speer. Due to the enormous size of the building and the use of white granite and marble it could even have been seen from space.

clash of ideologies 😉 (low poly)

The Reichstag  (English: Imperial Diet), is a historic legislative government building  in Berlin. The Neo-Renaissance building was built between 1884 and 1894 to plans by the architect Paul Wallot. The 3D model shows the building how it have lock like about 1930.

Made with cinema4D, photoshop and gimp in low poly and with a single low res texture, as a stylized Land marker for Hearts of Iron IV.

Reichstag (low poly)

Repositorio de modelos 3D de Ddiaz Design

![](https://images.hgmsites.net/hug/mercedes-benz-vision-one-eleven-concept_100888827_h.webp)

Mercedes-Benz presented a new sports car study. The Vision One-Eleven combines a highly dynamic design language with innovative all-electric powertrain technology. The supercar silhouette is characterised by skilful execution of the signature Mercedes-Benz One-Bow design that is a marker of its 21st-century style.

Instagram del proyecto: https://www.instagram.com/ddiaz.design/

Paypal Donations: https://paypal.me/sergiodd

Based on an Asphalt 9 Legends 3d model

Credits: @bluspycrab

2023 Mercedes-Benz Vision One-Eleven Concept

## Scanning
The scan was created in large IR-mode with automatic exposure and geometry tracking. I started from the front and slowly moved around the part while keeping an eye on having enough overlap for tracking (rotating the scanner to reach in to the crevices works quite well to circumvent obstructions due to limited line of sight). While scanning the framereate was roughly 10 FPS with some highs to 15 and lows to 6 FPS (NIR mode still needs an update I guess, currently no marker scannign supported).

## Post-Processing
For post processing I fused the scan at 1mm and and meshed it it with default settings. For alignment I used the untegrated tooling in Creality Scan (basically rotating the part until alignment is right). The figurine then was printed from PLA to create a minature version.

Angel Figurine (Tombstone) - Creality Sermoon P1

## Scanning
The scan took place in two steps: First the top of the lawn mower and then the bottom. For both scans I didn't use any scan spray or similar, just took the scanner and started scanning at 1mm resolution. Since then markerless laser scanning made quite some progress, especially in wired mode where scan speed was increased from 20 FPS to 60 FPS with the latest update. Hopefully this will also transfer to wireless mode in the future. 

## Post-Processing
Processing just consisted of generating the point cloud when finishing the single scans, aligning the scans to each other (I used manual feature alignment since the overlap was quite minimal) and then I meshed the scan with default settings. Only divergence from default was using the semi watertight setting since it delivers a more closed model without too much "artistic freedom" to close holes. The scan was then reduced and aligned in Quicksurface.

Lawnmower - Einstar Rockit (markerless laser)

## Scanning
Scanning was done in PC connected mode (WiFi, with latest update 120FPS speed) at a moderate high point distance of 0.15mm (can go up/down to 0.05mm but at 0.15mm it already resulted in a 20M triangle file...) until target quality was reached.
I placed the casting on bed of marker cards and geometries so I can also capture the sides of the casting which I also use for aligning the two scans I created (top and bottom). The scan itself was performed with both cross and parallel line mode taking roughly 5min for scanning. No scan spray was used for scanning.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to align using automatic feature alignment (after deleting all unnecessary data from around the object). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Wax Casting Traditional Scene - Einscan Rigil

## Scanning
The motorcycle was scanned in markerless alser mode on the Rigil using 1mm resolution and feature tracking without connection to a PC. For scanning itself I didn't do any preparations like scan spray and focused on the both sides with one scan per side whilst ensuring enough overlap for easy alignment in later steps.  
While scanning the Rigil held roughly 20 FPS. Scanning itself took roughly 5 to 10min per side, so a a bit longer than in IR mode (was using 1.5mm there though). 

## Post-Processing
Post processing was done on my workstation and included generation of the point clouds, automatic feature alignment and subsequent meshing in recommended settings. Quicksurface was used for alignment to the coordinate system and reduction of the point cloud size. Since it came out quite large I reduced it to 4M so the scan could be uploaded to Sketchfab.

BMW Motorcycle - Einscan Rigil Markerless Laser

## Scanning
Three scans were done, all in the same setting: Owl placed on turntable with markers around it, marker tracking used and exposure set to ensure no under- or overexposure. All scans were taken until full data quality was reached.  
Scans:
- 0.2mm IR small mode (highest resolution selectable), texture capture enabled
- 0.1mm laser mode, texture capture enabled
- 0.05mm laser mode (high detail capture of the face area, whole bird in 0.05 would result in unusable large scan)

## Post-Processing
No special post-processing was done, only meshing at default settings within Exstar Hub and performing texture optimization.

Wooden Owl Laser 0.1mm - Einstar Rockit

## Scanning
Scanning was done in standalone mode at highest resolution (0.2mm, PC connected can be higher) and until target quality was reached. I placed the casting on bed of marker cards and geometries so I can also capture the sides of the casting. The scan itself was performed with all three laser modes taking roughly 5min for scanning. No scan spray was used for scanning.

## Post-Processing
I imported the scan project to my PC over USB and then fused the scan at default settings (0.2mm). Afterwards I used Quicksurface to align the scan to the coordinate system.

Wax Casting of Woman - Creality Sermoon P1

## Scanning
Scanning was done in PC connected mode (WiFi, with latest update 120FPS speed) at a moderate high point distance of 0.15mm (can go up/down to 0.05mm but at 0.15mm it already resulted in a 15M triangle file...) until target quality was reached. Keep an eye on ideal scan distance since it reduces with increasing point distance.
I placed the statue on bed of marker cards and geometries so I can also capture the sides of the statue which I also use for aligning the two scans I created (top and bottom). The scan itself was performed with both cross and parallel line mode taking roughly 5min for scanning. No scan spray was used for scanning.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to align using automatic feature alignment (after deleting all unnecessary data from around the object). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Wood Statue Boy with Dog - Einscan Rigil

## Scanning
For scanning I placed the shell on a bed of marker cards and geometries securing it with blue tack against rolling (which actually caused problems...). The scan itself was created in standalone mode with marker tracking and 0.2mm resolution in laser mode. It tool roughly 7min to reach full data quality on the front side. I also captured the back side but supposedly the blue tack deformed which resulted in the scan being unusable... Next time I wull try clay.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to mesh it in recommended settings (semi-watertight). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Trench Art from WW1 - Einscan Rigil

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (~80FPS over WiFi).  
For the laser scan marker tracking was used. The scan bench was placed on a turntable with marker geometries placed around it to allow scanning from shallower angles (as seen in last picture). The resolution was set to 0.1mm and exposure was adjusted so the white print wasn't overexposed. For laser mode I used a combination of cross, parallel and single line mode, changing them can be done by double pressing the scan start button on the scanner.   

## Post-Processing
For both scans processing was done using the recommended settings within CrealityScan. This is basically only Fusion since it already generates a mesh at this step which can directly be exported.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other.

Scan Bench - Creality Sermoon P1 Laser

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (with latest update laser mode now reaches 120FPS over WiFi, not bad at all).  
For the laser scan marker tracking was used. The scan bench was placed on a turntable with marker geometries placed around it to allow scanning from shallower angles (as seen in last picture). The resolution was set to 0.1mm and exposure was adjusted so the white print wasn't overexposed. For laser mode I used a combination of parallel and cross line laser mode, changing them by using the scanners touch screen while scanning.   

## Post-Processing
For all three scans precessing was done using the recommended settings within ExScan Rigil. This includes point cloud generation and meshing.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other. The laser scans had to be reduced to allow upload to Sketchfab.

Scan Bench - Einscan Rigil Laser

Wax Casting of Figure - Creality Sermoon P1

Wooden Owl Laser 0.05mm - Einstar Rockit

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (with latest update laser mode now reaches 120FPS over WiFi, not bad at all).  
For IR mode I chose large mode at 0.5mm resolution and marker tracking as well as small mode at 0.2mm resolution with marker tracking. Normally I don't use small mode much since I mainly use markerless laser scanning for parts where I would use it normally. My sweet spot for IR mode is somewhere between 0.5mm and 3mm.

## Post-Processing
For all three scans precessing was done using the recommended settings within ExScan Rigil. This includes point cloud generation and meshing.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other. The laser scans had to be reduced to allow upload to Sketchfab (just under 4M triangles will result in a 100MB ply when exporting from Quicksurface).

Scan Bench - Einscan Rigil IR Large

## Scanning
Scanning was done in PC connected mode (WiFi, with latest update 120FPS speed) at a moderate high point distance of 0.15mm (can go up/down to 0.05mm but at 0.15mm it already resulted in a 15M triangle file...) until target quality was reache
I placed the statue on bed of marker cards and geometries so I can also capture the sides of the statue which I also use for aligning the two scans I created (top and bottom). The scan itself was performed with both cross and parallel line mode taking roughly 5min for scanning. No scan spray was used for scanning.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to align using automatic feature alignment (after deleting all unnecessary data from around the object). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Wood Statue of Bird Nest - Einscan Rigil

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (with latest update laser mode now reaches 120FPS over WiFi, not bad at all).  
For IR mode I chose large mode at 0.5mm resolution and marker tracking as well as small mode at 0.2mm resolution with marker tracking. Normally I don't use small mode much since I mainly use markerless laser scanning for parts where I would use it normally. My sweet spot for IR mode is somewhere between 0.5mm and 3mm.

## Post-Processing
For all three scans precessing was done using the recommended settings within ExScan Rigil. This includes point cloud generation and meshing.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other.

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