Fabric shaders base on [Weavr - Procedural Textile Shader] licensed CC-BY by [Simon Thommes]. Thanks so much for the brilliant asset!

The human body models are generated by using the open-source tool “MB-Lab,” so it is derivative of the characters created by MB-Lab (https://mb-lab-community.github.io/MB-Lab.github.io/) and distributed under AGPL 3.

Every like, comment, and subscription will support me to go further!

[Patreon](https://www.patreon.com/chambersu) subscriptions can help me invest more in the artwork. You can also find project files(.blend) in my Patreon. The part I created and produced will be released under the CC-BY license. Welcome to use them!

Any quote will significantly encourage me, please don’t forget to tell me after a quote! 

I also accept modeling commission. Please contact (chambersu1996@gmail.com).

Silk Shirt Suit Retopo For Ray II

Armor retopology base on [The Parade Armour of King Erik XIV of Sweden](https://skfb.ly/6RoCA) By [The Royal Armoury (Livrustkammaren)](https://sketchfab.com/TheRoyalArmoury).

Fabric shaders base on [Weavr - Procedural Textile Shader] licensed CC-BY by [Simon Thommes]. 

The human body models are generated by using the open-source tool “MB-Lab,” so it is derivative of the characters created by MB-Lab (https://mb-lab-community.github.io/MB-Lab.github.io/) and distributed under AGPL 3.

Thanks so much for the brilliant asset!

Every like, comment, and subscription will support me to go further!

[Patreon](https://www.patreon.com/chambersu) subscriptions can help me invest more in the artwork. You can also find project files(.blend) in my Patreon. The part I created and produced will be released under the CC-BY license. Welcome to use them!

Any quote will significantly encourage me, please don’t forget to tell me after a quote! 

I also accept modeling commission. Please contact (chambersu1996@gmail.com).

Armor Suit Retopo For Ray II Pose Ver

Red House
A red-brick apartment building built in the 1960s.

The 45-square-meter American-style apartment centers on cozy practicality, blending classic elements with modern design. An open layout breaks spatial constraints, while the integrated living-dining-kitchen area enhances a sense of spaciousness, complemented by natural tones like soft grays and creamy whites to create a comfortable ambiance. Solid wood furniture and linen/cotton textiles convey rustic charm, with accents like wrought iron pendant lights and vintage-inspired artwork adding nostalgic American flair. Glass partitions and hidden storage maximize vertical space efficiency, while simplified moldings and distressed finishes balance historical character with compact living needs. Ideal for singles or couples, it crafts a functional yet romantic mini-haven embodying the essence of Americana.

https://bitsnote.com/sketchup/RedHouse.html

Red House

I wonder should I bake a high-poly models with HD tex/ cloth sim physics/ Showcase version on Sketchfab. Because I am busy and upset with full-time job now. But I will retopo and bake a version for game.

Every like, comment, and subscription will support me to go further! Patreon subscriptions can help me invest more in artwork. You can also find project files(.blend) in my [Patreon](https://www.patreon.com/chambersu). The part I created and produced will be released under the CC-BY license. Welcome to use them! Any quote will greatly encourage me, please don't forget to tell me after a quote! I also accept modeling commission (chambersu1996@gmail.com).

Shaders base on [Weavr - Procedural Textile Shader] licensed (CC-0) BY by [Simon Thommes]. Thanks so much for the brilliant asset!

The human body models are generated by using the open-source tool “MB-Lab,” so it is derivative of the characters created by MB-Lab (https://mb-lab-community.github.io/MB-Lab.github.io/) and distributed under AGPL 3.

Haute Couture For Ray II Pose 2

The 3D model presents a digital twin of a theatrical costume for Glafira Alekseevna in the play “Wolves and Sheep” (1875) by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were applied. A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuPHIgwa-2zSI41YyVMijm0&feature=shared

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev, faculty members and students of Ivanovo State Polytechnic University and their colleagues from Ivanovo State Museum of Local History named after D.G. Burylin for providing data required for 3D modelling.

DOIs of the garments are as follows
http://doi.org/10.13140/RG.2.2.15105.53600
http://doi.org/10.13140/RG.2.2.28527.30883

Costume: Glafira, "Wolves and Sheep"

Cloth simulation based on a [CC0](https://creativecommons.org/share-your-work/public-domain/cc0/) image of a cotton and wool flag made by [Alida Schuyler Hamilton](https://en.wikipedia.org/wiki/Elizabeth_Schuyler_Hamilton) (1656–1729) ca. 1777 released as part of the [Met Museum](https://www.metmuseum.org)'s [Open Access](https://www.metmuseum.org/about-the-met/policies-and-documents/image-resources) program. Animated in Blender.

![](https://images.metmuseum.org/CRDImages/ad/web-large/160961.jpg)

Full record:
https://www.metmuseum.org/art/collection/search/13674

**Maker**:
Alida Schuyler (1656–1729)

**Maker**: 
Elizabeth Schuyler Hamilton

**Date**:
ca. 1777

**Geography**:
Made in New York, United States

**Culture**:
American

**Medium**:
Cotton and wool

**Dimensions**:
46 1/2 x 65 1/2 in. (118.1 x 166.4 cm)

**Classification**:
Textiles

**Credit Line**:
Anonymous gift, 1956, in memory of William Willis Reese

**Accession Number**: 
56.65

13 Star Flag of the United States

A large room in the (upper part of) Wakefield Tower at the Tower of London. Built in the early 13th Century by King Henry III.

Sign in alcove reads: "KING HENRY III's PALACE. This is the Wakefield Tower, one of the oldest parts of the medieval palace. King Henry III, Edward I's father ordered this tower to be built in 1220. It was part of a grand new riverside palace for when the King and Queen stayed at the Tower. This important room was separated from the small private chapel by a wooden screen. The painted decoration, textiles, screen and throne are all modern replicas, copied from real objects, manuscript, illuminations and descriptions in documents from the 1200s. The stone vaulted ceiling was added in the 1800s.

472 photos taken in October 2021 with a Sony a7R III and processed in Reality Capture.

Wakefield Tower Room

The 3D model presents a digital twin of a theatrical costume for Ippolit in the play “It’s Not All Shrovetide for the Cat” (1871) by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were applied. A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuPHIgwa-2zSI41YyVMijm0&feature=shared

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev, faculty members and students of Ivanovo State Polytechnic University and their colleagues from Ivanovo State Museum of Local History named after D.G. Burylin for providing data required for 3D modelling.

Costume: Ippolit, "It's Not All Shrovetide..."

The 3D model presents a digital twin of a theatrical costume for Olympiada Samsonovna in the play “It’s a Family Affair-We’ll Settle It Ourselves” (1850) by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were applied. A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuPHIgwa-2zSI41YyVMijm0&feature=shared

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev, faculty members and students of Ivanovo State Polytechnic University and their colleagues from Ivanovo State Museum of Local History named after D.G. Burylin for providing data required for 3D modelling.

Costume: Lipochka, "It's a Family Affair..."

This model boat comes from the collection of [Dundee HeritageTrust](http://www.dhtcollections.com/) looking after [Verdant Works](https://www.verdantworks.com/), also known as Scotland's Jute Museum, telling the story of Dundee's textile industry. 

This is a model of a river boat which is typical of the type of boat used for carrying raw jute from the fields.  It has a curved shape wooden cabin with basket roof and on the side reads 'Pak Jute Mill Ltd' in white.

The 3D model was created by the Scottish Maritime Museum as a part of the Scanning The Horizon project, working with collections from Industrial Museums Scotland ([Go Industrial](http://www.goindustrial.co.uk)).

Model of Pak Jute Mill Ltd Jute Boat

The 3D model presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The garment was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were applied.

The authors of the 3D model are Aleksei Moskvin  and Mariia Moskvina  (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University and their colleagues from Ivanovo State Museum of Local History named after D.G. Burylin for providing data required for 3D modelling.

Find more historical costumes at
https://sketchfab.com/alekseimoskvin1
https://sketchfab.com/mariia89
https://sketchfab.com/K_SH_I_IVGPU
https://independent.academia.edu/AlekseiMoskvin
https://www.researchgate.net/profile/Aleksei-Moskvin

1871 Vest

The 3D model presents a digital twin of a theatrical costume for a play by A.N. Ostrovsky. The garment was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were applied.

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev (Ivanovo State Polytechnic University), faculty members and students of Ivanovo State Polytechnic University and their colleagues from Ivanovo State Museum of Local History named after D.G. Burylin for providing data required for 3D modelling.

Find more historical costumes at

https://sketchfab.com/alekseimoskvin1

https://sketchfab.com/mariia89

https://sketchfab.com/K_SH_I_IVGPU

https://independent.academia.edu/AlekseiMoskvin

https://www.researchgate.net/profile/Aleksei-Moskvin

1856 Cape (Kukushkina)

The 3D model presents a digital look of a historical costume from a Russian lubok print “Rayok” dating to the 18th century. The costume was made for a theatrical performance «Indecent is decent» (Ivanovo State Museum of Local History named after D.G. Burylin, October 30, 2019 – March 1, 2020, http://xn--80ablhhepdp1a2ae9h.xn--p1ai/). The 3D reconstruction was made by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, SubstancePainter and Unreal Engine 4 software programs were applied. A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuo_6RFLyIWZcO8f-c0LcaM&feature=shared

The authors of the 3D model are Mariia Moskvina and Aleksei Moskvin (Saint Petersburg State University of Industrial Technologies and Design)

The authors thanks Victor Kuzmichev for his valuable contribution to the reconstruction.

Raek’s costume from a traditional engraving

The 3D model presents a digital twin of a theatrical costume for Alexey Bulanov in the play “The Forest” (1871) by A.N. Ostrovsky. The costume was modelled by using historical block patterns, 2D scans of textile materials and 3d scans of contemporary actors. Anthroscan, Clo3D, 3dsMax, PixPaint and SubstancePainter software programs were applied. A video presentation of the 3D model is available at https://youtube.com/playlist?list=PLCTQCzEpoeLuPHIgwa-2zSI41YyVMijm0&feature=shared

The authors of the 3D model are Aleksei Moskvin and Mariia Moskvina (Saint Petersburg State University of Industrial Technologies and Design).

The authors thank prof. Victor Kuzmichev, faculty members and students of Ivanovo State Polytechnic University and their colleagues from Ivanovo State Museum of Local History named after D.G. Burylin for providing data required for 3D modelling.

Costume: Bulanov, "The Forest"

Anthropomorphic whistle in the shape of a standing Maya warrior. The posture suggests a firm stance of authority or readiness for combat. He wears a loincloth with a decorated belt and an elaborate turban composed of elements evoking textiles, crowned by a feline mask or face at the top. The arms and shoulders are adorned with ribbons and ropes. Across the chest, he wears a necklace with plaques, followed by another necklace made of large rings from which a trophy head appears to hang. The head is suspended upside down, resembling a ceremonial pectoral, and from it hang four long fringed ribbons that may artistically represent the victim’s hair. The hollow structure of the piece and the blowing mouthpiece located on the back indicate its sound-producing function.

 IDAEH Cultural Property No.  16.2.5.0947
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Space Spider

Mayan warrior with trophy head pectoral

This lifesize sculpture is an instrument to remind people to check themselves. See the beauty within, and the shadow behind. An introscope is a sculpture that engages the people with the society. All of our good, and out bad, for the best of the collective. Built with reclaimed wood, textile, leather, wire, and sealed clay pieces specislly made for this work of art. It is a boy, it is a little horse. it is a god, it is a demon. it is individual, it is collective. A paradox, it is in me and in you. ![](http://)
www.gerardogama.com

Introscope YingYang

## Scanning
Scan was done in IR mode with 1mm resolution and large mode. For tracking only feature tracking was used (texture would have helped but the light was dim and flickery so no real help...). The final result consists of two scans (top and bottom) to capture the whole armchair. Between the scans I had to turn the chair around so I made sure to capture all cushiony parts in the top scan so when they are deformed after turning I already captured them. When having relatively smooth textile without much wrinkles for tracking you can always try

## Post-Processing
Just point cloud generation and meshing at recommended settings (meshing as semi-watertight) on my workstation (simply faster than on device). Alignment was done in Quicksurface as well as reduction or triangle count (from 14M to ~3M).

Armchair (Upholstery) - Einscan Rigil

Stela fragment bearing designs of disks with tassels and fringes, as well as knotted textile elements.
 IDAEH Cultural Property No. 1.2.179.0084
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Stela

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19020.36040.1](https://www.online.landessammlungen-noe.at/objects/1475584)

**Material:** Iron

**Dimensions:** 93,6 x 14,4 cm

**Dating:** 680 - 900 CE

The spatha is a type of straight, long sword. It is characterised by its double-edged blade. It is typically held with one hand and is primarily used for cutting. The edges of this specimen curve inwards slightly towards the rounded, relatively short tip. The central part of the blade has grooves. Faint remnants of the wooden scabbard are visible on one side of the blade. Small areas with textile impressions are visible on both sides.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Spatha

Polychrome drum of the type known as Pax, classified as an “arm drum.” The surface is decorated with ten figures identified as musicians and dancers.  Within the latter group, a principal dancing figure is depicted performing with two sticks tipped with pompons, wearing a knotted maxtatl and a feathered headdress. Behind him, three seated figures appear to observe him with open mouths, as if singing; one of them holds a turtle shell. In front of the dancer, a procession of three figures advances toward him, wearing textile headdresses and jaguar-skin skirts, and carrying what appear to be rattles in their hands. Probably from the Alta and Baja Verapaz region. The piece has been restored.
 IDAEH Cultural Property No. 1.2.179.0155
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

Drum

LOKA 02: Bhuvar (Atmospheric Plane) is the V2 “cable-relief” disc of the LOKA series, encoding Kolam threshold geometry as thick ritual cords over a nearly flat floor. 

The pattern is generated from analytic symmetric rose-curve weaving on a pulli grid (rigorous C₄ symmetry): a central mandala, 7 concentric weave rings, 24 weave bridges, and an outer border garland. 

V2 amplifies the textile logic into sculpture: cable width 2.5× (0.050R) with a cos² profile, ring height boosted to 1.80, a near-flat base floor (0.02), and pulli dots rendered as hemispheric bumps (h=0.80). 

Hopf streamline grain and deep groove shadowing add “stone + cord” realism.

Mesh: 57,170 verts / 114,336 faces, closed orientable manifold (χ=2, watertight). 

Z range [−0.219, 1.872], surface area 205.23, unique colors 18,502. 

Seed [36,6,6,16], β*=16.0, triple (255,32,257), V₄D=1196.

Generated by PAPP Framework

Loka 02 — Bhuvar Kolam V2 | PAPP

Anthropomorphic mask in the form of a figure with a slightly open mouth and wearing a textile cap. Traces of red pigment remain on the face, and white pigment on the cap.

 IDAEH Cultural Property No. 1.2.179.0016
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 415

Mask

Bronze buckle with guilding. At the far end of the plate there is a circular frame for a stone, around which are symmetrically placed 2 birds with ribbon-shaped cross-shaped bodies, large round eyes and strong curved beaks that bite over their own bodies. Around the frame for the stone and on the pins at the other end of the fitting there is also a ribbon braid in caraway. With the exception of the frame for the stone, the entire upper side of the fitting is gilded. On the underside of the fitting there are impressions of textiles. Dated to 800-850 AD. Viking period.

Museums ID: S11313b

Dated to:  800-850 AD. Viking period.

Found in: Suldal, Rogaland. Norway (1993)

Modell made by: Annette G. Øvrelid

Bronze buckle with guilding.

Modern Armchair 3D Model

Contemporary armchair with realistic fabric texture and clean design.

Features:
- Modern minimalist design
- Realistic fabric/textile texture
- Clean geometric shape
- Comfortable-looking proportions
- Wooden or plastic feet
- Gray upholstery material

Technical Details:
- Clean topology
- PBR fabric texture
- Optimized for interior visualization
- Game-ready or architectural use

Software: Blender 4.0
Style: Realistic, modern furniture
Format: glTF/GLB

Perfect for interior design, architectural visualization, home decor projects, or furniture catalogs!

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