Nicknames: "V of Doom", "Big V", "Zooming V", "Viacom V", "That V"

Logo: On a sky blue (or lavender) background, the text "A Viacom Presentation" in a Palatino-like typeface zooms in from the center of the screen at a very fast pace, then stops abruptly (on the filmed variant) when it gets near to the screen. Then, a fancy-cut, navy blue "V" (a downward trapezoid with a curved line in the near center) zooms in from the center and moves gradually closer and closer to the screen. When it gets to the point where the "V" takes up nearly the entire screen, the screen suddenly cuts to black or fades to black (depending on the version of the logo), with the "V" presumably still moving ever closer.

Viacom 1976 Logo (Filmed Version) Remake

**CAT** El claustre, construït durant els segles XIV i XV, és situat atípicament als peus de l'església, per manca d'espai. És de planta lleugerament trapezoïdal. Sorprenen les seves grans dimensions, un dels claustres més grans de tota Europa. Destaca la rica decoració dels 17 enormes finestrals que el configuren.

**ES** El claustro, construido durante los siglos XIV y XV, es situado atípicamente a los pies de la iglesia, por falta de espacio. Es de planta ligeramente trapezoidal. Sorprenden sus grandes dimensiones, uno de los claustros más grandes de toda Europa. Destaca la rica decoración de los 17 enormes ventanales que lo configuran.

**ENG** The cloister, built during the 14th and 15th centuries, is atypically located at the foot of the church, due to lack of space. It has a slightly trapezoidal plan. They are surprisingly large, one of the largest cloisters in all of Europe. The rich decoration of the 17 huge windows is remarcable.

+info in the comments

Claustre de la Seu Vella de Lleida

"Miniature “theater-type” incense burner with decorated lid and pedestal base. The lid, polychrome (black, yellow, white, and red), features a figure wearing a headdress with an owl effigy, decorated with a series of four disks set on a band and feathers at the top. The figure holds two rings decorated with feathers in its hands and wears a trapezoidal nose ornament. The base is hourglass-shaped and decorated with a talud-tablero–like element. NAA of the ceramic paste indicates the Pacific Coast of Guatemala as the place of manufacture (the style corresponds to examples from the Tiquisate and La Gomera area, Escuintla).

 IDAEH Cultural Property No. 1.2.144.1306
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 534

Miniature Incense Burner

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19875.244](https://www.online.landessammlungen-noe.at/objects/1006754)

**Material:** Bronze

**Dimensions:** 8,62 x 3,8 cm, 8,1 mm

**Dating:** 15 - 375 CE

The artefact is a bronze pin brooch in its complete form, featuring a tall, trapezoidal pin holder. The bow and the pin are connected by a rivet, around which the pin can move. Both are extended beyond the rivet eye by two pliers-like jaws. When the pin is closed, these jaws press against each other and apply tension to the brooch. This is followed by a short, straight shank, which ends in a bent-up segment.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Pliers Brooch

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19018.071.6.1](https://www.online.landessammlungen-noe.at/objects/236841)

**Material:** Bronze, gilded

**Dimensions:** 10,3 × 4,3 cm

**Dating:** 741 - 770 CE

A belt buckle composed of a non-ferrous metal, which is characterised by a trapezoidal frame. It is equipped with a rectangular fitting. Following the casting process, the object was subjected to gilding. The fitting is distinguished by an openwork design embellished with a floral motif.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Belt Buckle

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.68](https://www.online.landessammlungen-noe.at/objects/1117132)

**Material:**  Gold pleated silver

**Dimensions:** 76mm

**Dating:** 	1200-1350 CE

Brooch with star-shaped frame with eight points. The points of the star are shaped like lilies and arranged above a bar, with partially unfinished drill holes visible in the points. The frame also features a beaded decoration. The artefact is completely gold-plated. It has a spike that tapers towards the tip. This has a flat trapezoidal cross-section. On the inside of the frame there is a recess and a hole for the spike axis. Brooches are a significant aspect of high and late medieval fashion. The larger and more stable brooches as such piece are usually attached to the shoulder or chest of the coat.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Octofoil brooch with fleur-de-lis

Brown–black tripod bowl with straight walls, a flat base, and rectangular openwork supports. The decoration consists of six panels with stylized anthropomorphic and zoomorphic figures (lizards or earth monsters) in relief, followed by a basal molding composed of multiple psittacine bird heads (parrots or macaws) shown in left profile. The supports possibly represent the god Tlaloc, wearing a tall feathered headdress, with round eyes, circular earspools, a necklace with spherical beads, and a trapezoidal nose ornament. NAA of the paste indicates the origin or manufacturing area as the Pacific Coast region, Escuintla.

 IDAEH Cultural Property No. 1.2.144.0904
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Tripod Bowl

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.5](https://www.online.landessammlungen-noe.at/objects/1117024)

**Material:** Gold plated silver

**Dimensions:** Ring head 19 mm

**Dating:** 1240 - 1400 CE 

The artefact is constituted of a solid, circular ring plate with a handshake motif in the centre, which has been sculpted against the background. The background is characterised by a cross-hatching pattern. The hands are set within a raised band inscribed with the German phrase "+ LIEB AN ENDE", which translates to "love forever". This inscription is further embellished with niello technique. The ring plate is distinguished by a smooth ring band with a trapezoidal cross-section. The width of the component at the ring shoulder is slightly greater than at other points, and it abuts the narrow side of the ring plate.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Gold-plated silver ring with ring plate

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.40](https://www.online.landessammlungen-noe.at/objects/1117079)

**Material:** Gold plated silver, Sapphire, Garnet

**Dimensions:** Ring head 13mm

**Dating:** 1250-1400  CE

The irregular hexagonal case has a flat base. The piece is set with a dark blue faceted sapphire. At each of the four corners of the elongated sides of the piece, a cylindrical mount has been placed, with a transparent, raspberry-red, round garnet cabochon. The ring band exhibits a flat, trapezoidal cross-section that undergoes uniform expansion. The ring shoulders are formed of stylised animal heads.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Gold-plated silver ring with sapphire and garnet

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-22958.2](https://www.online.landessammlungen-noe.at/objects/1117021)

**Material:** Gold plated silver

**Dimensions:** Ring head 21mm

**Dating:** 1250 - 1400 CE

The circular, flat ring plate is decorated with a representation in the form of a male bust looking to the left, with a deeply carved head and a flat upper body. The bust is flanked on both sides by a vine ornament. The letter 'N' is situated on the right, while the letter 'I' is located on the left. The edge decoration consists of a line and a pearl bar. The ring band exhibits a smooth texture and a trapezoidal cross-section, which is wider towards the ring shoulder and is attached to the back of the ring plate. 

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Set of two green stone polishers: one trapezoidal in form and the other rectangular. Both exhibit signs of wear.
 IDAEH Cultural Property No.  16.2.5.1205
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 211

Polisher/ Votive Axe

This  incense burner features a conical lid with a ceremonial enclosure, within which a richly adorned figure is represented. The figure wears a tall headdress, a trapezoidal nose ornament—possibly a stylized butterfly—and earspools, all elements that emphasize its ritual and symbolic significance. The enclosure is framed by what appear to be “3 mountain glyphs” evoking associations with sacred warfare and sacrifice. The convex surface of the lid is decorated with shells and snails, materials linked to aquatic realms and the underworld in Mesoamerican cosmology.
 IDAEH Cultural Property No.1.2.1.0344
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

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