A Hindu temple, or mandir or koil in Indian languages, is a house, seat and body of divinity for Hindus. It is a structure designed to bring human beings and gods together through worship, sacrifice, and devotion. The symbolism and structure of a Hindu temple are rooted in Vedic traditions, deploying circles and squares. It also represents recursion and the representation of the equivalence of the macrocosm and the microcosm by astronomical numbers, and by "specific alignments related to the geography of the place and the presumed linkages of the deity and the patron". A temple incorporates all elements of the Hindu cosmos — presenting the good, the evil and the human, as well as the elements of the Hindu sense of cyclic time and the essence of life — symbolically presenting dharma, artha, kama, moksa, and karma

Hindu temple

Egypt (Thebes)

Dynasty 22, 945–712 BC

Painted wood

Gift of Theodore M. Davis 

Harvard  Museum of the Ancient Near East 1902.50.9

Ankh-khonsu was a doorkeeper in the Temple of Amun-Re at Karnak. He inherited his position from his father Ankh-en-amun. His brightly painted coffin lid is covered with images of protective deities. Particularly prominent are winged scarab (dung) beetles, symbols of rebirth. One sits on Ankh-khonsu’s head and encircles his face with its wings. A second scarab covers his chest. Both scarabs hold a shen hieroglyph, symbol of eternity, with their hind legs in place of a dung ball. Offering spells including Ankhkhonsu’s name are written on the outside of his coffin. Traces of resins (now black) and water poured over it during his funeral are visible on the top and sides of the coffin.

Photogrammetry by Peter Der Manuelian

3D modeling by Mohamed Abdelaziz, Indiana University, Egyptology

This model is for educational, non-commercial use only

Coffin of Ankh-Khonsu

! My 3d model store: https://www.fab.com/sellers/VRA

Heavy rain
Like this model please if you download it, be Kind :)

[Try this link](https://spatial.io/s/Lounge-2022-62ae239d6e2cb0000147af79?share=8751905394841253658)

Rain drops circles | Download = Like please

It took 5 days to make it. I use my own TCF 2009 camera animation to matched the TCS 2020 camera animation, credit to SB2015. I use the different palm trees, credit to Victor. I also use SB2015’s TCF 2009 Hollywood mountains to saturated to match the color of the TCS 2020 mountains. I also use the circles for the glares of TCS 2020. Last May, I use my own TCF 2009 logo remake to make the TCS 2020 logo remake.

TCS 2020 Recreation (Realistic Version)

Bronze gladiator's helmet. It has a grille of linked circles to protect the face, and a broad brim to protect the back and sides of the head. At the front of the helmet is a medallion of Hercules. Said to have been found in the gladiators' barracks at Pompeii. 

48.26 centimetres high.

Produced from 140 photographs taken by Professor Eric Poehler, UMass Amherst. The helmet was photographed on a workbench, without lights and no access to the interior.  It is therefore not top quality, but is useful for visualisation.

Model created by Daniel Pett, work needed in Blender to make this a better model (to be done at a later date.)

Gladiator helmet

The Mil Mi-24 (Russian: Миль Ми-24; NATO reporting name: Hind) is a large helicopter gunship, attack helicopter and low-capacity troop transport with room for eight passengers. It is produced by Mil Moscow Helicopter Plant and has been operated since 1972 by the Soviet Air Force and its successors, along with more than 30 other nations.
In NATO circles, the export versions, Mi-25 and Mi-35, are denoted with a letter suffix as "Hind D" and "Hind E". Soviet pilots called the Mi-24 the "flying tank" (летающий танк; letayushchiy tank), a term used historically with the famous World War II Soviet Il-2 Shturmovik armored ground attack aircraft. More common unofficial nicknames were "Crocodile" (Крокодил; Krokodil), due to the helicopter's camouflage scheme and "Drinking Glass" (Стакан; Stakan), because of the flat glass plates that surround earlier Mi-24 variants' cockpits.
Wikipedia

Mi24

A LiDAR landscape of the key archaeological features around Stonehenge including Stonehenge itself, The Avenue, the Cursus and numerous barrow burial mounds. The 1 metre LiDAR is only partial at Stonehenge with many of the sites to the west not included in the current opendata coverage. This is a digital terrain model version which represents the bare ground surface only so prominent buildings, trees and even the stones of the Stonehenge circles are stripped off in this case. 

Created using 1 metre DTM LiDAR opendata provided by the Environment Agency. Built in QGIS using the QGIS2threeJS plugin.

Thanks to Mike Gill of the Avon Valley Archaeological Society for the python code which converts QGIS models into a format compatible with Sketchfab.

Best viewed full screen and in HD (see options at bottom of model view). Feel free to share on various media, download, or embed on your website using the embed code.

Stonehenge LiDAR Archaeology Landscape

Scrap Baby has a somewhat mangled appearance. Her hair is comprised of light orange, dark orange, and grey blue wires that lay flat on her forehead, but spike up in pigtails on the side of her head. Her neck has no metal covering, exposing the wires that lie underneath. She wears on orange bikini with puffy red sleeves. Two large circles, perhaps the remains of speakers, are placed haphazardly in the middle of her chest. One of her hands has been substituted for the claw that once came out of her chest. The other hand has no metal covering, exposing the claw-like wires underneath. Her legs are halfway covered with a thin metal covering, but wires still poke out from underneath. She has red kneecaps, which could be kneepads, considering she has roller skates rather than jester shoes she had in her previous form. Blue pins erupt from her shoulders and part of her thigh, and possibly a crown is adorned on her head. Her face bares somewhat of a resemblance to her past self. and other stuff

Scrap Baby

19th-century slate headstone of Patrick Madden (born c. 1829) who died aged 36 in 1865 & was buried in Nenagh graveyard, Kenyon Street, Co. Tipperary.  The inscription is framed within a border of semi-circles and double incised line running up along either side of the headstone.  The top of the headstone has a double-line inscised Latin Cross with expanded terminals, flanked on either site by an incised heart.  Above the hearts either side of the cross are lozenges framed within a decorative panel.  Two curvilinear lozenges are visible either side of the cross base.  Four leaf-cross withere side of the incised hearts.  Symbols on top of the headstone framed by border of semi-circles which may represent the folds of a a curtain pulled back to reveal the symbols.  Possible curvilinear sunburst quadrants in the corners of the border of the symbols and inscription panel. The horizontal lines visible on the inscription are ruling lines used by the stonecutter to set height, alignment, & spacing of the letters.

Pat Madden Headstone Kenyon Street Nenagh

BULLY CD

Tracklist

1. KING

2. THIS IS A MUST

3. FATHER (feat. Travis Scott)

4. ALL THE LOVE (feat. Andre Troutman)

5. PUNCH DRUNK

6. WHATEVER WORKS

7. MAMA'S FAVORITE

8. SISTERS AND BROTHERS

9. BULLY (feat. CeeLo Green)

10. HIGHS AND LOWS

11. I CAN'T WAIT

12. WHITE LINES (feat. Andre Troutman)

13. CIRCLES (feat. Don Toliver)

14.	PEACHER MAN

15.	BEAUTY AND THE BEAST

16.	DAMN

17.	LAST BREATH (feat. Peso Pluma) 

18.	THIS ONE HERE


Model credits to @bloobloo

CD with Jewel Case BULLY

Female statuette-vessel, modeled without a head. The silhouette is notable for the massiveness of the upper half of the body. The thin arms preserve the proportion of the vessel's handles. The palms, with the five fingers in a non-anatomical position, have been exaggerated in size to have a larger surface area for the base of the handles to grip the vessel's body. The incised decoration, consisting of concentric circles, triangles and other figurative elements arranged in the anatomical-functional parts of the human body, symbolizes fecundity, fertility and the practice of solar worship.
The statuette is unique among similar Neolithic pieces in Europe. For conservation reasons, the statuette is not exhibited in the museum's main exhibition, being in danger of destruction due to its fragility and age.

The statuette dates back to the Neolithic, Gumelnița culture, around 5000 BC.
Place of discovery: Ilfov county, Vidra commune, Vidra, Vidra Tell.

Neolithic Venus from Vidra, Romania

Plate with divergent walls and a flat base, decorated at the center with the image of a stylized deity bearing a shell and a monstrous head, associating the figure with the aquatic underworld. Surrounding the central image are several oval elements related to water, as well as red and black volutes. A decorative band, divided into two sections, encircles the interior wall: one section features black triangles, while the other displays stepped fret motifs and additional abstract elements. The piece was ritually "killed", with a intentional perforation at the center.
IDAEH Cultural Property No.  16.2.5.0063
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made using Artec Leo

Plate with Aquatic Underworld Deity

Beyond manual sculpting: this is pure computational topology. 
This model is the direct, deterministic 3D output of the Polytopic Archetypal Projection Protocol (PAPP).
The Origin: The mathematical seed is the "Flower of Life", the fundamental matrix of sacred geometry based on overlapping circles with hexagonal symmetry. Its 2D ratios were extracted and fed into our "algebraic transducer".
The Pipeline: The algorithm processed these constants via Continued Fractions and Pythagorean reductions, mapping the data onto a Fibonacci lattice in a 4D hypersphere ($S^3$). 
Finally, the space was projected into 3D via a Hopf fibration ($S^3 \rightarrow S^2$).
The Result (V309): The mathematical coherence of the Flower of Life does not produce chaotic noise. 
It forces the system to naturally collapse into a dense, highly interconnected, and topologically closed ($\chi=2$) spatial lattice. 
An architecture of pure algebraic mechanics.
Procedurally generated via the PAPP Framework (Python/SciPy/NetworkX).

Flower of Life V309 | PAPP Generative Topology

Polychrome tripod plate with curving, flaring walls and conical supports. The interior decoration portrays a seated figure wearing an elaborate headdress and circular ear ornaments, with flexed arms, a short skirt, and red body paint applied to the skin. The figure is encircled by three red circles and framed by a decorative band composed of four paired vertical panels in orange with black on a cream ground, alternating with vertical red bands. At the center of the plate is an intentionally made circular perforation, corresponding to the act of “killing” the vessel, a practice commonly associated with intentional deposits. NAA of the ceramic paste indicates a likely area of manufacture in the vicinity between Caracol and Nakúm, in eastern Petén.
 IDAEH Cultural Property No.1.2.144.0075
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 182

Tripod plate

A smaller surface in relation to the many very large carved rocks at Foppe di Nadro.  The rock has been extensively smoothed by glacial action.

The engravings here represent two phases of carving.  The first phast presents engravings from the Neolithic Age (4th millennium BC), with 28 praying figures, of which several can be seen here on the 3D model.  They have both schematic and curved arms.  These are contemporary with the circle motifs with a dot in the centre and two figures recognisable as halberds.

The second phase starts from the Middle IronAge and the panel is densely engraved with figures of warriors wielding swords, shields & spears.

The rock also displays some historic phase motifs, with filiforms of lines, half-circles and grids and some Medieval crosses.

Valcamonica, Foppe di Nadro - Rock 35

For complete workflow compatibility, we recommend downloading the Original format.The Converted version is intended exclusively for browser preview. In the original file, the following are fully preserved:✔ full scene structure✔ all materials without simplification✔ accurate texture maps✔ proper object namingIf you plan to use this model in production, choose the source file.3d fully rigged character of Pikachu from pokemon with full rig control and 4 levers to control eyes mouth blush and nose combinations and 2 Circles to control all types of mouths and one type of eyes Eyes dont change when controller not in 1 variant . This model has stylized shadows similar to comic that can be changed to strips or disabled via node group. Shaders works correctly in EEVEE engine only.

Pikachu

The Priddy Circles are probably Neolithic ritual or ceremonial monuments similar to a henge but this interpretation is somewhat speculative due to the presence of external rather than internal ditches.

Somerset HER: [24042](https://www.somersetheritage.org.uk/record/24042), [24046](https://www.somersetheritage.org.uk/record/24046)

Scheduled Monuments: [1015501](https://historicengland.org.uk/listing/the-list/list-entry/1015501), [1015498](https://historicengland.org.uk/listing/the-list/list-entry/1015498)

https://en.wikipedia.org/wiki/Priddy_Circles

3D model from enhanced LIDAR (DSM, 1m) © Environment Agency copyright and/or database right 2022. All rights reserved. Vertical exaggeration x1.5.

Enhancement of the LIDAR was carried out using tools made available in the QGIS plugin, Relief Visualization Toolbox. Kokalj, Žiga & Hesse, Ralf. (2017). Airborne laser scanning raster data visualization: A Guide to Good Practice.

3D landscape model made using the QGIS2threejs plugin for QGIS.

Priddy Circles & Barrows, Somerset, UK

Polychrome bowl (red and black on yellow slip) with convex walls and base. Above and below the rim are two horizontal bands, one black and the other red, followed by a horizontal band of pseudo-glyphs painted in red. The decorated surface features two medallions placed on opposite sides of the wall, separated by vertical sets of three concentric circles. Each medallion contains the head of the god K’awil, painted in red and shown in left-facing profile.

 IDAEH Cultural Property No.1.2.1.0331
 
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 256

K’awil God Bowl

WAGARA 03 (V3) encodes a Japanese pattern morph: Kikkō (亀甲) tortoiseshell hex lattice at the core continuously transforms into Shippō (七宝) interlocking circles toward the outer ring. 

The transition preserves the shared circle-based “DNA”: Bishamon-Kikkō depth illusion (3 rotational hex subsets) blends into Shippō-Tsunagi vesica-piscis peaks at circle intersections. 

Geometry is generated through the PAPP 6-stage pipeline (φ-RG → continued fraction → Pythagorean triple → S³ sampling → Hopf fibration → stereographic field), then mapped onto a full 360° sphere via dual Lambert azimuthal equal-area projection with a smooth ±15° equatorial blend.

Mesh: 57,122 verts / 114,240 faces, closed orientable manifold (χ=2, watertight), base radius 3.0, R₃d range [3.000, 3.900], max displacement 0.848, surface area 338.0, 100% outward orientation. 

Seed [3, 6, 120, 16], β*=36.25, (p,q)=(4,36), triple (1280,288,1312), V₄D=6335. 

Unique colors: 8,153.

Generated by PAPP Frameworj

WAGARA 03 — Kikkō ⇄ Shippō Sphere | PAPP

The IIUM Roadmap 2023-2024 strategy framework is made up of overlapping circles resulting in several domains. As the circle overlap, the shade of the domains colour becomes darker. The darkest shade domain shows where the circles overlap the most (i.e. humanising education). Overlapping circles represent the need to work together and eliminate silos, and that everyone is involved in the Whole Institution Transformation. When looked upon in 3D form, the framework can be interpreted as having several layers.

IIUM Roadmap 2023-2024 Strategy Framework

Stuccoed flowerpot-style vase, polychrome, decorated with circles and volute elements in white, pink, red, yellow, and black over an orange slip. Possible from the Pacific Coast of Guatemala. 
 IDAEH Cultural Property No. 1.2.144.0603
www.fundacionrutamaya.org

Special thanks to the staff of La Ruta Maya Foundation for their hard work on this project.

3D model made in RealityScan; Total # of images: 319

Narrow necked jar with stucco decoration

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-4564](https://www.online.landessammlungen-noe.at/objects/1033790)

**Material:** Bronze

**Dimensions:** 10 x 2 cm, 6,8 mm

**Dating:** 450-251 BCE

The function of this bronze fitting remains unknown. This object could be described as a 'piece of jewellery'. It is richly decorated and crescent-shaped. It was crafted using the repoussé technique. The two circles and the teardrop-shaped element in the middle could be interpreted as an anthropomorphic face, similar to early figurative Latène art. The artefact is composed of two thin bronze sheets that have been welded together. It was presumably attached using rivets made of leather or fabric.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Bronze fitting

For proper use, we recommend downloading the source format.The Converted version is intended exclusively for browser preview. In the Original format, the following are fully preserved:✔ full scene structure✔ complete materials without reduction✔ correct PBR texture maps✔ correct object namesIf you are going to integrate the model into a project, choose the Original format.3d fully rigged character of Gardenvoir from pokemon with full rig control and 2 levers to control eyes and mouth combinations and two Circles to control all types of eyes I did not figure out how to control them with one lever but separate works fine .

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