This modular city square 3D asset is designed for use as a distant background element. It features simplified geometry and basic textures, making it lightweight and efficient for rendering. The asset includes generic building shapes, open spaces, and minimalistic details that suggest an urban environment without drawing focus. Perfect for creating the impression of a bustling city in the far background of games, animations, or visualizations.

City

A simple couch anyone with a tight budget could afford. This cheaply made chair on steroids is cozily made of a fabric material that looks similar to a more expensive denim. Simulated cushions with sculpted wrinkles, dents, and butt impressions make the model look all the more realistic. Available in 4k, the PBR textures have been created in Substance Painter. If all that isn't enough for you, the model is perfectly to scale, you just hit import, and boom, it's there. No further scaling required.

![Preview](https://i.imgur.com/7YWuIJP.jpg)

Gray L-Shaped Couch

Zigzag makes a great first impression and emits positive emotional energy. Its fancy shape, functionality and great number of available colours make it a worthwhile option for anyone who wants to create a unique interior. Available in water, water-electric and electric versions. Heat output: 248-627 W.

<a href="http://en.termaheat.com/grzejnik/zigzag">Learn more</a> 

Zigzag to grzejnik, który od pierwszego wejrzenia wzbudza pozytywne emocje. Fantazyjny kształt w połączeniu z funkcjonalnością i mnogością kolorów w jakich występuje sprawia, że grzejnik jest ciekawą propozycją dla osób szukających odmienności we wnętrzu. Dostępne wersje: wodna, wodno- elektryczna, elektryczna. Moc: 248-627W

<a href="http://www.termaheat.pl/grzejnik/zigzag">Więcej informacji</a>

ZIGZAG radiator

Fan made Nuka Cola vending machine. First impressions of Quixel Suite 2.

Nuka Cola Vending Machine

Nouvel essai sur une vidéo de drone sur Youtube.

https://www.youtube.com/watch?v=8c8x2G-k13Q

86 impressions d'écran

Modélisation 3D A. Laurent

![](https://upload.wikimedia.org/wikipedia/commons/thumb/8/87/Cristo_Redentor_-_Rio_de_Janeiro%2C_Brasil.jpg/220px-Cristo_Redentor_-_Rio_de_Janeiro%2C_Brasil.jpg)

Christ the redeemer, Rio de Janeiro

US Wool Knit Cap, known as "Jeep Cap" since it was often worn by Jeep drivers. essentially a beanie with a brim. 
The M1944 Goggles are the Army-issue variant of the Air Force pattern B8 Goggles (issued since 1943). 

Goggles model is originally an 1974 SWDG Model made by **Olmo Potums** as part of their CVC helmet model ( https://sketchfab.com/3d-models/combat-vehicle-crewman-cvc-helmet-vietnam-era-c1516dc3d0ea420b9246334a94e5681e ) I've changed the straps and edited  the overall model to be more accurate to the 1944 pattern, also created a new texture and UV.

References:
https://www.wwiiimpressions.com/products/200
https://blog.atthefront.com/us_images/head/jeep-cap-main.jpg
https://www.sparks-military.com/en/helmet-and-attachments/730-us-dust-goggles-m-1944.html

M1941 Wool Knit Cap w/ M1944 Goggles

3D scan of a taxidermized Gharial adult female and juvenile (*Gavialis gangeticus*). These reptiles are domestic to Nepal and India and live in freshwater rivers. Even though their appearance may give another impression, these fish-eaters are no threat to humans.

Both of these Gharials cannot be found in the showrooms of the NHM Vienna, but a gharial pair is shown in Hall 28 of the NHM Vienna. They are Number 70 of the NHM Top 100.

![Gavial pair NHM Top100](http://verlag.nhm-wien.ac.at/data/Sketchfab/Gavial%20paar_Top100_klein.jpg) 

©Lois Lammerhuber

**Specimen**: *Gavialis gangeticus* (Gmelin, 1789)

**Inventory number**: Adult NHMW-ZOO-HS-1978; Juvenile NHMW-ZOO-HS-562

**Collection**: Natural History Museum Vienna, 1st Zoological Dept., Herpetology Coll. (curator: Silke Schweiger)

Find out more about the NHMW [here](http://www.nhm-wien.ac.at/en).

Scanned and edited by Anna Haider & Viola Winkler (NHMW)

Scanner: Artec Leo&Space Spider. Infrastructure funded by the FFG.

Gharial (NHMW-ZOO-HS-1978 & 562)

Le terme lithographie vient du grec *lithos*, pierre et *graphein*, écrire. C’est une technique d’impression qui permet la création et la reproduction de multiples exemplaires d’un dessin réalisé à l’encre ou au crayon sur une pierre calcaire. Elle a été inventée par Aloys Senefelder à la fin du 18e siècle en Allemagne.

Composée d'un bâti en bois et d'éléments en métal, cette presse lithographique a été réalisée entre la fin du 19e siècle et le début du 20e siècle. Elle a été donnée par l'Imprimerie Garnaud d’Angoulême au Musée du Papier.

N° d'inv. : P-2015.0.155 issu du musée du papier - Le Nil (16 - France). [Voir la fiche dans notre base de données en ligne](https://www.alienor.org/collections/oeuvre/145938).

Numérisation 3D : scanner Eva - Artec3D

Presse lithographique

Oeuvre de François-Joseph Bosio (1768-1845). Le bronze  (H. : 2,60 m. ; L. : 2,10 m. ; Pr. : 0,95 m) a été fondu en 1824 fondu par Carbonneaux conservée au Louvre.
Le sujet est tiré des Métamorphoses d'Ovide : Achéloüs était le rival d'Hercule pour l'amour de Déjanire ; au cours du combat, Achéloüs se transforma en serpent mais fut vaincu par Hercule. Ainsi Hercule se fit-il aimer de Déjanire. Par la suite, essayant de raviver l'amour qu'il lui portait, Déjanire offrit à Hercule une tunique imprégnée du sang de Nessus qui, au lieu d'être un philtre d'amour, se révéla être un brûlant poison.
La reconstruction 3D prête à l'impression a été réalisée à partir d'une série de photos fournies par "OPOIAK" qui a lui-même publier sur Sketchfab en utilisant Autodesk 123D pour la mise en forme.
Pour tenter de suppimer les quelques défauts du travail d' "OPOIAK" j'ai tenté une reconstruction en utilisant successivement "Reality Capture", puis "Autodesk Remake", puis "Autodesk Netfabb" et enfin "Autodesk Meshmixer".

Hercule combattant Archeloüs

Description:
This model represents TrES-2b, one of the darkest known exoplanets ever discovered. Its surface is depicted as a scorched, volcanic world covered in obsidian terrain and glowing magma fractures, reflecting its extremely low reflectivity and hostile environment. The luminous lava-like veins cut through the planet’s shadowed crust, giving the impression of immense internal heat and constant geological activity. Designed for sci-fi and kaiju-themed settings, this model brings TrES-2b to life as a terrifying and alien world beyond our solar system.

TrES-2b - Planet 3D Model

**Discovery of Tyrannovenator chromaspinus Sheds Light on Theropod Display Evolution**

In 2019, paleontologist Dr. Lena Moritz uncovered the remains of a previously unknown theropod species in Argentina’s Cerro Azul Formation. Named *Tyrannovenator chromaspinus*, or “Painted Spine Tyrant,” the creature measured approximately 6 meters in length and bore elaborate dorsal spines and pigment-preserving scale impressions, features rarely found in fossil records.

The vibrant coloration inferred from these remains suggests that visual display may have played a significant role in social behavior, challenging long-held assumptions about predator camouflage and signaling. The discovery marks a turning point in understanding the evolutionary pressures behind ornamentation in carnivorous dinosaurs, offering new insight into the intersection of survival, communication, and aesthetics in the Late Cretaceous ecosystem.

Painted Spine Tyrant - dinosaur

The relief depicts Ladislaus I of Hungary, known in Hungary as Szent László király. The medieval king is depicted as a fighting horseman: sitting on a horse, he holds a raised battle axe as if he were in the midst of combat. The dynamic form of the relief reinforces the impression of movement and battle. Above the scene stands an angel with outstretched wings, referring to the king's sainthood, as Ladislaus was later canonized by the Church. Below the relief is the inscription “Szent László király.”

The depiction refers to a well-known legend from his life. During a battle against the Cumans, Ladislaus pursued a warrior who had kidnapped a Hungarian woman. He caught up with him on horseback, defeated him in single combat, and rescued the captive. This scene became a popular motif in Hungarian art in the Middle Ages.

König Ladislaus I.

This rock sample hosts many fossil leaves preserved as impressions, mainly from a type of willow (*Salix grandifolia*). The rock itself consists of a porous, crystalline limestone called tufa.  

This object is part of the historical ‘Ettingshausen collection’, which is on permanent loan from the Institute of Biology, University of Graz. It is not currently on display.

**Specimen**: Limestone rock sample with multiple leaf impression fossils

**Inventory number**: NHMW-GEO-2024/0188/11366

**Collection**: NHMW, Geology & Palaeontology Dept., Palaeobotany (curator: Chris Mays)

**Origin**: Scheibbs, Lower Austria, Austria

Find out more about the NHM Vienna [here](http://nhm.at/en).

Scanned & edited by A.Haider (NHMW)

Scanner: Artec Space Spider 

Contribution to the digitization project „Einsichten in die gesellschaftspolitische Dimension des NHMW über die Jahrhunderte von der Prägung des Wissenschafts-Verständnisses bis zum Nationalpark in der Lobau“ funded by the [BMWKMS](https://www.bmwkms.gv.at/).

Fossil leaves (NHMW-GEO-2024-0188-11366)

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-19020.36040.1](https://www.online.landessammlungen-noe.at/objects/1475584)

**Material:** Iron

**Dimensions:** 93,6 x 14,4 cm

**Dating:** 680 - 900 CE

The spatha is a type of straight, long sword. It is characterised by its double-edged blade. It is typically held with one hand and is primarily used for cutting. The edges of this specimen curve inwards slightly towards the rounded, relatively short tip. The central part of the blade has grooves. Faint remnants of the wooden scabbard are visible on one side of the blade. Small areas with textile impressions are visible on both sides.

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Spatha

The JMC MK1 Bazookoid, it's a serious but of mining equipment... better used for blasting aliens into lots of little pieces. This project has been in my mind for a year and it's been a BLAST to make. This version is specifically the S3:E3 "Polymorph" version, it was difficult to strike the balance between epic sci-fi blaster and shoddy BBC prop but I feel this lands comfortably in the middle. As for workflow it was modelled in blender then baked and textured in Substance Painter, simple! I usually rush through texturing as I get closer to being able to make some sweet renders, so this time I took my time, so I hope the renders are even sweeter. A mention is due for Rob Grant who passed 2 weeks ago, as of this post, for making a very funny show which has left a lasting impression on me, without his equally clever and stupid ideas this project wouldn't exist.

Bazookoid

**Collection:** Prehistory and Historical Archeology Dept.

**Inv.-No.:** [UF-1785](https://www.online.landessammlungen-noe.at/objects/1028689)

**Material:** Ceramic

**Dimensions:** 34,50 x 25,00 cm

**Dating:** 101 - 200

The vessel features a three-dimensional facial depiction and it is equipped with three strap handles, and each is affixed with small, spherical vessels at the upper part, which are not connected to the main vessel. The facial depiction was created using the barbotine technique. The eyebrows, nose, upper lip and beard are formed from a three-dimensional clay overlay, while the eyes and ears are also sculpted in this manner. The depiction is further enhanced by the application of impressions made with a spatula tip. Furthermore, on the body incised, schematic representations of trees, flowers and animals can be seen. 

This object was digitized through the ‘Kulturerbe digital’ program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Urn with face

Bronze buckle with guilding. At the far end of the plate there is a circular frame for a stone, around which are symmetrically placed 2 birds with ribbon-shaped cross-shaped bodies, large round eyes and strong curved beaks that bite over their own bodies. Around the frame for the stone and on the pins at the other end of the fitting there is also a ribbon braid in caraway. With the exception of the frame for the stone, the entire upper side of the fitting is gilded. On the underside of the fitting there are impressions of textiles. Dated to 800-850 AD. Viking period.

Museums ID: S11313b

Dated to:  800-850 AD. Viking period.

Found in: Suldal, Rogaland. Norway (1993)

Modell made by: Annette G. Øvrelid

Bronze buckle with guilding.

This is a leaf fossil preserved in sandstone from the Harz Mountains of northern Germany and is Late Cretaceous in age (app. 85 million years old).

This object is part of the historical ‘Ettingshausen collection’, which is on permanent loan from the Institute of Biology, University of Graz. It is not currently on display.

**Specimen**: Sandstone impression of a large flowering plant leaf

**Inventory number**: NHMW-GEO-2024/0188/10598

**Collection**: NHMW, Geology & Palaeontology Dept., Palaeobotany (curator: Chris Mays)

**Origin**: Sandstone beds of Blankenburg, near Quedlinburg, Harz Mountains, northern Germany

Find out more about the NHM Vienna [here](http://nhm.at/en).

Scanned & edited by A.Haider (NHMW)

Scanner: Artec Space Spider 

Contribution to the digitization project „Einsichten in die gesellschaftspolitische Dimension des NHMW über die Jahrhunderte von der Prägung des Wissenschafts-Verständnisses bis zum Nationalpark in der Lobau“ funded by the [BMWKMS](https://www.bmwkms.gv.at/).

Leaf fossil (NHMW-GEO-2024-0188-10598)

The cherub heads on the balustrade of the Nepomuk Chapel in Mauerbach are sculpted decorative elements mounted on a spherical base, featuring several angel heads arranged in a circle, each with childlike facial features and stylized hair. This so-called putto or cherubim depiction is typical of the Baroque style and symbolizes the heavenly sphere as well as the depicted saint’s closeness to the divine. The spherical form on which the heads are arranged reinforces the impression of a cloud-like mass, a motif frequently used in Baroque art to represent the heavens. As part of the balustrade, these finials simultaneously mark the boundary between the secular exterior and the sacred interior of the chapel, thereby contributing both to the decorative design and to the symbolic significance of the structure.

Cherubköpfe

A creature concept sculpt of a “Fire Crab,” designed to blend natural crustacean anatomy with elemental, flame-inspired features. The form emphasizes hard, layered shell plates contrasted with flowing, heat-like shapes to give the impression that the creature is infused with fire from within.

This piece focuses on exploring silhouette, texture, and surface detail, with an emphasis on dynamic forms and visual storytelling. The claws and carapace are exaggerated to enhance its aggressive presence, while the overall design aims to feel both grounded and fantastical.

Created as a high-resolution sculpt, this model is intended for concept work, creature design exploration, or as a base for further retopology and game-ready development.

I'd love to hear how you use the little fire guy!

Fire Crab Concept Sculpt

A creature concept sculpt of a “Fire Salamander,” inspired by the mythological connection between salamanders and elemental fire. The design blends organic reptilian anatomy with flame-like forms, giving the impression of a creature that lives within heat and embers.

The sculpt focuses on dynamic flow and surface detail, with layered textures and subtle ridges that mimic both natural skin and flickering flames. The silhouette is shaped to feel agile and fluid, reinforcing the idea of a fast-moving, heat-adapted creature.

Created as a high-resolution sculpt, this piece explores creature design, form language, and visual storytelling. It works well as a concept for games, films, or further development into a fully game-ready asset.

I'd love to hear how you end up using it!

Fire Salamander

**Collection:** Roman Archeology Dept.
 
**Inv.-No.:** [CAR-M-9071](https://www.online.landessammlungen-noe.at/objects/1520565)

**Material:** Iron

**Dimensions:** 29,5 x 10,4 cm

**Dating:** Last quarter of the 1st century AD

A negative impression of a right shoe sole with iron hobnails. It may be the sole of a men’s shoe, a so-called caliga. Remains of approximately 86 iron hobnails are still present on the sole. The area of the foot arch is largely free of hobnailing; only a few nails are found there to secure the outsole. In the present sole, the surrounding row of nails in the toe area appears to have shifted slightly toward the ball of the foot over time or already at the time of disposal of the torn sole.

This object was digitized through the 'Kulturerbe digital' program of the Federal Ministry for Arts, Culture, Public Service and Sport.

Impression of a shoe sole with original nails

For proper use, we recommend downloading the source format.The viewer version is intended for web viewing only. In the source file, the following are fully preserved:✔ native scene structure✔ unsimplified materials✔ correct PBR texture maps✔ original object namesIf you plan to use this model in production, download the source file.Modern building with a black and white color scheme. The building has a prominent glass front which adds to its contemporary appearance. The structure is designed with multiple windows some of which are larger and more prominent than others. The building s facade is characterized by its clean lines and minimalistic design creating a striking visual impact. The overall impression is that of a sleek modern architectural masterpiece.

Office Building

The 3D scene showcases a luxurious and eye catching diamond shaped nail enamel bottle designed to embody elegance and sophistication. The faceted structure mimics the brilliance of a cut diamond with light refracting off its crystal clear or tinted surfaces to create a dazzling play of reflections and highlights. The bottle rests gracefully on a polished pedestal or floating display accentuated by soft ambient lighting that enhances its sculptural beauty. Rich enamel colors swirl inside giving the impression of liquid gemstones suspended in glass. A sleek metallic or matte finish cap crowns the design adding a modern touch to the classic diamond silhouette. This scene exudes glamour making the product not just a cosmetic item but a statement piece worthy of a luxury collection.

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