This small furniture asset contain:

-Original 18th C.Petite Antique French Louis XV Table (reference [here](https://www.1stdibs.com/furniture/storage-case-pieces/desks/original-18th-cpetite-antique-french-louis-xv-walnut-table-desk/id-f_120720/)) |2k tris, 4k texts|

-Late 19th Century Piano Stool ([hit](https://www.1stdibs.com/furniture/seating/stools/late-19th-century-rosewood-revolving-piano-stool/id-f_1131328/) the reference) |3874 tris, 2k texts|

-Roman Coins (reference imagez taken [here](https://www.forumancientcoins.com/catalog/roman-and-greek-coins.asp?vpar=55)) |72 tris for each coin, 2k texs|: 

*  Coin1 (Nero)

*  Coin2 (Caligula)
 
-Nautical Roman Clock Vintage (try to guess what is [here](https://inrussia.us/index.php?option=com_ebay&task=showitem&itemid=163001502037)) |2832 tris, 2k texts|

-Antique candelabra |4284tris, 2k texts|

-Books with optional titles. |214 tris for each book, 2k texts|

-Ragged page with phrase by Jules form Pulp Fiction. |18 tris, 512 x 512 texts|

Small Antique Table Asset

This is the first model of the high-resolution photogrammetry passes from Deep Discoverer (D2) remotely operated vehicle (ROV) on the Research Vessel Okeanos Explorer. These data were from NOAA Cruise EX1711 Dive 07. Much credit goes to the skillful ROV pilots on the Okeanos. Protocols for data collection and processing by BOEM's Marine Archaeologist Scott Sorset. The BOEM Virtual Archaeology Museum can be accessed at https://www.boem.gov/Virtual-Archaeology-Museum/.

19th-Century Shipwreck "15377" High Resolution

Late 19th-century Chinese calligraphy brush.

From the brush's description on artsmia.org:
"In Chinese literati culture, the brush, a writing implement, is known as one of the 'four treasures of the study' along with the inkstick, inkstone, and paper."

More information about the brush here:

https://collections.artsmia.org/art/118672/calligraphy-brush-china

Scanned with about 40 100-megapixel photos; model built in Photoscan.

Calligraphy brush

An updated 3D scan of Old Waverly Town Hall restoration in Baltimore, MD. It was built in 1873 to serve as a public hall for the Waverly community. The city plans on restoring the building to its original 19th-century design. There has been a lot of progress since the last time I scanned it about three months ago. Some noticeable changes include the extension of the windows to their original length, restoration of the cornices, removal of fire escapes, repaired roof, and interior construction.

Shot with a DJI Mavic Air 2, 750 photographs

[Version 1](https://sketchfab.com/3d-models/old-waverly-town-hall-6376e15de51e4bbcbd1d3a754fa35231)
![](https://i.imgur.com/Koxe8uw.jpeg) 

Before Construction 
![](https://www.mahanrykiel.com/wp-content/uploads/2017/11/Town-Hall_0000_00.jpg)

Rendering of renovations
![](https://www.mahanrykiel.com/wp-content/uploads/2017/11/Town-Hall_0001_01.jpg)
[Mahan Rykiel Associates Inc's ](https://www.mahanrykiel.com/portfolio/waverly-main-street-master-plan/)

Old Waverly Town Hall v2

The Włocławek reliquary (also known as the Kruszwica reliquary) was created in the 2nd quarter of the 12th century, supposedly in Swabia. It is linked to the Zwiefalten workshop. According to an erroneous 19th-century scientific hypothesis, it was to have come from the Kruszwica cathedral. Until the mid-19th century the exhibit was kept in the cathedral treasury in Włocławek. The cathedral chapter donated the reliquary to Kazimierz Stronczyński, who passed it on to a well-known collector, Józef Rusiecki. The exhibit entered the collection of the National Museum in Kraków in 1909 as a donation from Stanisław Ursyn-Rusiecki, son of Józef.

**For more images and further information, visit:** https://muzea.malopolska.pl/en/objects-list/127

Inventory number: MNK IV-Z-1954/1

Localisation of the physical object: National Museum in Kraków, Poland

**Digitalisation: Regional Digitalisation Lab, Małopolska Institute of Culture in Kraków, Poland; “Virtual Museums of Małopolska” project**

Włocławek reliquary

A 3D recreation of a mid-19th-century Merchant Brigantine. This asset is designed with a focus on historical authenticity and cinematic realism, making it ideal for high-end maritime simulations or period-accurate game environments.

Key Features: Highly Detailed Hull: Weathered oak wood textures with visible grain and iron bolt detailing. Authentic Underbody: Aged copper plating below the waterline featuring realistic oxidation and patina. Rigging & Sails: Intricate hemp rope rigging paired with cream-colored canvas sails, subtly tattered for a “lived-in” sea-faring aesthetic.

1840s Merchant Brigantine_GG_BB_M_v3

**1840s Merchant Brigantine - Cinematic Game Asset**

A 3D recreation of a mid-19th-century Merchant Brigantine. This asset is designed with a focus on historical authenticity and cinematic realism, making it ideal for high-end maritime simulations or period-accurate game environments.

Key Features:
Highly Detailed Hull: Weathered oak wood textures with visible grain and iron bolt detailing.
Authentic Underbody: Aged copper plating below the waterline featuring realistic oxidation and patina.
Rigging & Sails: Intricate hemp rope rigging paired with cream-colored canvas sails, subtly tattered for a "lived-in" sea-faring aesthetic.

1840s Merchant Brigantine_GGMt

**1840s Whaling Brigantine - Cinematic Game Asset**

This is a high-fidelity, high-poly 3D reconstruction of a mid-19th-century Merchant Brigantine, specifically outfitted for the whaling industry. Designed for cinematic renders and high-end environments, this model features realistic PBR textures and historically inspired details.

**Key Features:**

Historical Accuracy: Features a blunt bow, heavy timber construction, and authentic 1840s rigging.
Deck Details: Includes a functional brick try-works (for processing oil) and four deployable wooden whaleboats hanging from side davits.
Textures: High-resolution (8k) weathered oak wood, aged copper plating below the waterline, and oil-soaked deck textures for a gritty, realistic look.
Technical Specs: Optimized for Unreal Engine 5; includes intricate hemp rope rigging and tattered cream canvas sails.

1840s Whaling Brigantine_GGMt

**1840s Merchant Brigantine - Cinematic Game Asset**

A 3D recreation of a mid-19th-century Merchant Brigantine. This asset is designed with a focus on historical authenticity and cinematic realism, making it ideal for high-end maritime simulations or period-accurate game environments.

Key Features: Highly Detailed Hull: Weathered oak wood textures with visible grain and iron bolt detailing. Authentic Underbody: Aged copper plating below the waterline featuring realistic oxidation and patina. Rigging & Sails: Intricate hemp rope rigging paired with cream-colored canvas sails, subtly tattered for a “lived-in” sea-faring aesthetic.

1840s Merchant Brigantine_GG_BB_R_v3

**1840s Hybrid Steam Brigantine - Industrial Paddle Steamer**

This high-fidelity 3D asset represents the mid-19th-century transition from sail to steam. A "hybrid" Merchant Brigantine, this model combines traditional rigging with early industrial steam propulsion, making it a perfect centerpiece for Industrial Era or Steampunk cinematic environments.

**Key Features:**
Hybrid Propulsion: Features authentic side-paddle wheels and a prominent central black iron smokestack with realistic coal soot staining.
Industrial Detailing: Heavy timber construction with weathered oak textures, complemented by aged copper plating below the waterline.
Cinematic Rigging: Intricate hemp rope rigging and cream-colored canvas sails with slight tattering, designed for high-end UE5 renders.
Gritty Realism: PBR textures include iron bolt details, oil-soaked deck planks, and atmospheric soot buildup around the industrial components.

1840s Hybrid Steam Brigantine_GGMt

19th-century headstone of  Patrick Barron (born c. 1810) who died aged 19 in 1829 and was buried in Nenagh graveyard, Kenyon Street, Nenagh, Co. Tipperary. The headstone was erected by his father Daniel Barron.  Inscription framed within a lozenge border.  The top of the headstone has a central crucifixion flanked by the Instruments of the Passion aka Arma Christi (Weapons of Christ).  The base of the headstone has been signed by the stonecutter W. P. Birdhill.  These are the initials of William Philpot a stonecutter based around Cragg quarry near the village of Birdhill on the Limerick/Tipperary border. In 1938 P. Barron (born c. 1870) who was a blacksmith aged 68 lived in Sarsfield Street in the town of Nenagh. According to folklore collected from Mr Barron the Barron family in Nenagh were shoemaker's up to one hundred and 50 years ago (c. 1788).   In 1901 there was a record of the death of Daniel Barron (born c. 1801) of Francis Street, a shoemaker. Best viewed in Matcap render.

Patrick Barron Headstone Kenyon St. Nenagh

19th-century slate headstone of Patrick Madden (born c. 1829) who died aged 36 in 1865 & was buried in Nenagh graveyard, Kenyon Street, Co. Tipperary.  The inscription is framed within a border of semi-circles and double incised line running up along either side of the headstone.  The top of the headstone has a double-line inscised Latin Cross with expanded terminals, flanked on either site by an incised heart.  Above the hearts either side of the cross are lozenges framed within a decorative panel.  Two curvilinear lozenges are visible either side of the cross base.  Four leaf-cross withere side of the incised hearts.  Symbols on top of the headstone framed by border of semi-circles which may represent the folds of a a curtain pulled back to reveal the symbols.  Possible curvilinear sunburst quadrants in the corners of the border of the symbols and inscription panel. The horizontal lines visible on the inscription are ruling lines used by the stonecutter to set height, alignment, & spacing of the letters.

Pat Madden Headstone Kenyon Street Nenagh

Object: The Collins Monument
Location: Ohio River Valley

**Historical Significance:**
This towering 19th-century pedestal, bearing the family name "COLLINS," is a classic example of Victorian-era funerary architecture. Monuments of this scale and expense were almost exclusively designed to serve as a base for a large crowning statue, such as a draped urn, an angel, or a symbolic figure.

**Preservation Status & The Lost Statue:**
This "Digital Twin" documents a severe loss of historical context. While the heavy limestone pedestal has survived, the crowning artwork has been completely sheared off by kinetic impact or decades of freeze-thaw fracturing. Only jagged, unidentifiable stone anchors remain on the top plinth. Without early photographic records, the original identity of the statue is a permanent mystery. This archive preserves the surviving family name and architectural geometry before the remaining stone succumbs to advanced biological weathering.

Digitization: The American Digital Heritage Project

Collins Monument: Lost Statuary (19th C.)

An engineering-grade 3D "Digital Twin" of the Chickamauga bronze bas-relief, situated on the Carrara marble monument of General William Haines Lytle in Spring Grove Cemetery (Cincinnati, OH).

This high-fidelity capture documents the severe chemical weathering and oxidation of the 19th-century bronze artifact. It was processed specifically for the American Digital Heritage Project to provide local educators with interactive, browser-based STEM models for studying chemical reactions, hydrological erosion, and material degradation.
* Archive: The American Digital Heritage Project
* Capture Method: Close-range photogrammetry
* Location: Spring Grove Cemetery, National Historic Landmark

Chickamauga Bronze Relief | Lytle Monument

British army military barracks, Summerhill, Nenagh, Co. Tipperary.  19th-century upgright boundary stone No. 21 with inscription on roadside face W ↑ D (War Department). The broad arrow pointing upwards carved between the W D of which the pheon is a variant, is a stylised representation of a metal arrowhead, comprising a tang & two barbs meeting at a point. It is a symbol used traditionally in heraldry, most notably in England, and later by the British government to mark government property.  The rest of the inscription reads 14 Feet Front in Line From No. 13 No. 14 has a line running through it.  Erected after 1855 when the Board of Ordnance was disbanded & all military land functions were transferred to the newly created War Department. The stone marked the boundary of land belonging to the military barracks. One of at least 21 stones marking the boundary of the military owned land enclosing the barracks. These stones are annotated B.S on 1901 ed. OS 25-inch map. One of four stones facing onto public road.

Nenagh Barracks Boundary Stone No. 21

British army military barracks,Summerhill, Nenagh, Co. Tipperary. 19th-century upright boundary stone No 5 now built into roadside wall on the north side of the entrance to the barracks. Stone marked the front boundary of the property belonging to the military barracks. B ↑ O which stands for Board of Ordnance. The broad arrow pointing upwards carved between the B O of which the pheon is a variant, is a stylised representation of a metal arrowhead, comprising a tang and two barbs meeting at a point. It is a symbol used traditionally in heraldry, most notably in England, and later by the British government to mark government property. Erected before 1855 when the Board of Ordnance was disbanded and replaced by the War Department. The stone had an earlier number 6 beneath the No. 5 which has had a line put through it, beneath this there are the letters 8 ft. Front. The Board of Ordnance were the custodian of the lands, depots and forts required for the defence of Britain & Ireland.

Nenagh Barracks Boundary Stone No. 5

19th-century triangular-topped slate headstone of William Spedden (born c. 1741) who died aged 100 in 1841 & was buried in Nenagh graveyard, Kenyon Street, Co. Tipperary. Above the inscription there is a Latin Cross with expanded terminals flanked on either side by a ciborium or communion chalice.  According to Wikipedia; 'A ciborium (plural ciboria) is a vessel, normally in metal. It was originally a particular shape of drinking cup in ancient Greece and Rome, but the word later came to refer to a large covered cup designed to hold hosts for, and after, the Eucharist, thus the counterpart of the chalice. In medieval Latin, and in English, "Ciborium" more commonly refers to a covered container used in Roman Catholic, Anglican, Lutheran and related churches to store the consecrated hosts of the sacrament of Holy Communion. It resembles the shape of a chalice but its bowl is more round than conical, and takes its name from its cover, surmounted by a cross or other sacred design'.

William Spedden Headstone Kenyon Street

19th-century round-topped shouldered headstone of Connor O'Shaughnessy (born c. 1759) who died aged 66 in 1825  & was buried in Nenagh graveyard, Kenyon Street, Co. Tipperary.  Memorial stone erected by his wife Bridget O'Shaughnessy.  Headstone also marks the grave of her son James O'Shaugnessy (born c. 1784) who died in 1811 aged 27. Inscription framed by a border of lozenges.  Above the inscription the headstone is decorated with two flowering plants either side of a four armed diamond-shaped cross, the panels of which are infilled with chequerboard pattern.  Flowering plants flanked on either side by a ciborium or communion cup.  Above this there is an I H S Christogram with Latin Cross rising from the crossbar of the H within a sunburst and Latin Motto Gloria In Excelsis Deo.

Connor O'Shaughnessy Headstone Kenyon Street

19th-century round-topped shouldered headstone of Margaret Ryan  (born c. 1787) who died aged 16 in 1803 & was buried in Nenagh graveyard, Kenyon Street, Co. Tipperary.  Inscription framed by a border of lozenges. Above the inscription the headstone is decorated with two flowering plants flanked on either side by a ciborium or communion cup topped with a cross and orb. Above this there is an I H S Christogram with Latin Cross rising from the crossbar of the H within a sunburst and Latin Motto Gloria In Excelsis Deo.

Margaret Ryan Headstone Kenyon Street Graveyard

Built in Auckland in 1884, the steam tug Awhina served a long career in Albany, notably supporting the 1914 ANZAC fleet and saving the steamer Castlemoor from fire in 1928. After being stripped for scrap, the vessel was towed to Ledge Bay and burned on April 19, 1936, leaving its boiler and robust timber framing as a permanent fixture of the coastline. The site remains a rare example of 19th-century New Zealand shipbuilding, characterized by the reinforced construction required for heavy-duty maritime towing.

Site recorded 2026-02-04 by Patrick Morrison (WAM) during Flinders University field school. Dataset: 926 images (Olympus TG-6/UWL-400q) scaled via 1m bar. Processed in Agisoft Metashape Pro.

Awhina 1936 Shipwreck, Albany

*This is a 3D Model of the Greyfriars Bobby fountain, which is found in Edinburgh, Scotland.*
Greyfriars bobby was a Skye Terrier who became a legendary symbol of loyalty in 19th-century Edinburgh. According to the famous tale, Bobby spent 14 years guarding the grave of his owner, John Gray, in Greyfriars Kirkyard until his own death on 14 January 1872. 
**(Free Download)**

Greyfriars Bobby fountain

**Object:** Fireman's Memorial Marker (Helmet Motif)
**Location:** Cincinnati, OH
**Date:** Late 19th Century

**Historical Significance:**
This marker features a traditional 19th-century firefighter's helmet. Monuments like these honor the dangerous reality of volunteer fire brigades during the industrial age.

**Preservation Status & Discovery:**
This "Digital Twin" captures two critical elements of the monument's current state. First, the upper block has been severely displaced from its pedestal base, likely due to kinetic impact (such as a fallen tree limb or heavy groundskeeping equipment). Second, the digitization process revealed intricate carved foliage and wreath details surrounding the helmet—features that were nearly invisible to the naked eye in the field due to heavy biological growth and shadows. This scan ensures these hidden details are preserved and easily studied.

**Digitization:** The American Digital Heritage Project

Firefighter Memorial: Displaced Base (19th C.)

British army military barracks,Summerhill, Nenagh, Co. Tipperary. 19th-century upright boundary stone No 4 now built into doorway of a house on the north side of the entrance to the barracks. Stone marked the front boundary of the property belonging to the military barracks. B ↑ O which stands for Board of Ordnance. The broad arrow pointing upwards carved between the B O of which the pheon is a variant, is a stylised representation of a metal arrowhead, comprising a tang and two barbs meeting at a point. It is a symbol used traditionally in heraldry, most notably in England, and later by the British government to mark government property. Erected before 1855 when the Board of Ordnance was disbanded and replaced by the War Department. The stone had an earlier number beneath the No. 4 which has been removed and a line put through it, beneath this there are the letters 0 ft. Front. The Board of Ordnance were the custodian of the lands, depots and forts required for the defence of Britain and Ireland.

Nenagh Barracks Boundary Stone No. 4

19th-century headstone of Mary Toohey  (born c. 1747) who died aged 70 in 1817 & was buried in Nenagh graveyard, Kenyon Street, Co. Tipperary.  Headstone was erected by her son Patrick Toohey of Nenagh.  Memorial stone also marks the grave of his son Rodger Toohey (born c. 1817) who died in 1819 aged 2 years old.   Inscription is framed within a chequerboard filled border, above the inscription is a border of four rosettes.  Above this there are two encircled 8-pointed stars / sunburst with scroll above with Latin motto Gloria In Excelsis Deo.   Flanked on either side by a ciboirum or communion cup.  Top of the headstone there is an I H S Christogram with Latin Cross rising from the crossbar of the H encircled within a sunburst and floral wreath.

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