This car is one of the rarest Japanese supercars of the 90s. 

I tried to give to this lowpoly model the second life, 
and to make this car more beautiful. 
now I shared it with you 
---
ALLOWED use this model - 
for games. 
visual and art projects. 
presentations. 
(with showing my credits) 
 
FORBIDDEN - 
sell. 
make a profit with it. 
assign their authorship. 
upload on other sites. 
reupload on SketchFab. 
---

You can also watch wonderful works with my Jiotto Caspita 
Work by Patrice TERRIER 
https://www.behance.net/gallery/151526759/Jiotto-Caspita?tracking_source=for_you_feed_user_published 

Work by Anderson Mancini 
https://webflow.com/made-in-webflow/website/jiotto-webgi 

YouTube by 幻想レースゲー資料館 
https://www.youtube.com/watch?v=IztIIX0q5mw

Jiotto Caspita F1 Road Car 1989 By Alex.Ka.

This model was originally made by Steel Wool Studios, from Five Nights at Freddy's Security Breach.

Heavily Edited by ScrinnodStudios (aka me) 

You Can Download and Use this for VRChat or other

My Edits: Full body compatible, Eye tracking able, Re-rigged to fit as playable models, Scaled to Cannon size

When you change it to humanoid make sure the bones are all set to the currect slots, Unity sometimes does not set them correctly

For HQ Textures on Quest after selecting the textures go to the inspector tab and change the "Android Override Format" of the textures to "RGB(A) Compressed ASTC 4x4 Block" on "Fast" Compressor Quality 
if it does not let you upload because of file size limit just lower it blocks to 8x8 and change the size down untill it works

PC Shader, I recommend "Standard"

Quest Shader, I recommend "VRChat/Mobile/StandardLite"

FNAF - Security Breach - Burntrap

This model was originally made by Steel Wool Studios, from Five Nights at Freddy's Security Breach.

Heavily Edited by ScrinnodStudios (aka me) 

The Textures are what are used form 11pm-12:30am (Start of game to 12:30am)

You Can Download and Use this for VRChat or other

My Edits: Full body compatible, Eye tracking able, Re-rigged to fit as playable models, Scaled to Cannon size

When you change it to humanoid make sure the bones are all set to the currect slots, Unity sometimes does not set them correctly

For HQ Textures on Quest after selecting the textures go to the inspector tab and change the "Android Override Format" of the textures to "RGB(A) Compressed ASTC 4x4 Block" on "Fast" Compressor Quality 
if it does not let you upload because of file size limit just lower it blocks to 8x8 and change the size down untill it works

PC Shader, I recommend "Standard"

Quest Shader, I recommend "VRChat/Mobile/StandardLite"

FNAF - Security Breach - Glamrock Freddy -Hour 0

FNAF - Security Breach - Roxanne Wolf - Hour 0

This model was originally made by Steel Wool Studios, from Five Nights at Freddy’s Security Breach.

Heavily Edited by ScrinnodStudios (aka me)

You Can Download and Use this for VRChat or other

My Edits: Full body compatible, Eye tracking able, Blink able, Re-rigged to fit as playable models, Set to cannon scale of height

When you change it to humanoid make sure the bones are all set to the currect slots, Unity sometimes does not set them correctly

For HQ Textures on Quest after selecting the textures go to the inspector tab and change the “Android Override Format” of the textures to “RGB(A) Compressed ASTC 4x4 Block” on “Fast” Compressor Quality if it does not let you upload because of file size limit just lower it blocks to 8x8 and change the size down untill it works

PC Shader, I recommend “Standard”

Quest Shader, I recommend “VRChat/Mobile/StandardLite”

FNAF - Security Breach - Glamrock Endo

FNAF - Security Breach - Monty Gator - Hour 0

This is an OEM leather racing seat used for tunning purposes. These shapes are very difficult to model properly as small variations can make a big difference in the comfort.

This is a great example of how peel 3d can be used in engineering. This component was scanned directly, without any preparation, we simply put a few targets in the back of the seat to improve tracking.  This scan would be perfect to keep as a reference for competitive analysis

Racing seat

a Chibi goat made for VRChat, Free!!!!

Sweat sweat little Goat
Her name is Pawp Ais, which is like a Pop Ice... or an Ice Cream.
has soft color and pattern like an Ice Cream

The avatar works on Desktop and Quest

Fully body tracking ready

Comes with GoGo Loco

Clothing Variant and Custom Machette like Free Fire had ( Grabable )

You can get it the file (Blender and SPP files) for free on my Gumroad Sites

Or... you can [Clone](https://vrchat.com/home/avatar/avtr_3109f3bd-c3ed-4a37-8596-692fbe4ec6fe) the avatar.

[VRChat] Pawp Ais, Free

## Scanning
The motorcycle was scanned in IR-mode on the Rigil using 1.5mm resolution and feature tracking without connection to a PC. The picture of the bike misleads about the lighting conditions (modern smartphone witchery be thanked): the place was too dim for texture tracking and in these cases better results can be achieved by only using feature tracking. For scanning itself I didn't do any preparations like scan spray and focused on the both sides by using the saddle as the connection for switching sides.  
While scanning the Rigil held a constant 20 FPS (if texture tracking would be also enabled for hybrid tracking FPS will be lower). Scanning itself took roughly 5min.

## Post-Processing
Post processing was done on my workstation and included generation of the point cloud and subsequent meshing in recommended settings. Since it came out to 15M triangles I reduced it to 4M so the scan could be uploaded to Sketchfab.

Honda Motorcycle - Einscan Rigil IR Scan

## Scanning
The front was scanned in IR mode for large parts at 1mm resolution with hybrid tracking (texture and geometry). The environment was less than ideal for scanning: Harsh sunlight from the side with a crystal clear sky so no scattered light for better conditions. Also the paint was recently waxed and freshly cleaned...  
For the scan itself I slowly moved around the car trying to capture all crevices, only tracking problems were encountered on the center of the hood (no features and no texture).

## Post-Processing
Only point cloud generation and meshing at recommended settings. Scan was later reduced and aligned to the coordinate system in Quicksurface.

BMW E34 Front - Einscan Rigil IR mode

## Scanning
The scan was created in large IR-mode with automatic exposure and geometry tracking. I started from the front and slowly moved around the part while keeping an eye on having enough overlap for tracking (rotating the scanner to reach in to the crevices works quite well to circumvent obstructions due to limited line of sight). While scanning the framereate was roughly 10 FPS with some highs to 15 and lows to 6 FPS (NIR mode still needs an update I guess, currently no marker scannign supported).

## Post-Processing
For post processing I fused the scan at 1mm and and meshed it it with default settings. For alignment I used the untegrated tooling in Creality Scan (basically rotating the part until alignment is right). The figurine then was printed from PLA to create a minature version.

Angel Figurine (Tombstone) - Creality Sermoon P1

A custom model of The Prototype from Poppy Playtime built to be used as an avatar for VRChat!

This model is optimized for Quest and comes with all the shapekeys required for Face Tracking and Source Filmmaker!

The Prototype - Poppy Playtime

## Scanning
The motorcycle was scanned in markerless alser mode on the Rigil using 1mm resolution and feature tracking without connection to a PC. For scanning itself I didn't do any preparations like scan spray and focused on the both sides with one scan per side whilst ensuring enough overlap for easy alignment in later steps.  
While scanning the Rigil held roughly 20 FPS. Scanning itself took roughly 5 to 10min per side, so a a bit longer than in IR mode (was using 1.5mm there though). 

## Post-Processing
Post processing was done on my workstation and included generation of the point clouds, automatic feature alignment and subsequent meshing in recommended settings. Quicksurface was used for alignment to the coordinate system and reduction of the point cloud size. Since it came out quite large I reduced it to 4M so the scan could be uploaded to Sketchfab.

BMW Motorcycle - Einscan Rigil Markerless Laser

**Car: **Opel Corsa 2023 Facelift

## Scanning
The scan was created in large IR-mode with automatic exposure and geometry tracking. I didn't capture any texture but still enabled the texture fill light to have a better feeling of what I scanned (was already dark outside). The whole scan took roughly 2:30 min and was finished when all parts reached the quality indiator (would be nice if the resolution in IR mode could be preset to have the qualitiy indicator represent this setting like in laser mode).

## Post-Processing
After scanning I transferred the scan project wired to my PC and only needed to press one button (fuse at default settings). Creality Scan already produces a mesh when performing the fusion so no additional meshing needed. The mesh was then exported and I used Quicksurface to reduce and orient the scan to the coordinate system.

Opel Corsa Spare Tire Area - Creality Sermoon P1

## Scanning
Scanning was done at 2mm target resolution and no scan spray was used. I was to lazy to calibrate the Trackit so some of the surface quality defects may be accountable to this problem. Tracking quality was indicated as poor so time to calibrate. Scan was performed in three parts (could have been two but the first placement of the tracker was suboptimal) and each scan consists of paint brush movements until full data quality was reached.

## Post-Processing
Processing work was minimal by first fusing at 1mm (software even recommended 0.75mm) and then aligning the partial scans to one whole scan. Meshing was done at recommended settings and alignment to the coordinate system with Quicksurface.

Tiled Stove - Revopoint Trackit

## Scanning
Three scans were done, all in the same setting: Owl placed on turntable with markers around it, marker tracking used and exposure set to ensure no under- or overexposure. All scans were taken until full data quality was reached.  
Scans:
- 0.2mm IR small mode (highest resolution selectable), texture capture enabled
- 0.1mm laser mode, texture capture enabled
- 0.05mm laser mode (high detail capture of the face area, whole bird in 0.05 would result in unusable large scan)

## Post-Processing
No special post-processing was done, only meshing at default settings within Exstar Hub and performing texture optimization.

Wooden Owl Laser 0.1mm - Einstar Rockit

## Scanning
For scanning I placed the shell on a bed of marker cards and geometries securing it with blue tack against rolling (which actually caused problems...). The scan itself was created in standalone mode with marker tracking and 0.2mm resolution in laser mode. It tool roughly 7min to reach full data quality on the front side. I also captured the back side but supposedly the blue tack deformed which resulted in the scan being unusable... Next time I wull try clay.

## Post-Processing
When finishing the single scans it already creates a point cloud so I only had to mesh it in recommended settings (semi-watertight). Afterwards I used Quicksurface to align the scan to the coordinate system and reduce the triangle count to a manageable 4M triangles.

Trench Art from WW1 - Einscan Rigil

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (~80FPS over WiFi).  
For the laser scan marker tracking was used. The scan bench was placed on a turntable with marker geometries placed around it to allow scanning from shallower angles (as seen in last picture). The resolution was set to 0.1mm and exposure was adjusted so the white print wasn't overexposed. For laser mode I used a combination of cross, parallel and single line mode, changing them can be done by double pressing the scan start button on the scanner.   

## Post-Processing
For both scans processing was done using the recommended settings within CrealityScan. This is basically only Fusion since it already generates a mesh at this step which can directly be exported.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other.

Scan Bench - Creality Sermoon P1 Laser

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (with latest update laser mode now reaches 120FPS over WiFi, not bad at all).  
For the laser scan marker tracking was used. The scan bench was placed on a turntable with marker geometries placed around it to allow scanning from shallower angles (as seen in last picture). The resolution was set to 0.1mm and exposure was adjusted so the white print wasn't overexposed. For laser mode I used a combination of parallel and cross line laser mode, changing them by using the scanners touch screen while scanning.   

## Post-Processing
For all three scans precessing was done using the recommended settings within ExScan Rigil. This includes point cloud generation and meshing.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other. The laser scans had to be reduced to allow upload to Sketchfab.

Scan Bench - Einscan Rigil Laser

Wooden Owl Laser 0.05mm - Einstar Rockit

## Scanning
The scans were captured with wireless connection to my workstation to capture the data faster (with latest update laser mode now reaches 120FPS over WiFi, not bad at all).  
For IR mode I chose large mode at 0.5mm resolution and marker tracking as well as small mode at 0.2mm resolution with marker tracking. Normally I don't use small mode much since I mainly use markerless laser scanning for parts where I would use it normally. My sweet spot for IR mode is somewhere between 0.5mm and 3mm.

## Post-Processing
For all three scans precessing was done using the recommended settings within ExScan Rigil. This includes point cloud generation and meshing.  
After exporting the meshes I used Quicksurface to align the meshes to the coordinate system and each other. The laser scans had to be reduced to allow upload to Sketchfab (just under 4M triangles will result in a 100MB ply when exporting from Quicksurface).

Scan Bench - Einscan Rigil IR Large

Boba Fett, a feared bounty hunter in the galaxy, emerges as a skilled and relentless figure during the rise of the Galactic Empire. Cloned from the renowned Mandalorian Jango Fett, he inherits both his father’s combat prowess and his distinctive armor. Orphaned as a child when Jango is killed, Boba carves a path through the criminal underworld, taking on dangerous assignments with unwavering precision. Known for his cold efficiency, he navigates a galaxy of shifting alliances, tracking targets across star systems. His reputation grows as someone who never fails to complete a contract, earning both fear and respect from allies and enemies alike. Despite his merciless exterior, hints of loyalty and personal code occasionally surface, setting him apart from typical hunters

SWJA Movie Duels: Boba Fett

## Scanning
Scan was done in IR mode with 3mm resolution and large mode, Rigil was used standalone. For tracking only feature tracking was used (texture would have helped but the light was dim and flickery (fluorescent tubes be thanked) so no real help...). This created a bit of a challenge when scanning the tar large flat parts of the couch. The persian carpet would have provided enough texture but it couldn't be used for tracking due flickering of the light tubes. Scan itself took roughly 5min.

## Post-Processing
Just point cloud generation and meshing at recommended settings (meshing as semi-watertight) on my workstation (simply faster than on device). After meshing I did a quick texture optimization and alignment within Exscan Rigil.

Seating Area (Upholstery) - Einscan Rigil

## Scanning
Scan was done in IR mode with 1mm resolution and large mode. For tracking only feature tracking was used (texture would have helped but the light was dim and flickery so no real help...). The final result consists of two scans (top and bottom) to capture the whole armchair. Between the scans I had to turn the chair around so I made sure to capture all cushiony parts in the top scan so when they are deformed after turning I already captured them. When having relatively smooth textile without much wrinkles for tracking you can always try

## Post-Processing
Just point cloud generation and meshing at recommended settings (meshing as semi-watertight) on my workstation (simply faster than on device). Alignment was done in Quicksurface as well as reduction or triangle count (from 14M to ~3M).

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