Skull and neck of an adult green iguana (_Iguana iguana_, OUVC 10677), with annotations of some of the more obscure anatomical features. It was collected legally and euthanized humanely by Zoo Miami staff and provided to us for research and education. We scanned the head region on the OUµCT scanner in 2012 at a resolution of 90µm (0.090 mm). Scan data were imported into workstations running Avizo and digitally extracted the bones and soft tissues. The work on this project was done primarily by Alexandra Spaw, who at the time was an undergraduate student in Ohio University's Honors Tutorial College and now is a medical student at Ohio State University. Ryan Ridgely assembled these materials in Maya for upload here. For more 3D content on this specimen, check out the Visible Interactive Iguana site: http://bit.ly/1LzIU6x. There you’ll find 3D PDFs for download that provide comparable content to what’s here, but allowing the user more control. This model can be downloaded here as an STL.

Green Iguana skull - OUVC 10677

A small scene with a little story about the workstation of a graffiti artist who started experimenting with alchemy.
Textured using Substance Painter.

The Graffiti Alchemist

Skull of a young alligator (Alligator mississippiensis, OUVC 10389) with annotations of some of the blood vessels. It was legally provided to us by the Rockefeller Wildlife Refuge for research and education. We scanned the head region on the OUµCT scanner at a resolution of 90µm (0.090 mm). Scan data were imported into workstations running Avizo and digitally extracted the bones and soft tissues. This specimen was used by David Dufeau during his dissertation research and then was used by Ruger Porter during his dissertation research on dinosaur blood vessels and their role in thermal physiology. This specimen was part of the sample included in the PLOS ONE article by Dufeau and Witmer (http://bit.ly/2dWhTNZ) and a Journal of Anatomy article by Porter, Sedlmayr, & Witmer (http://bit.ly/2e0WqVg). The original CT scan data can be downloaded on Dryad (http://bit.ly/2ebdnZS), along with a 3D PDF that provides comparable content to what’s here but allows more control. The model can be downloaded  here as an FBX.

Alligator head vasculature - OUVC 10389

## Scanning
The motorcycle was scanned in IR-mode on the Rigil using 1.5mm resolution and feature tracking without connection to a PC. The picture of the bike misleads about the lighting conditions (modern smartphone witchery be thanked): the place was too dim for texture tracking and in these cases better results can be achieved by only using feature tracking. For scanning itself I didn't do any preparations like scan spray and focused on the both sides by using the saddle as the connection for switching sides.  
While scanning the Rigil held a constant 20 FPS (if texture tracking would be also enabled for hybrid tracking FPS will be lower). Scanning itself took roughly 5min.

## Post-Processing
Post processing was done on my workstation and included generation of the point cloud and subsequent meshing in recommended settings. Since it came out to 15M triangles I reduced it to 4M so the scan could be uploaded to Sketchfab.

Honda Motorcycle - Einscan Rigil IR Scan

A high-fidelity 3D recreation of the Porsche 911 GT3, customized with a signature Void-Tech aesthetic. This model features a meticulously tuned Satin Jet Black (#0A0A0A) finish, designed to balance deep shadows with sharp, technical reflections.

Technical Specifications:
Body Paint: Satin Metallic Black | Roughness: 0.40

Modeling Software: Blender 4.2+

Workflow: Principled BSDF PBR Texturing.

Design Philosophy:
Part of the Black Institutional design language—prioritizing absolute black backgrounds, minimalist geometry, and high-impact functional accents. Optimized for high-end workstations and real-time rendering.

“Innovation is in the details.” — Huzaifa Zaeem

Porsche 911 GT3 - Satin Black

The Aston Martin Vulcan: Soft Lavender Edition is a high-performance paradox—a brutal, track-bred monster reimagined through the lens of High-Tech Minimalism. While the 7.0L naturally aspirated V12 engine remains a raw, analog force of nature, the visual identity has been completely "system-flashed" into a clean, light-mode aesthetic.

The sculpted body of this custom Aston Martin Vulcan is finished in a Satin Caspian White, creating a seamless, architectural silhouette that hides its aggressive aero-lines in soft shadows. This "blank canvas" is disrupted only by precision-engineered accents in Soft Lavender (#E6E6FA), applied to the massive brake calipers, interior stitching, and the razor-thin edges of the carbon-fiber diffuser.

This isn't just a race car; it’s a mobile workstation of speed. The Soft Lavender Edition represents the ultimate intersection of "Institutional" power and "Void-Tech" elegance—turning one of the world's rarest track weapons into a masterpiece of sophisticated, futuristic design.

Aston Martin Vulcan: Soft Lavender Edition

## Scanning
The motorcycle was scanned in markerless alser mode on the Rigil using 1mm resolution and feature tracking without connection to a PC. For scanning itself I didn't do any preparations like scan spray and focused on the both sides with one scan per side whilst ensuring enough overlap for easy alignment in later steps.  
While scanning the Rigil held roughly 20 FPS. Scanning itself took roughly 5 to 10min per side, so a a bit longer than in IR mode (was using 1.5mm there though). 

## Post-Processing
Post processing was done on my workstation and included generation of the point clouds, automatic feature alignment and subsequent meshing in recommended settings. Quicksurface was used for alignment to the coordinate system and reduction of the point cloud size. Since it came out quite large I reduced it to 4M so the scan could be uploaded to Sketchfab.

BMW Motorcycle - Einscan Rigil Markerless Laser

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (~80FPS over WiFi).  
For the laser scan marker tracking was used. The scan bench was placed on a turntable with marker geometries placed around it to allow scanning from shallower angles (as seen in last picture). The resolution was set to 0.1mm and exposure was adjusted so the white print wasn't overexposed. For laser mode I used a combination of cross, parallel and single line mode, changing them can be done by double pressing the scan start button on the scanner.   

## Post-Processing
For both scans processing was done using the recommended settings within CrealityScan. This is basically only Fusion since it already generates a mesh at this step which can directly be exported.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other.

Scan Bench - Creality Sermoon P1 Laser

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (with latest update laser mode now reaches 120FPS over WiFi, not bad at all).  
For the laser scan marker tracking was used. The scan bench was placed on a turntable with marker geometries placed around it to allow scanning from shallower angles (as seen in last picture). The resolution was set to 0.1mm and exposure was adjusted so the white print wasn't overexposed. For laser mode I used a combination of parallel and cross line laser mode, changing them by using the scanners touch screen while scanning.   

## Post-Processing
For all three scans precessing was done using the recommended settings within ExScan Rigil. This includes point cloud generation and meshing.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other. The laser scans had to be reduced to allow upload to Sketchfab.

Scan Bench - Einscan Rigil Laser

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (with latest update laser mode now reaches 120FPS over WiFi, not bad at all).  
For IR mode I chose large mode at 0.5mm resolution and marker tracking as well as small mode at 0.2mm resolution with marker tracking. Normally I don't use small mode much since I mainly use markerless laser scanning for parts where I would use it normally. My sweet spot for IR mode is somewhere between 0.5mm and 3mm.

## Post-Processing
For all three scans precessing was done using the recommended settings within ExScan Rigil. This includes point cloud generation and meshing.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other. The laser scans had to be reduced to allow upload to Sketchfab (just under 4M triangles will result in a 100MB ply when exporting from Quicksurface).

Scan Bench - Einscan Rigil IR Large

## Scanning
Scan was done in IR mode with 3mm resolution and large mode, Rigil was used standalone. For tracking only feature tracking was used (texture would have helped but the light was dim and flickery (fluorescent tubes be thanked) so no real help...). This created a bit of a challenge when scanning the tar large flat parts of the couch. The persian carpet would have provided enough texture but it couldn't be used for tracking due flickering of the light tubes. Scan itself took roughly 5min.

## Post-Processing
Just point cloud generation and meshing at recommended settings (meshing as semi-watertight) on my workstation (simply faster than on device). After meshing I did a quick texture optimization and alignment within Exscan Rigil.

Seating Area (Upholstery) - Einscan Rigil

## Scanning
Scan was done in IR mode with 1mm resolution and large mode. For tracking only feature tracking was used (texture would have helped but the light was dim and flickery so no real help...). The final result consists of two scans (top and bottom) to capture the whole armchair. Between the scans I had to turn the chair around so I made sure to capture all cushiony parts in the top scan so when they are deformed after turning I already captured them. When having relatively smooth textile without much wrinkles for tracking you can always try

## Post-Processing
Just point cloud generation and meshing at recommended settings (meshing as semi-watertight) on my workstation (simply faster than on device). Alignment was done in Quicksurface as well as reduction or triangle count (from 14M to ~3M).

Armchair (Upholstery) - Einscan Rigil

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (with latest update laser mode now reaches 120FPS over WiFi, not bad at all).  
For IR mode I chose large mode at 0.5mm resolution and marker tracking as well as small mode at 0.2mm resolution with marker tracking. Normally I don't use small mode much since I mainly use markerless laser scanning for parts where I would use it normally. My sweet spot for IR mode is somewhere between 0.5mm and 3mm.

## Post-Processing
For all three scans precessing was done using the recommended settings within ExScan Rigil. This includes point cloud generation and meshing.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other.

Scan Bench - Einscan Rigil IR Small

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (~80FPS over WiFi).  
IR mode had to be done in feature tracking since marker tracking is not yet supported by the software. For this I used the normal size which provides better tracking and is the mode I use most often when using IR mode (same mode was selected with the Rigil in IR mode).

## Post-Processing
For both scans processing was done using the recommended settings within CrealityScan. This is basically only Fusion since it already generates a mesh at this step which can directly be exported.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other. The laser scans had to be reduced to allow upload to Sketchfab (just under 4M triangles will result in a 100MB ply when exporting from Quicksurface).

Scan Bench - Creality Sermoon P1 IR Normal

## Scanning
The scan was created in IR-mode with automatic exposure and geometry tracking. I created two scans: one of the whole tombstone in large scan mode and one detailed one of the head in normal scan mode. I started from the front and slowly moved around the part while keeping an eye on having enough overlap for tracking (rotating the scanner to reach in to the crevices works quite well to circumvent obstructions due to limited line of sight). While scanning the framerate was roughly 10 FPS with some highs to 15 and lows to 6 FPS (NIR mode still needs an update I guess, currently no marker scanning supported).

## Post-Processing
For post processing I first transferred the scan data from the P1 to my workstation. I then fused the whole tombstone scan at 1mm and the high detail at 0.5mm. Fusion already creates a mesh so no need to mesh a second time (only needed when merging multiple scans or when you need texture mapping). For alignment and cleanup of the base I used Quicksurface.

Father and Child Tombstone Detail - Sermoon P1

This is a detailed 3D model of a modern workstation desk setup designed for real-time applications such as games, simulations, and visualizations. The scene includes a complete desktop environment with a clean and organized aesthetic.

The model features a wooden desk with metal legs, a desktop PC with RGB lighting, a monitor setup with a webcam, a laptop, keyboard, mouse, mousepad, and additional props like a plant, coffee mug, notebook, and stationery items. The setup is designed to reflect a realistic developer or gaming workspace.

Modern Desk Setup – Game Ready 3D Model

Father and Child Tombstone - Creality Sermoon P1

For proper use, we recommend downloading the source format.The Converted version is intended for web viewing only. In the source file, the following are fully preserved:✔ full scene structure✔ all materials without simplification✔ accurate texture maps✔ correct object namesIf you intend to use the asset in a production environment, download the original version.workstation desk with cabinet and partition board

Workstation Desk

Anesthesia workstation on wheels

A look into a mercenary's gadgets, more specifically his beloved mixstation, where he tapes his favorite tunes for long fieldwork! (...and other, less long things).

I set out to make a charming, retro-esque computer workstation with a stronger identity, so it wouldn't just feel like a regular retro computer, and had a lot of fun doing so!

The design is massively based off the beautiful concepts of @ ArtKypcaht (left) and @ AndroidArts (right)
![](http://cdn.discordapp.com/attachments/587715011544350733/1062017795153469480/image.png)

"Killer Beats" Casette Mixstation

For complete workflow compatibility, we recommend downloading the Original format.The viewer version is intended exclusively for browser preview. In the Original format, the following are fully preserved:✔ full scene structure✔ all materials without simplification✔ correct PBR texture maps✔ correct object namesIf you are going to integrate the model into a project, select the original version.Office Workstation for 4 Employee with Storage.

Workstation

A clean, functional, and highly optimized Scandinavian-style workstation. Designed with architectural precision and a "gamey" aesthetic. Perfect for mobile games, VR/AR environments, or isometric interior visualizations.

**Technical Specifications:**

**Style:** Minimalist / Scandinavian Low Poly.

**Branding:** Official HeriLowPoly "Comfort" Line.

**Objects Included:** Desk, Chair, Rug, Lamp.

**Optimization:** 
* Ultra-low polygon count for maximum performance.
* Clean topology (Quad-dominant).
* Mobile-ready & VR/AR friendly.

**Materials:** Simple solid colors (No heavy textures required), ensuring fast render times even on low-end hardware.

Scandi-Red Minimalist Workset

Elevate your workspace with this sleek, industrial-inspired L-shaped desk. Designed for maximum productivity and style, it features a warm, rich oak wood texture paired with a minimalist black metal frame. Its unique modular structure includes built-in shelving units on both sides, offering ample storage for books, hardware, or office accessories.

Perfect for architects, gamers, or remote professionals looking for a spacious and sturdy workstation that blends natural materials with modern engineering.

Office DeskSans titre

A high-fidelity 3D reconstruction of a modern computer laboratory at Daffodil International University. This project focuses on realistic lighting, material accuracy (specifically the brick textures and wooden workstations), and functional space design.

Technical Details:

Software: Autodesk 3ds Max

Renderer: Arnold GPU (Optimized with NVIDIA RTX 5060 Ti)

Key Features: Seamless marble tiling, custom-modeled workstations, and detailed ceiling-mounted AC units.

This model was created as part of a Design Course assignment, achieving a perfect score for its technical execution and lighting balance.

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