![Imgur](https://i.imgur.com/pt9vSUA.jpg)
*Sample render in blender cycles: 10k particles - 2880x750 - 256 samples - ~7min on i7, 16gb RAM and GTX1060*

&nbsp;

A collection of 282 (A.K.A more than you'll ever need) lowpoly people. Allright. Who cares. **Where is waldo?!**, that's the real question!

Automagically remeshing body scans to lowpoly assets (check out my growing collection of [free assets](https://skfb.ly/6yQSW)!), which can be used for archviz placeholders.

Each model has its origin located at its feet, so that placement in a scene is made easy. However, some refined scaling is probably needed as some children have become giants in the process...

Original scans from @FrancescoPusterla @fablabbudapestitseez3d @jc @my3dworld @justin.levitz @peel-3d.com @deathlessvr @myminimate @3DCap @onepoint @fwild @marpi @conjurer @thor3D @vitronic @3dhubs @codame @benhaim - all licensed under CC-attribution.

Lowpoly People + Waldo

Construida en 1778 por mandato del rey Carlos III y diseñada por Francesco Sabatini, la Puerta de Alcalá era una de las cinco puertas reales, o de registro, que daban acceso a la ciudad. Se trata de un emblema patrimonial de la ciudad de Madrid y también del Paisaje de la Luz, bien cultural incluido en la Lista de Patrimonio Mundial desde el 25 de julio de 2021. 

El singular valor de este monumento y su actual estado de conservación han motivado la puesta en marcha de un proyecto de restauración impulsado desde la Dirección General de Patrimonio Cultural del Ayuntamiento de Madrid, entre cuyas medidas figura la creación de un gemelo digital que servirá para obtener un diagnóstico exhaustivo sobre las patologías que afectan al monumento. El modelo en alta resolución, realizado por NovaScan3D, ha servido de base para la realización de esta versión descargable, optimizada por memoriademadrid.

Descripción del monumento en [Abierto por Restauración](https://bit.ly/42Vgcr4)

![](http://bit.ly/3K5CGic)

Puerta de Alcalá de Madrid

**Tiger – 3D Animal Model**

This model represents a tiger, one of the most powerful and iconic big cats in the wild. The design focuses on capturing the animal’s strong build, fluid form, and commanding presence, with emphasis on clear silhouette and natural proportions.

This upload is presented with a clean and cinematic setup to highlight the model’s structure, surface detail, and overall shape. It is suitable for showcasing, visualization, and creative projects.

Features:

Strong, readable silhouette

Natural animal proportions

Clean and smooth form

Real-time friendly

Ideal for showcases, scenes, and creative use

"Running Tiger" (https://skfb.ly/6SuVt) by Amil (francescolima74) is licensed under Creative 
Commons Attribution (http://creativecommons.org/licenses/by/4.0/).

Animated Tiger

White Tiger – 3D Animal Model

This model represents a white tiger, one of the most powerful and iconic big cats in the wild. The design focuses on capturing the animal’s strong build, fluid form, and commanding presence, with emphasis on clear silhouette and natural proportions.

This upload is presented with a clean and cinematic setup to highlight the model’s structure, surface detail, and overall shape. It is suitable for showcasing, visualization, and creative projects.

Features:

Strong, readable silhouette

Natural animal proportions

Clean and smooth form

Real-time friendly

Ideal for showcases, scenes, and creative use

"Running Tiger" (https://skfb.ly/6SuVt) by Amil (francescolima74) is licensed under Creative Commons Attribution (http://creativecommons.org/licenses/by/4.0/).

Animated White Tiger

SOY FRANCESCO FIAAAAAAAAAAUUUUUUNNNNNNNN
FRANCESCO VIRGOLINIIIIIII FIAAAAAAAAAAAUUUUUUUUUNNNNNNNNNNN
LA MAQUINA MAS BLOZ DE TOTE ITALE FIAAAAAAAAAAAAAAAUUUUUUUUUUUUUUNNNNNNNNNNNN
CON EL NUMERO CUARENTA Y CHINQUE FIAAAAAAUUUUUNNNNNNNNNN

Better Cars 2 game Francesco Bernoulli model

Francesco Bernoulli

朱塞佩·馬佐利創作的《聖腓力》雕像（約1703–1711年）位於羅馬拉特朗聖若望大殿。這尊高4.25米的大理石雕像是教宗克勉十一世委託製作的十二宗徒巨型雕像系列之一，旨在填充弗朗切斯科·博羅米尼設計的壁龛。馬佐利是參與該項目的重要雕塑家之一。雕像莊嚴肅穆，展現了巴洛克晚期向古典主義過渡的風格。其最終版本完成於1711年，另有一尊為資助者製作的縮小版存於紐倫堡。

The Statue of St Philip by Giuseppe Mazzuoli (c. 1703–1711) is housed in the Archbasilica of St. John Lateran in Rome. This 4.25-meter marble statue was part of Pope Clement XI's commission for twelve colossal apostle figures to fill the niches designed by Francesco Borromini
. Mazzuoli was among the leading sculptors involved in the project. The statue exhibits a solemn grandeur, reflecting the transition from late Baroque to classicism. The final version was completed in 1711, with a reduced marble copy made for the patron now in Nuremberg.

聖腓力像 St Phillip Statue in Laterano, Rome

卡米洛·魯斯科尼創作的《聖馬太》雕像（約1703–1711年）位於羅馬拉特朗聖若望大殿。這尊高約4.5米的大理石雕像是教宗克勉十一世委託製作的十二宗徒巨型雕像系列之一，旨在填充弗朗切斯科·博羅米尼設計的壁龕。魯斯科尼是該項目的核心雕塑家。雕像莊嚴肅穆，刻畫了這位前稅吏、福音書作者的形象，其常見特徵是手持書卷或錢袋。作品融合了巴洛克的動感與古典的平衡，是該系列中的典範之作。

The Statue of St Matthewby Camillo Rusconi (c. 1703–1711) is housed in the Archbasilica of St. John Lateran in Rome. This approximately 4.5-meter marble statue was part of Pope Clement XI's commission for twelve colossal apostle figures to fill the niches designed by Francesco Borromini. Rusconi was a central sculptor in this project. The statue presents a solemn depiction of the former tax collector and Evangelist, often characterized by holding a book or money bag. It masterfully blends Baroque dynamism with classical equilibrium, making it a exemplary work within the series.

聖馬太像St.Matthew Statue in Laterano, Rome

卡米洛·魯斯科尼創作的《聖大雅各》雕像（約1703–1711年）位於羅馬拉特朗聖若望大殿。這尊高約4.5米的大理石雕像是教宗克勉十一世委託製作的十二宗徒巨型雕像系列之一，旨在填充弗朗切斯科·博羅米尼設計的壁龕。魯斯科尼是該項目的核心雕塑家。聖雅各伯（大）是西庇太的兒子，耶穌的十二宗徒之一，傳統上被描繪為朝聖者，手持朝聖杖，帽子上飾有扇貝殼（通往聖地亞哥德孔波斯特拉朝聖之路的象徵）。雕像莊嚴肅穆，融合了巴洛克的動感與古典的平衡。

The Statue of St James the Greaterby Camillo Rusconi (c. 1703–1711) is housed in the Archbasilica of St. John Lateran in Rome. This approximately 4.5-meter marble statue was part of Pope Clement XI's commission for twelve colossal apostle figures to fill the niches designed by Francesco Borromini. Rusconi was a central sculptor in this project. St James the Greater, son of Zebedee and one of the Twelve Apostles, is traditionally depicted as a pilgrim, holding a staff and with a scallop shell on his hat (symbol of the pilgrimage to Santiago de Compostela). The work presents a solemn figure, blending Baroque dynamism with classical equilibrium.

聖大雅各像 St James the Greater Statue in Laterano

卡米洛·魯斯科尼創作的《聖安德烈》雕像（約1703–1711年）位於羅馬拉特朗聖若望大殿。這尊高約4.5米的大理石雕像是教宗克勉十一世委託製作的十二宗徒巨型雕像系列之一，旨在填充弗朗切斯科·博羅米尼設計的壁龕。魯斯科尼是該項目最重要的雕塑家之一。雕像莊嚴肅穆，展現了聖安德烈作為宗徒的虔敬形象，其標誌性特徵是手持象徵其殉道方式的X形十字架。作品融合了巴洛克的戲劇性與古典的克制，體現了18世紀初羅馬雕塑的藝術水準。

The Statue of St Andrew by Camillo Rusconi (c. 1703–1711) is housed in the Archbasilica of St. John Lateran in Rome. This approximately 4.5-meter marble statue was part of Pope Clement XI's commission for twelve colossal apostle figures to fill the niches designed by Francesco Borromini. Rusconi was among the leading sculptors involved in this project. The statue presents a solemn and pious depiction of the apostle, characterized by his attribute of the X-shaped cross, symbolizing his martyrdom. The work blends Baroque drama with classical restraint, reflecting the artistic standards of early 18th-century Roman sculpture.

聖安德烈像  St Andrew Statue in Laterano, Rome

卡米洛·魯斯科尼創作的《聖約翰》雕像（約1709–1712年）位於羅馬拉特朗聖若望大殿。這尊高約4.5米的大理石雕像是教宗克勉十一世於1703年發起競賽、委託製作的十二宗徒巨型雕像系列之一，旨在填充弗朗切斯科·博羅米尼設計的壁龕。魯斯科尼是該項目最重要的雕塑家之一，負責了四尊雕像。聖約翰作為最年輕的宗徒，常被描繪為無鬚的青年形象。雕像莊嚴肅穆，展現了這位福音書作者的特徵，其風格融合了巴洛克的戲劇性與古典的克制，體現了18世紀初羅馬雕塑的藝術水準。

The Statue of St Johnby Camillo Rusconi (c. 1709–1712) is housed in the Archbasilica of St. John Lateran in Rome. This approximately 4.5-meter marble statue was part of Pope Clement XI's commission for twelve colossal apostle figures to fill the niches designed by Francesco Borromini. Rusconi was among the leading sculptors involved, creating four of the statues. Depicting John as the youngest apostle, typically shown beardless, the work presents a solemn and pious figure. It blends Baroque drama with classical restraint, reflecting the artistic standards of early 18th-century Roman sculpture.

聖約翰像St. John Statue in Laterano, Rome

安傑洛·德·羅西創作的《聖小雅各伯》雕像（約1705–1711年）位於羅馬拉特朗聖若望大殿。這尊高約4.5米的大理石雕像是教宗克勉十一世委託製作的十二宗徒巨型雕像系列之一，旨在填充弗朗切斯科·博羅米尼設計的壁龛。德·羅西是參與該項目的重要雕塑家之一，其風格融合了熱那亞學派的影響與羅馬巴洛克傳統
。雕像莊嚴肅穆，展現了聖雅各伯作為宗徒的虔敬形象，衣褶處理細膩，整體構圖穩重，體現了18世紀初羅馬雕塑的藝術水準。

The Statue of St James the Less by Angelo de' Rossi (c. 1705–1711) is housed in the Archbasilica of St. John Lateran in Rome. This approximately 4.5-meter marble statue was part of Pope Clement XI's commission for twelve colossal apostle figures to fill the niches designed by Francesco Borromini. De' Rossi was among the leading sculptors involved in this project, blending Genoese influences with Roman Baroque traditions. The statue presents a solemn and pious depiction of the apostle, with carefully rendered drapery and a stable composition, reflecting the artistic standards of early 18th-century Roman sculpture.

聖小雅各伯像 St James The Lesser in Laterano, Rome

The [**Piccolomini Altar**](https://en.wikipedia.org/wiki/Piccolomini_Altarpiece) in the Siena Cathedral is an elaborate Renaissance marble structure commissioned by Francesco Todeschini Piccolomini, later Pope Pius III. Designed in the late 15th century and attributed to Andrea Bregno, the altar resembles a miniature architectural façade, featuring niches, pilasters, and finely detailed relief carvings.

It was intended to house a series of statues, some of which were sculpted by a young Michelangelo, marking an important early stage in his career. The central niche contains a small devotional image above a simple altar table, creating a focal point for worship.

The altar combines Renaissance balance and symmetry with rich ornamentation, reflecting both religious devotion and the prestige of the Piccolomini family. Today, it stands as a significant artistic and historical feature within the cathedral interior.

Siena - Duomo Piccolomini Altar (Scaniverse)

洛倫佐·奧托尼創作的《聖猶達》雕像（約1708–1718年）位於羅馬拉特朗聖若望大殿。這尊高約4.5米的大理石雕像是教宗克勉十一世委託製作的十二宗徒巨型雕像系列之一，旨在填充弗朗切斯科·博羅米尼設計的壁龕。奧托尼是參與該項目的雕塑家之一。聖猶達（亦稱聖達陡）是耶穌的十二宗徒之一，傳統上被描繪為手持棍棒（其殉道工具）或書卷（代表其《猶達書》）。雕像莊嚴肅穆，體現了巴洛克時期對宗教人物表現的典型風格。

The Statue of St Jude(also known as St Thaddeus) by Lorenzo Ottoni (c. 1708–1718) is housed in the Archbasilica of St. John Lateran in Rome. This approximately 4.5-meter marble statue was part of Pope Clement XI's commission for twelve colossal apostle figures to fill the niches designed by Francesco Borromini. Ottoni was among the sculptors involved in this project. St Jude, one of the Twelve Apostles, is traditionally depicted holding a club (the instrument of his martyrdom) or a scroll (representing his Epistle). The statue presents a solemn and dignified figure, reflecting the typical Baroque style of religious representation.

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